Classical Theatre Of Harlem

### Context Profile for Classical Theatre of Harlem

#### 1. Organization Mission & Cause
The Classical Theatre of Harlem (CTH) is dedicated to producing and promoting the works of classical and contemporary playwrights, particularly those from the African diaspora. Their mission is to challenge conventional narratives and amplify underrepresented voices through the power of theater. They aim to connect diverse worlds of thought and foster a deeper understanding of the cultural and historical contributions of African American artists.

#### 2. Type of Activities
CTH engages in a variety of activities including:
- **Theatrical Productions**: Staging classical and contemporary plays that resonate with their mission.
- **Literary Series**: Their recent "Playwrights' Playground" event encourages playwrights to submit new works for development through readings and audience feedback.
- **Community Engagement**: Programs aimed at involving the local community in theater, including workshops and interactive events.
- **Fundraising Campaigns**: Regular fundraising initiatives to support their productions and community programs.

#### 3. Tone of Voice
The tone of voice used by CTH is:
- **Inspiring**: The language is uplifting and encourages creativity and expression.
- **Friendly**: Communications are approachable, inviting participation and engagement.
- **Professional**: While maintaining a casual feel, the organization presents itself with a level of professionalism that reflects its artistic focus.

#### 4. Emoji Usage
CTH does not prominently use emojis in their communications. Their focus appears to be on clear and professional language without the informal touch that emojis might bring.

#### 5. Key Facts
- **Founding Information**: CTH was founded in 1999 and has since become a significant cultural institution in Harlem.
- **Scale**: The organization has a small but dedicated team, with a focus on community involvement and outreach.
- **Impact Metrics**: Specific metrics are not detailed on the website, but they emphasize the importance of community engagement and representation in the arts.
- **Volunteer Information**: While specific volunteer opportunities are not detailed, the organization likely encourages community participation in its events and productions.

#### 6. Writing Guidelines
- **Style**: Use clear, engaging language that reflects the inspiring and friendly tone of the organization.
- **Content Focus**: Highlight themes of representation, community involvement, and the transformative power of theater.
- **Call to Action**: Encourage participation in events and support for fundraising campaigns, making it easy for readers to get involved.
- **Audience Engagement**: Use inclusive language that invites diverse audiences to connect with the theater and its mission.

This context profile provides a comprehensive overview of the Classical Theatre of Harlem, which will assist in generating personalized and relevant content for their communications and outreach efforts.

