Digital Arts Resource Centre (DARC)

### Context Profile for Digital Arts Resource Centre (DARC)

1. **Organization Mission & Cause**:
   - **Mission**: The Digital Arts Resource Centre (DARC) is dedicated to fostering creativity and innovation in the digital arts. They aim to provide resources, support, and opportunities for artists and the community to engage with digital media and technology.
   - **Cause**: DARC focuses on enhancing the accessibility of digital arts, promoting artistic expression, and encouraging collaboration among artists, educators, and the public. Their mission emphasizes the importance of digital literacy and artistic development in a rapidly evolving technological landscape.

2. **Type of Activities**:
   - **Events**: DARC hosts workshops, artist talks, and exhibitions that showcase various digital art forms, including animation, video, and interactive media.
   - **Fundraising Campaigns**: They conduct campaigns to support their programming and initiatives, including events like the "Pixilation Technique and Experiments with Pixie Cram."
   - **Community Programs**: DARC engages in community outreach to educate and involve local populations in digital arts through hands-on experiences and collaborative projects.

3. **Tone of Voice**:
   - The tone of voice on the DARC website is **friendly**, **inspiring**, and **professional**. It encourages creativity and participation while maintaining a welcoming atmosphere. The language is accessible, aiming to engage a diverse audience, including artists, students, and community members.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The content is primarily text-based, focusing on clear and professional communication without the use of informal symbols.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not provided on the website.
   - **Scale**: DARC appears to have a robust engagement with the community, as indicated by the 28 total forms and email campaigns.
   - **Impact Metrics**: While specific metrics are not detailed, the organization emphasizes community involvement and artist development.
   - **Volunteer Info**: Information on volunteer opportunities is not explicitly mentioned but may be available through direct inquiry or participation in events.

6. **Writing Guidelines**:
   - **Style**: Use a conversational yet professional tone that invites participation and creativity. Avoid overly technical jargon to ensure accessibility.
   - **Structure**: Keep content clear and concise, using headings and bullet points where appropriate to enhance readability.
   - **Engagement**: Encourage community involvement and highlight the benefits of participation in events and programs.
   - **Call to Action**: Use strong calls to action that inspire readers to engage with DARC’s offerings, whether by attending events, volunteering, or supporting fundraising efforts.

This context profile provides a comprehensive understanding of the Digital Arts Resource Centre (DARC) that can inform the creation of personalized and relevant content for their audience.

General Admission

Thank you for registering for Resolution 2024!  We are excited to have you join us in the Arts Court Theatre on January 18th. Doors open at 6:30pm EST and the screening begins at 7pm. See you soon!

