Temiskaming Art Gallery

### Context Profile for Temiskaming Art Gallery

1. **Organization Mission & Cause:**
   - The Temiskaming Art Gallery (TAG) is dedicated to promoting the visual arts in the Temiskaming region of Ontario, Canada. Their mission is to engage the community through exhibitions, educational programs, and events that foster an appreciation for art and culture. They aim to support local artists and provide a platform for artistic expression.

2. **Type of Activities:**
   - TAG organizes a variety of activities including:
     - **Exhibitions:** Showcasing local and regional artists.
     - **Educational Programs:** Workshops and classes for all ages to enhance art appreciation and skills.
     - **Community Events:** Such as "Art in the Park" and seasonal celebrations like the Christmas Breakfast.
     - **Volunteer Appreciation Events:** Recognizing the contributions of volunteers to the gallery's success.
     - **Fundraising Campaigns:** Engaging the community to support the gallery's initiatives.

3. **Tone of Voice:**
   - The tone of the website and communications is **friendly, inviting, and community-oriented**. It conveys enthusiasm for art and encourages participation. The language is accessible, aiming to engage a broad audience, including families and local artists.

4. **Emoji Usage:**
   - The organization uses emojis sparingly but effectively to convey excitement and celebration, as seen in their recent campaign for volunteer appreciation, where a party emoji (🎉) was included. This suggests a casual and approachable tone in their communications.

5. **Key Facts:**
   - **Founding Info:** The specific founding date is not mentioned on the website, but it is a well-established community art gallery.
   - **Scale:** The gallery has hosted numerous events and campaigns, with a total of 25 forms and 128 email campaigns indicating active engagement with the community.
   - **Impact Metrics:** Specific metrics are not detailed on the website, but the gallery emphasizes community involvement and support for local artists.
   - **Volunteer Info:** TAG relies heavily on volunteers, as highlighted in their appreciation events, indicating a strong community support system.

6. **Writing Guidelines:**
   - **Style:** Use a conversational and warm tone that reflects community spirit. Avoid overly formal language.
   - **Clarity:** Ensure content is clear and concise, making it easy for readers to understand the purpose of events and initiatives.
   - **Engagement:** Include calls to action that encourage participation and support, such as RSVPs for events or invitations to volunteer.
   - **Visuals:** Incorporate visuals where possible, as art is a visual medium, and this can enhance engagement.
   - **Emojis:** Use emojis to add a friendly touch, particularly in social media posts and informal communications, but keep them relevant and not overused.

This context profile will assist AI assistants in generating tailored and engaging content that aligns with the Temiskaming Art Gallery's mission and community-focused initiatives.

2-day Mokulito Printmaking Workshop
Saturday April 22nd 10am-5pm
Monday April 24th 5pm-8pm

General admission

Join us as we welcome artist in residency, international printmaker Bernhard Cociancig! Bernhard will be instructing a 2-day printmaking workshop, where we will focus on learning Mokulito printmaking techniques. The workshop costs $75 and includes all materials and supplies. This 2-day workshop will run on:  Saturday April 22 from 10am - 5pm: We will start with the Mokulito intro and plate preparation (drawing) Monday April 24 from 5pm - 8pm: This is the day we will be inking and printing our prepared plates (drawings) We recommend bringing a lunch on Saturday, as this is an all day workshop. What is Mokulito? Mokulito, also known as "Wood Lithograhy" is  a  flat  printing  technique.  the  process  is  similar  to  stone  lithography, but  instead  of  a  stone  slab,  a  plywood plate is used to draw upon and pull prints from it. This allows various stunning painterly effects combined with sharp woodcut marks. artist‘s :: statement Exposure to the  often  challenging work  and  life  environments  has  sharpened  my  awareness  for  social  and  environmental issues. Art  can  play  a  pivotal  role  in  addressing  and  communicating  cross-faculty  and  socio-ecological  problems. Any form of  discrimination,  global  warming,  access  to  clean  water,  plastic  waste,  endangered  wildlife:  just  some  of  the  many concerns I try to incorporate into my artwork.My   practice   as   printmaker   encompasses   all   four   printmaking   techniques,   relief,   intaglio,   litho   and   screen   printing. Preferential  use  of  non-hazardous,  environmentally  friendly,  affordable  and  preferably  renewable  materials  is  dominating my  artwork.  Some  of  the  techniques  I  have  extensively  studied  and  developed  further  with  a  view  to  make  it  more accessible  to  fellow  artists.  Mokulito  (lithography  on  plywood)  and  electro  etching  (a  process  similar  to  galvanizing)  are environmentally friendly, non-hazardous and cheaper alternatives to stone lithography and acid etching, respectively.Portrayed  motives  are  mainly  related  to  wildlife  and  endangered  animals:  loss  of  habitat,  poaching,  pollution  and  climate change  have  regrettably  pushed  many  creatures  around  the  globe  to  -or  already  over-  the  brink  of  extinction.  I  feel  an urge  to  address  these  issues  through  my  work  to  hopefully  raise  the  awareness  that  not  only  our  but  also  the  coming generations will be able to witness the beauty and richness of our flora and fauna.During  early  phases  of  my  artistic  activity,  I  have  performed  autodidactic  artwork  -  impressions  gathered  from  many different  countries  in  which  I  lived  and  worked.  The  formal  art  education  at  the  Vienna  Art  School  as  a  late  and  more recent  experience  has  not  only  allowed  trying  out  all  forms  of  visual  arts,  but  has  in  particular  sparked  my  interest  for more contemporary and novel art techniques such as installations in public spaces and digital media.In  support  of  disadvanteged  people,  I  work  as voluntary  art  therapist  with  coma  patients  (basal  stimulation),  rehabilitation of alcohol and drug addicts („therapy for sentences“) and juveniles with MS, trisomy21 and other handicaps.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Thank you from the bottom of my heart for registering for the 2-day Mokulito printmaking workshop, with international printmaker Bernhard Cociancig! 📭   at 479 Ferguson Ave, Haileybury, ON P0J 1K0, Canada⌚   On <span contenteditable="false" data-custom-variable="{{date-variable-283a79db-7b7b-4873-98ae-1d5b8d0f7bb9}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date We recommend bringing a lunch on Saturday, as this is an all day workshop. Kind regards.Open Studio Libreopenstudiolibre@temiskamingartgallery.ca