General Admission

<p data-end="497" data-start="250" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" id="isPasted" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;">The Classical Theatre of Harlem&rsquo;s Future Classics Literary Series returns &mdash; this time at Harlem School of the Arts &mdash; reigniting the power of theater to challenge convention, connect worlds of thought, and amplify underrepresented voices.<p data-end="644" data-start="499" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;">Join us for thrilling evenings of fresh scripts, dynamic readings, and interactive feedback that help shape the future of American theatre.<hr data-start="1237" data-end="1240" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; clear: both; -webkit-user-select: none; break-after: page; box-sizing: inherit;" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><h3 data-end="1270" data-start="1242" fr-original-style="font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); box-sizing: inherit;">This Month&rsquo;s Reading</h3><p data-end="1308" data-start="1271" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;">The N Trial by Philip C. Hall<p data-end="1606" data-start="1310" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;">Synopsis America&#39;s efforts to reckon with social intolerance and politically inspired violence result in the arrest of a young black man (pursuant to a newly-enacted &quot;Hate Speech&quot; law) and his trial for &quot;provocative and malicious use&quot; of one of the most offensive words in the English language.<p data-end="1606" data-start="1310" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;"> <p data-end="2434" data-start="1608" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;">About the PlaywrightPhilip C. Hall, 59, (a Brooklyn transplant), is a resident of Harlem, New York. In 2019, Philip&rsquo;s dramatic writings were utilized in theatrical workshops and performances to support the positive development of incarcerated youth in New York State (NYS) Office of Children and Family Services facilities, as well as adults in NYS prisons. Since 2019, Philip&rsquo;s dramatic work, Dutch Crown (an inner-city take on Edgar Lee Masters&rsquo; Spoon River Anthology), has been performed within several NYS correctional facilities, where it continues to be utilized as a teaching tool. In 1996, Philip was a founding member of Rehabilitation Through the Arts (RTA), a nonprofit organization that utilizes the transformative power of the arts to help incarcerated women and men in NYS develop critical life skills. In 2020, RTA commissioned Philip to write three screenplays for its Reimagining Myself program that is currently offered to incarcerated adults in New York and California. In March, 2023, Philip&rsquo;s play, In October, 2023, Philip was a panelist at Brooklyn Borough Hall for the Osborne Association&rsquo;s event &ldquo;See us, Support Us: Reentry Through a Child&rsquo;s Eyes.&rdquo; Since 2022, Philip has performed in David Rothenberg&rsquo;s play, The Castle. Philip is employed as a case manager and enjoys writing, attending plays, and cycling.<p data-end="2434" data-start="1608" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;"> <hr data-start="2436" data-end="2439" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; clear: both; -webkit-user-select: none; break-after: page; box-sizing: inherit;" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none;"><p data-end="2800" data-start="2441" fr-original-style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);" style="font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); margin: 0px; line-height: 1.5; box-sizing: inherit;">Future Classics champions bold, emerging voices whose work promotes courageous and open-minded examination of the social and political issues at the heart of our society. Each installment pairs playwrights with CTH&rsquo;s resident dramaturg, a professional director, and dedicated actors to develop new plays destined to become the classics of tomorrow.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our theater company. Your participation in and support of events like this helps empower artists and new works that are destined to shape the future of American theatre.&nbsp; If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Sincerely, The Classical Theatre of Harlem<a fr-original-style="" href="mailto:info@cthnyc.org" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">info@cthnyc.org</a>

<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%">The Classical Theatre of Harlem’s Future Classics Literary Series returns — this time at Harlem School of the Arts — reigniting the power of theater to challenge convention, connect worlds of thought, and amplify underrepresented voices.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%">Join us for thrilling evenings of fresh scripts, dynamic readings, and interactive feedback that help shape the future of American theatre.<hr /><p style="font-weight:bold;font-style:normal;font-variant-caps:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;box-sizing:inherit;max-width:100%">This Month’s Reading<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%">The N Trial by Philip C. Hall<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%">Synopsis America's efforts to reckon with social intolerance and politically inspired violence result in the arrest of a young black man (pursuant to a newly-enacted "Hate Speech" law) and his trial for "provocative and malicious use" of one of the most offensive words in the English language.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%">About the PlaywrightPhilip C. Hall, 59, (a Brooklyn transplant), is a resident of Harlem, New York. In 2019, Philip’s dramatic writings were utilized in theatrical workshops and performances to support the positive development of incarcerated youth in New York State (NYS) Office of Children and Family Services facilities, as well as adults in NYS prisons. Since 2019, Philip’s dramatic work, Dutch Crown (an inner-city take on Edgar Lee Masters’ Spoon River Anthology), has been performed within several NYS correctional facilities, where it continues to be utilized as a teaching tool. In 1996, Philip was a founding member of Rehabilitation Through the Arts (RTA), a nonprofit organization that utilizes the transformative power of the arts to help incarcerated women and men in NYS develop critical life skills. In 2020, RTA commissioned Philip to write three screenplays for its Reimagining Myself program that is currently offered to incarcerated adults in New York and California. In March, 2023, Philip’s play, In October, 2023, Philip was a panelist at Brooklyn Borough Hall for the Osborne Association’s event “See us, Support Us: Reentry Through a Child’s Eyes.” Since 2022, Philip has performed in David Rothenberg’s play, The Castle. Philip is employed as a case manager and enjoys writing, attending plays, and cycling.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%"> <hr /><p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin:0px;line-height:1.5;box-sizing:inherit;max-width:100%">Future Classics champions bold, emerging voices whose work promotes courageous and open-minded examination of the social and political issues at the heart of our society. Each installment pairs playwrights with CTH’s resident dramaturg, a professional director, and dedicated actors to develop new plays destined to become the classics of tomorrow.

General Admission

free

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