rice and beans theatre society

### Context Profile for Rice and Beans Theatre Society

1. **Organization Mission & Cause:**
   - **Mission Statement:** Rice and Beans Theatre is dedicated to providing a platform for the creation, development, and production of innovative theatre by artists of color and other marginalized theatre-makers. The organization aims to facilitate original Canadian work that is accessible, honest, uncompromising, and personal.
   - **Cause:** The theatre company focuses on supporting diverse voices in the arts, particularly through IBPOC-led mainstages and multilingual theatre development programs. They aim to foster a vibrant community of artists and audiences through boundary-pushing performances.

2. **Type of Activities:**
   - **Events:** The organization hosts various theatrical productions, community events, and fundraisers. Notable recent events include the "r&b's 15th Birthday Fundraiser Quinceañera," which celebrated their 15th anniversary with performances, readings, and a dance party.
   - **Fundraising Campaigns:** They have multiple fundraising initiatives to support their programs and productions, such as ticket sales for events and special fundraising events.
   - **Community Programs:** Rice and Beans Theatre provides mentorship, dramaturgy, and direction to fellow artists, emphasizing community engagement and support for emerging talents.

3. **Tone of Voice:**
   - The tone of the website and communications is **friendly, casual, and inspiring**, with an emphasis on community and celebration. The language is inclusive and engaging, often using exclamation points and direct addresses to the audience to create a sense of excitement and connection.
   - Example phrases from the recent campaign include "It’s going to be an incredible night filled with stories, memories..." and "We can’t wait to see you there!"

4. **Emoji Usage:**
   - The organization does not prominently use emojis in their website content or email communications. Their tone is conveyed through enthusiastic language rather than visual emojis, maintaining a professional yet approachable demeanor.

5. **Key Facts:**
   - **Founding Info:** Founded in 2010 by Pedro Chamale and Derek Chan in Vancouver.
   - **Scale:** The organization has conducted 5 total forms and 14 email campaigns, indicating active engagement with their audience.
   - **Impact Metrics:** Notable achievements include nominations for prestigious awards such as the Dora Award and Jessie Awards for their productions, showcasing their impact in the theatre community.
   - **Volunteer Info:** While specific volunteer information is not detailed on the website, the organization emphasizes community involvement and support for artists, suggesting opportunities for volunteer engagement.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and engaging tone that reflects community spirit. Incorporate inclusive language that resonates with diverse audiences.
   - **Structure:** Keep content concise and focused on key messages. Use bullet points or short paragraphs for clarity.
   - **Call to Action:** Encourage participation and support through clear calls to action, such as inviting readers to attend events or contribute to fundraising efforts.
   - **Personalization:** Use direct addresses and personal touches in communications to foster a connection with the audience, as seen in their thank-you emails and event promotions.

This context profile provides a comprehensive understanding of the Rice and Beans Theatre Society, enabling AI assistants to create tailored and effective content that aligns with the organization's mission and values.

In-Person Ticket at Progress Lab, 1422 William Street, Vancouver, BC! Tickets are pay-what-you-can ($15 suggested). Please use the donation field below to pay :)

In-Person PWYC Admission

Livestream ticket to watch from home! Tickets are pay-what-you-can ($15 suggested). Please use the donation field below to pay :)

Livestream PWYC Admission

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you so much for ordering a ticket to the showcase of our second annual Polyphonic Multilingual Creation Residency! We can't wait to see you there.  If you purchased a livestream ticket, here is the information needed to access the stream: For the General StreamLink: <a href="https://www.riceandbeanstheatre.com/show" style="color:green;text-decoration:inherit;user-select:auto;box-sizing:inherit">https://www.riceandbeanstheatre.com/show </a>Password: polyphonic2024 For the ASL StreamLink: <a href="https://www.riceandbeanstheatre.com/asl-show" style="color:green;text-decoration:inherit;user-select:auto;box-sizing:inherit">https://www.riceandbeanstheatre.com/asl-show </a>Password: polyphonic2024 Best,The rice & beans teaminfo@riceandbeanstheatre.com