Join us as we welcome artist in residency, international printmaker Bernhard Cociancig! Bernhard will be instructing a 2-day printmaking workshop, where we will focus on learning Mokulito printmaking techniques. The workshop costs $75 and includes all materials and supplies. This 2-day workshop will run on:  Saturday April 22 from 10am - 5pm: We will start with the Mokulito intro and plate preparation (drawing) Monday April 24 from 5pm - 8pm: This is the day we will be inking and printing our prepared plates (drawings) We recommend bringing a lunch on Saturday, as this is an all day workshop. What is Mokulito? Mokulito, also known as "Wood Lithograhy" is  a  flat  printing  technique.  the  process  is  similar  to  stone  lithography, but  instead  of  a  stone  slab,  a  plywood plate is used to draw upon and pull prints from it. This allows various stunning painterly effects combined with sharp woodcut marks. artist‘s :: statement Exposure to the  often  challenging work  and  life  environments  has  sharpened  my  awareness  for  social  and  environmental issues. Art  can  play  a  pivotal  role  in  addressing  and  communicating  cross-faculty  and  socio-ecological  problems. Any form of  discrimination,  global  warming,  access  to  clean  water,  plastic  waste,  endangered  wildlife:  just  some  of  the  many concerns I try to incorporate into my artwork.My   practice   as   printmaker   encompasses   all   four   printmaking   techniques,   relief,   intaglio,   litho   and   screen   printing. Preferential  use  of  non-hazardous,  environmentally  friendly,  affordable  and  preferably  renewable  materials  is  dominating my  artwork.  Some  of  the  techniques  I  have  extensively  studied  and  developed  further  with  a  view  to  make  it  more accessible  to  fellow  artists.  Mokulito  (lithography  on  plywood)  and  electro  etching  (a  process  similar  to  galvanizing)  are environmentally friendly, non-hazardous and cheaper alternatives to stone lithography and acid etching, respectively.Portrayed  motives  are  mainly  related  to  wildlife  and  endangered  animals:  loss  of  habitat,  poaching,  pollution  and  climate change  have  regrettably  pushed  many  creatures  around  the  globe  to  -or  already  over-  the  brink  of  extinction.  I  feel  an urge  to  address  these  issues  through  my  work  to  hopefully  raise  the  awareness  that  not  only  our  but  also  the  coming generations will be able to witness the beauty and richness of our flora and fauna.During  early  phases  of  my  artistic  activity,  I  have  performed  autodidactic  artwork  -  impressions  gathered  from  many different  countries  in  which  I  lived  and  worked.  The  formal  art  education  at  the  Vienna  Art  School  as  a  late  and  more recent  experience  has  not  only  allowed  trying  out  all  forms  of  visual  arts,  but  has  in  particular  sparked  my  interest  for more contemporary and novel art techniques such as installations in public spaces and digital media.In  support  of  disadvanteged  people,  I  work  as voluntary  art  therapist  with  coma  patients  (basal  stimulation),  rehabilitation of alcohol and drug addicts („therapy for sentences“) and juveniles with MS, trisomy21 and other handicaps.