Latitude 53

### Context Profile for Latitude 53

1. **Organization Mission & Cause**:
   - Latitude 53 is a non-profit artist-centered organization located in Edmonton, Canada. Its mission is to empower artists engaged with contemporary culture. The organization supports the development of contemporary art and artists, fostering a vibrant arts community in Edmonton and beyond.

2. **Type of Activities**:
   - Latitude 53 hosts various activities including:
     - **Membership Programs**: Offering different tiers of membership (General, Student/Senior/Low-Income, Family, Supporter, Patron) with benefits such as discounts, pins designed by local artists, and voting rights.
     - **Workshops**: Such as the "A Hope to Wish For on a Star | Underglazing Workshop" led by local artists.
     - **Exhibitions and Events**: Showcasing contemporary art and providing platforms for artists to display their work.
     - **Fundraising Campaigns**: Engaging the community to support the arts through donations and membership.

3. **Tone of Voice**:
   - The tone of Latitude 53's communications is **friendly**, **inviting**, and **supportive**. The language is accessible and encourages community involvement, making it feel inclusive and engaging. The organization uses a conversational style that fosters a sense of belonging among members and supporters.

4. **Emoji Usage**:
   - Latitude 53 incorporates emojis in their communications, particularly in email campaigns. For example, they use a calendar emoji (📅) to highlight event dates. The use of emojis appears to be moderate and serves to add a friendly, approachable touch to their messages.

5. **Key Facts**:
   - **Founding Info**: Latitude 53 is a registered charity (Charity # 129916169RR0001).
   - **Scale**: The organization has a total of 3 forms and has sent out 41 email campaigns.
   - **Impact Metrics**: While specific metrics are not detailed on the website, the organization emphasizes community engagement and artist empowerment as key impact areas.
   - **Volunteer Info**: Information on volunteer opportunities is not explicitly mentioned on the website but may be inferred through community involvement in events and workshops.

6. **Writing Guidelines**:
   - **Style**: Use a friendly and conversational tone that invites participation and fosters community spirit.
   - **Structure**: Keep content clear and concise, using bullet points for benefits and key information to enhance readability.
   - **Personalization**: Incorporate personalized greetings in communications (e.g., using first names).
   - **Visual Elements**: Where appropriate, include emojis to maintain a light-hearted and engaging tone.
   - **Call to Action**: Clearly state calls to action, encouraging readers to join, participate, or donate, while emphasizing the impact of their support.

This context profile serves as a foundational guide for creating tailored content for Latitude 53, ensuring alignment with their mission, tone, and community-focused activities.

We encourage participants to register in advance of the workshop.

Pre-registration

Virtual workshop via Zoom.<a href="https://www.latitude53.org/current/2023/4/13/the-next-50-years"> Find more info about The Next 50 Years project on our website</a>. <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">AI.Craft will kick off with an introduction to how Mohamed and Blaine have investigated the use of AI as a collaborative artistic tool, then continue with a discussion around the state of affairs of generative AI. We will be joined by Kate Armstrong, author of the “AI Futures for Art + Design” newsletter, in considering the implications and impacts of AI in the visual arts.  <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Are there obvious patterns that reveal characteristics/biases of the datasets driving AI tools? Although it can be fun to play with these biases in order to subvert them, is there a way to explore the idea of engineered surprise and can it be harnessed? Are there ways to use these technologies in novel ways? For example, we are investigating how a real-life, non-digital artistic collaborative scenario might then translate into data and reveal the "mood" of that situation in how a resulting AI model behaves. <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Guest Panelist <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Kate Armstrong is a writer, artist, and curator whose work focuses on art and technology.  Armstrong is a pioneer in generative art and literature: her interdisciplinary practice is conceptually driven and has included participatory work, objects, photography, video, events in urban space, generative text systems, and experimental narrative forms. Her exhibitions include the Contemporary Art Centre (Vilnius, Lithuania), Psy-Geo-Conflux (New York), and Akbank Sanat (Istanbul, Turkey). Armstrong’s artworks are held in collections including Rhizome, the Rose Goldsen Archive at Cornell University, and the Library of the Printed Web. She is co-director of the research initiative AI Futures for Art and Design at Emily Carr University of Art + Design in Vancouver, Canada and publishes a <a href="https://aifutures.substack.com/"><span style="font-size:10pt;font-family:Arial;color:rgb(220, 161, 13);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:underline;text-decoration-skip-ink:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">substack</a><span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit"> on the topic.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;-webkit-user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;-webkit-user-select:none;box-sizing:inherit">Last name, Thanks for registering for our AI.Craft workshops for The Next 50 Years Project. The workshop will take place at 2pm MDT on Saturday 3 June, online via Zoom. Join the Zoom Meeting:https://us02web.zoom.us/j/84700340219?pwd=djRhMytNa2NQYTgzWXJlSEpEL2txUT09 Meeting ID: 847 0034 0219Passcode: 492414 Thanks and looking forward to seeing you Adam Waldron-Blainprogram@latitude53.org7804235353

Virtual workshop via Zoom.<a href="https://www.latitude53.org/current/2023/4/13/the-next-50-years"> Find more info about The Next 50 Years project on our website</a>. AI.Craft will kick off with an introduction to how Mohamed and Blaine have investigated the use of AI as a collaborative artistic tool, then continue with a discussion around the state of affairs of generative AI. We will be joined by Kate Armstrong, author of the “AI Futures for Art + Design” newsletter, in considering the implications and impacts of AI in the visual arts.  Are there obvious patterns that reveal characteristics/biases of the datasets driving AI tools? Although it can be fun to play with these biases in order to subvert them, is there a way to explore the idea of engineered surprise and can it be harnessed? Are there ways to use these technologies in novel ways? For example, we are investigating how a real-life, non-digital artistic collaborative scenario might then translate into data and reveal the "mood" of that situation in how a resulting AI model behaves. Guest Panelist Kate Armstrong is a writer, artist, and curator whose work focuses on art and technology.  Armstrong is a pioneer in generative art and literature: her interdisciplinary practice is conceptually driven and has included participatory work, objects, photography, video, events in urban space, generative text systems, and experimental narrative forms. Her exhibitions include the Contemporary Art Centre (Vilnius, Lithuania), Psy-Geo-Conflux (New York), and Akbank Sanat (Istanbul, Turkey). Armstrong’s artworks are held in collections including Rhizome, the Rose Goldsen Archive at Cornell University, and the Library of the Printed Web. She is co-director of the research initiative AI Futures for Art and Design at Emily Carr University of Art + Design in Vancouver, Canada and publishes a <a href="https://aifutures.substack.com/">substack</a> on the topic.

Next 50 Years: AI.Craft Workshop

Pre-registration

Free