<div><article><div>The Event<div><div>We are thrilled to be showcasing two new works from our 2024 Polyphonic Multilingual Creation Residency artists: Carolyn Nakagawa and Yulissa Campos! Following 10 days of workshopping and project development, Carolyn and Yulissa will share excerpts of their pieces on Thursday, May 30th at 7:00pm PDT, followed by a discussion between the artists and the attendees. Join us in-person at Progress Lab 1422, or online via livestream!Tickets are pay-what-you-can, with a suggested price of $15. No one will be turned away due to lack of funds.ASL interpretation will be available for the reading &amp; discussion both in-person and online through a dedicated livestream page. <a href="https://vimeo.com/937984431?share=copy">Click here for our ASL Vlog.</a>----The ProjectsAnne's Cradle by Carolyn Nakagawa// Languages: Japanese &amp; EnglishThe story of Hanako Muraoka, who built an enduring bridge between cultures through her Japanese translation of the Canadian classic Anne of Green Gables. Hanako’s story transforms and extends the life and words of L.M. Montgomery, especially her beloved heroine Anne, across continents, cultures, and generations. A stage adaptation of the biography Anne's Cradle: The Life and Works of Hanako Muraoka by Eri Muraoka, commissioned by the Confederation Centre of the Arts in Charlottetown, Prince Edward Island. I, Frida by Yulissa Campos// Languages: Spanish &amp; English<div><article><div><div><div>I, Frida is a coming-of-age story inspired in Latin American culture, abuela’s stories, taboos, salsa, sabor Latino, telenovelas’ action, and generational trauma. This heartfelt story ties all these visions together with a healthy dose of comedy.</div></div></div></article></div>        ----The PlaywrightsCarolyn Nakagawa, BC-BasedCarolyn Nakagawa is a fourth-generation Anglo-Japanese Canadian poet and playwright who makes her home in the territory colonized as Vancouver, BC. Her work addresses themes such as the nuances of identity in collective contexts, and history’s continuing impact on the present. Nakagawa’s poems have appeared in publications such as The Malahat Review, CV2, and The New Quarterly, and she has read her work at Powell Street Festival and Heart of the City Festival. Her plays have been presented by Vancouver Asian Canadian Theatre and Ruby Slippers Theatre. She holds an honours degree in English Literature and Asian Canadian and Asian Migration Studies from the University of British Columbia.Yulissa Campos, Saskatchewan-BasedYulissa Campos is an Ecuadorian-Canadian theatre artist, a mom, and the founding artistic director of<a href="https://aycarambatheatre.com/" target="_blank"> Ay, Caramba Theatre</a>, the first Latinx theatre in Saskatchewan. Yulissa works with the Newcomer and Indigenous community, and she is currently the general manager of the Gordon Tootoosis Nikaniwin Theatre (GTNT) in Saskatoon. In 2021, she was invited to the CBC’s Q with Tom Power program to talk about her work and the importance of representation in theatre. Yulissa celebrates her Latinidad in her plays, and her work has been presented across Canada and internationally (Singapore). She is thrilled to be part of the Polyphonic Multilingual Creation Residency and grateful to continue working in her play I, Frida after coming back from maternity leave. It feels so good to be able to create art again!----The Residencyrice &amp; beans theatre’s Polyphonic Multilingual Creation Residency prioritizes deepening the field of multilingual theatre makers. Welcoming two multilingual projects in development, one from a local artist and one from out-of-town, artists are hosted in Vancouver, British Columbia for 10 days, and provided everything they need for focused, uninterrupted time on their work. Over the residency, they have access to studio and writing space where they can workshop with collaborators, and then, as a culmination of the residency, they take part in a public presentation where community members can attend and engage in discussion with the artists around language and its dramaturgy. With Polyphonic, artists have the space to reclaim their languages unapologetically through the art they create and foster a space where community members can see their languages legitimized onstage.  ----The Companyrice &amp; beans theatre is a Vancouver-based theatre company founded in 2010 by Pedro Chamale and Derek Chan. We provide a platform for the creation, development and production of boundary-pushing theatre by artists of colour or otherwise marginalized theatre-makers, as well as support to fellow artists by providing dramaturgy, direction, and mentorship. We are dedicated to facilitating original Canadian work that is accessible, honest, uncompromising and personal. In addition to Vancouver, we have also produced original work for audiences in Toronto, Richmond, Nanaimo and Victoria. In 2018, rice &amp; beans was nominated for a Dora Award for its production of 食盡天下/A Taste of Empire with Cahoots Theatre in Toronto. In 2019, its production of Chicken Girl was nominated for 3 Jessies in Vancouver and in 2022, its production of Yellow Objects won a Jessie Innovation Award. Learn more at <a href="https://www.riceandbeanstheatre.com/" target="_blank">www.riceandbeanstheatre.com</a>.----<div><article><div><div><div>Our Funders</div></div></div></article></div>The Polyphonic Multilingual Creation Residency would not be possible without the support of our amazing private donors, as well as our funders: The BC Arts Council, Canadian Heritage, The Canada Council for the Arts, The Province of BC, The City of Vancouver and The Mclean Foundation.</div></div></div></article></div><article><div><div> </div></div></article><footer> </footer>

rice and beans theatre society

Polyphonic Multilingual Creation Residency: Showcase & Discussion

1422 William St

In-Person PWYC Admission

free

Livestream PWYC Admission

free

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