Eastern Edge Artist-Run Centre

### Context Profile for Eastern Edge Artist-Run Centre

1. **Organization Mission & Cause**:
   - **Mission**: Eastern Edge Artist-Run Centre is dedicated to supporting and promoting contemporary visual art and artists in Newfoundland and Labrador. Their mission emphasizes the importance of fostering artistic expression, community engagement, and cultural dialogue through various artistic initiatives.
   - **Cause**: They aim to provide a platform for artists to showcase their work, engage with the community, and facilitate discussions around contemporary art practices.

2. **Type of Activities**:
   - **Workshops**: They offer a variety of workshops, such as the "HOLD FAST Workshop - Introduction to Performance Art," which focuses on performance art as a medium for storytelling and social critique.
   - **Exhibitions**: Regular gallery exhibitions showcasing local and contemporary artists.
   - **Community Programs**: Initiatives that encourage community involvement and participation in the arts, including outreach programs and collaborative projects.

3. **Tone of Voice**:
   - The tone of voice on the website is **friendly**, **inclusive**, and **inspiring**. The language used is accessible and encourages participation from individuals of all experience levels. There is a focus on community and support, making it feel welcoming and engaging.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their tone is more professional and artistic, focusing on clear and impactful language rather than informal elements like emojis.

5. **Key Facts**:
   - **Founding Info**: Established as a platform for artist-run initiatives in Newfoundland and Labrador.
   - **Scale**: Engages with a diverse community of artists and art enthusiasts through various programs and events.
   - **Impact Metrics**: Specific metrics are not detailed on the website, but they emphasize community engagement and artist support.
   - **Volunteer Info**: Opportunities for volunteers may be available, but specific details were not highlighted on the website.

6. **Writing Guidelines**:
   - **Style**: Use a conversational yet professional tone that reflects inclusivity and community spirit. Avoid jargon and keep language accessible.
   - **Content Focus**: Highlight community engagement, artistic expression, and opportunities for participation. Emphasize the importance of accessibility in programs (e.g., payment tiers for workshops).
   - **Call to Action**: Encourage readers to participate in events and workshops, and to reach out if they have questions or need assistance.
   - **Formatting**: Use clear headings and bullet points for easy readability. Maintain a clean and organized layout in emails and web content.

This context profile provides a comprehensive overview of the Eastern Edge Artist-Run Centre, enabling AI assistants to generate tailored and effective content that aligns with the organization's mission and values.

LXCL:Eastern Edge (72 Harbour Drive), 5-7pm February 27, 2026

Bio Materials Workshop with visiting artist Sun Forest

An introductory workshop engaging with biomaterials as a fluid, complex space of radical possibility. Learn the fundamentals of making bioplastics and biocomposites as we collectively engage with this open-source technology and discuss ideas relating to ancestral knowledge, diasporic transformations, and more-than-human relations.&nbsp; How do we actively resist and repair ourselves from systems of harm and embody acts of radical individual and collective healing? How do we reorient new bio-based designs and technologies into artistic practices that promote racial and social equity, as well as ecological regeneration?&nbsp; Biomaterials technology is still a relatively new form. As a commercial product, biomaterials in the form of compostable plastics, pulp, and fibres have been used to promote biodegradable packaging for consumer goods, in fashion to improve recycling of textiles, and within industrial manufacturing to facilitate renewable material cycles. This workshop reflects the artist&rsquo;s research practice which seeks to reorganize the trajectory of biomaterials, to untether it from consumer production and recognize its potential as a living network of organisms that propagate change and promote environmental stability. The aim of this workshop is to move through the research non-linearly to expand our understanding of social and ecological healing and amplify the complexities of marginalized lived experience.&nbsp; Sun Forest is an interdisciplinary artist whose work explores how racial violence, social inequity, and environmental crisis imprint themselves on bodies, materials, and landscapes. Moving across sculpture, performance, video, and installation, she investigates these conditions while imagining forms of resilience, care, and speculative reorientation. Her recent residencies include the European Ceramic Work Centre, Arctic Circle, Belkin Gallery with the Quantum Matter Institute, Deer Lake, Diasporic Futurisms, and BANFF. She is a recipient of support from the BC Arts Council; Canada Council for the Arts, Centrum Foundations, and Griffin Art Projects. Sun is a SSHRC Doctoral Fellow at Simon Fraser University.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting Arts for Equity! Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or share our event with your friends!&nbsp; Eastern Edge Artist-Run Centree. <a fr-original-style="" href="mailto:easternedgegallery@gmail.com" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">easternedgegallery@gmail.com</a>ig: @easternedge.arcfb: Eastern Edge Artist-Run Centre We respectfully acknowledge the territory in which we work as the ancestral homelands of the Mi&rsquo;kmaq and Beothuk. We also recognize the Inuit of Nunatsiavut, the Inuit of NunatuKavut,and the Innu of Nitassinan, as the original people of Labrador.&nbsp; The Eastern Edge team recognizes the historical and continued oppression of lands, cultures, and the original Peoples in what we now know as Newfoundland and Labrador. We believe the arts can contribute to the healing and decolonizing journey, and offer us the chance to reflect on how we can work towards resistance rather than complicity. We are committed to working in a spirit of truth and reconciliation as we challenge ongoing colonization, striving for respectful relationships with all peoples across Turtle Island.<div fr-original-style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; line-height: 1.5; box-sizing: inherit;"> </div><div fr-original-style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; line-height: 1.5; box-sizing: inherit;"><img width="96" height="95" src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1770176419/wysiwyg/y3yfs7qfr9ewdt9oxzgu.png" fr-original-style="" fr-original-class="fr-draggable" style="position: relative; max-width: 100%; cursor: pointer; padding: 0px 1px; user-select: none; box-sizing: inherit;"></div>

An introductory workshop engaging with biomaterials as a fluid, complex space of radical possibility. Learn the fundamentals of making bioplastics and biocomposites as we collectively engage with this open-source technology and discuss ideas relating to ancestral knowledge, diasporic transformations, and more-than-human relations.  How do we actively resist and repair ourselves from systems of harm and embody acts of radical individual and collective healing? How do we reorient new bio-based designs and technologies into artistic practices that promote racial and social equity, as well as ecological regeneration?  Biomaterials technology is still a relatively new form. As a commercial product, biomaterials in the form of compostable plastics, pulp, and fibres have been used to promote biodegradable packaging for consumer goods, in fashion to improve recycling of textiles, and within industrial manufacturing to facilitate renewable material cycles. This workshop reflects the artist’s research practice which seeks to reorganize the trajectory of biomaterials, to untether it from consumer production and recognize its potential as a living network of organisms that propagate change and promote environmental stability. The aim of this workshop is to move through the research non-linearly to expand our understanding of social and ecological healing and amplify the complexities of marginalized lived experience.  Sun Forest is an interdisciplinary artist whose work explores how racial violence, social inequity, and environmental crisis imprint themselves on bodies, materials, and landscapes. Moving across sculpture, performance, video, and installation, she investigates these conditions while imagining forms of resilience, care, and speculative reorientation. Her recent residencies include the European Ceramic Work Centre, Arctic Circle, Belkin Gallery with the Quantum Matter Institute, Deer Lake, Diasporic Futurisms, and BANFF. She is a recipient of support from the BC Arts Council; Canada Council for the Arts, Centrum Foundations, and Griffin Art Projects. Sun is a SSHRC Doctoral Fellow at Simon Fraser University.

Eastern Edge Artist-Run Centre

Arts for Equity Symposium-Bio Materials Workshop with visiting artist Sun Forest

72 Harbour Dr

Bio Materials Workshop with visiting artist Sun Forest

Free