Digital Arts Resource Centre is excited to present our annual Resolution screening. Resolution is a public screening featuring a selection of works created by our members during the previous year. Join us for an in-person screening in Arts Court Theatre on Thursday, January 18th at 7PM. Artists will be in attendance to participate in a brief Q&amp;A with the audience followed by a reception in the Arts Court Studio. Resolution 2024 features works by Sarah Blumel and Anisa Cameron, Alexander Cruz, Jason Dai, Conor Devries, Chantal Gervais, Rachel Gray, Tyler Nykilchyk, Conrad Osei-Bonsu, and Miles Rufelds.   Program ScheduleDoors: 6:30pmScreening: 7:00pmQ&amp;A: 8:00pmReception: 8:30pm Location<a href="https://static1.squarespace.com/static/5e7ca0b6c471784255c13567/t/614c98e66910d937e8e845a1/1632409834852/Arts+Court+Floorplan.pdf#page=3" target="_blank">Arts Court Theatre</a>, 2 Daly Ave, Ottawa, ON K1N 6E2Arts Court Theatre is located on floor 3 of Arts Court. About the Works JOY AND ERIC/90 SECONDS 'TIL DOOM - SARAH BLUMEL &amp; ANISA CAMERON  This work was created for our exhibition, Cold Comfort for a Hot World at the Diefenbunker Museum until February 4, 2024. Multimedia clips were collected from the Diefenbunker Museum’s Archives, Creative Commons, and public domain sources. In this 7-minute video, Joy and Eric will try out some shelter techniques while we sing you a story of buying our way to safety during uncertain times. After that you’ll hear from the doomsday clock herself in a song we call 90 Seconds ‘til Doom.I DON'T REGRET AT ALL - ALEXANDER CRUZI Don’t Regret at All is a music video directed and filmed by Alexander Cruz based on the song of the same title by River Wilson. The video is about the extreme grief of dealing with the heartbreak of a failed relationship, and the hopeof transformation on the other side.THE GREAT WINDS - JASON DAI A short drama film that that weaves family dynamics into Mahjong play.THE LEGEND OF ISMAEL LBG - CONOR DEVRIES A short documentary film telling the story of local Ottawa Legend, Ismael LBGSPINNING TUNDRA'S FUR - CHANTAL GERVAISMy dog Tundra died in 2019. For years I had been collecting his fur with the intent of spinning it into yarn. After his death the fur became my last physical connection to him and consequently took on much deeper significance. Since then, it has been central to my work as part of a commemorative process of mourning and recuperation in fond memory of my dear friend. Working with the fur has grown into a fruitful and ongoing multidisciplinary project which interweaves my current photo-based and video practice with fibre arts, allowing me to reflect on the importance and impermanence of life, mourning and the inevitability of change.INTO THE LIGHT: AN INTERPRETATION OF TWO RESEARCH PAPERS - RACHEL GRAYInto the Light: An Interpretation of Two Research Papers is a short film written and performed by Jessie Huggett and Rachel Gray. The film was directed and animated by Gray and choreographed by Huggett. The film is an interpretation of the following 2021 research papers: “Projecting Eugenics and Performing Knowledges” by Evadne Kelly, Seika Boye, and Carla Rice, and “Elements of a Counter‐exhibition: Excavating and Countering a Canadian History and Legacy of Eugenics” by Evadne Kelly, Dolleen Tisawii’ashii Manning, Seika Boye, Carla Rice, Dawn Owen, Sky Stonefish, and Mona Stonefish. The film was funded by Bodies in Translation: Activist Art, Technology, and Access to Life (a SSHRC Partnership Grant co-directed by Carla Rice and Eliza Chandler). ONEIROS - TYLER NYKILCHYK “ONEIROS” is a mixed media journey of melancholic fear and the blurred lines between reality, dreams, and nightmares. This short film follows disjointed images of an arctic wolf through obscure boundaries of reality, using a mixture of digital video, 35mm film photography, cyanotype prints and animation. “ONEIROS” invites viewers to reflect on their own fears, and the captivating mysteries of the mind. PARA, PARA - CONRAD OSEI-BONSU ‘Para, Para’ translates to “Money. Money” in Turkish which is what the film is about. When I got the chance to write and direct something new and original, and got the team on board to produce, I was very excited to tell a simple story with a hopefully clean twist. Mainly to showcase the actors’ chops, but to tackle this made up genre of ‘financial horror’. This film represents a very important time in my life. There wasn’t a budget so myself and the producer Eli planned everything before the shoot.IT'S NOT BRAKHAGE (PRELUDE) - MILES RUFELDS“It’s Not Brakhage (Prelude)” is a parafiction essay film unpacking the story of a mysterious film reel believed to be a lost work by experimental filmmaker Stan Brakhage, made during a ruinous 1959 collaboration with the DuPont chemical company. Throughout the film, an unnamed narrator expounds on this film’s history, summarizing the bizarre episode between DuPont and Brakhage, and sifting through a patchwork of theories and speculations that have arisen since the film’s discovery. Mixing deep historical research with strategic threads of speculative fiction, “It’s Not Brakhage (Prelude)” attempts to think through the uncomfortable proxies connecting the histories of experimental film with military-industrial research, and serves as an introductory thesis to a larger research project currently in development. Event PricingFree Admission (<a href="https://www.canadahelps.org/en/charities/digital-arts-resource-centre/" target="_blank">suggested donation $10</a>) COVID ProtocolWe are asking all attendees to please wear a mask while attending Resolution at Arts Court Theatre.Ensuring the safety of all attendees and the DARC community is our priority.  AccessibilityAll doors at DARC have accessibility buttons to press for automatic entry. DARC is located on the main floor (one story above ground) of the Arts Court building. DARC’s main entrance is located at 67 Nicholas Street which is fully wheelchair accessible. Alternate wheelchair-accessible entry is available through 2 Daly Ave at the Arts Court main entrance or the Ottawa Art Gallery. Elevator access is available from 9AM – 11PM. DARC staff are available and happy to assist with all inquiries and requests regarding physical access. We also welcome inquiry, feedback, and resources regarding accessibility and accessibility improvement by phone (613.238.7648 x 6) or by email at <a href="mailto:access@digitalartsresourcecentre.ca">access@digitalartsresourcecentre.ca</a>. Visit <a href="https://digitalartsresourcecentre.ca/access/" target="_blank">https://digitalartsresourcecentre.ca/access/</a> for information on how to get to DARC, language barriers, fragrance policy, and access to programming

Digital Arts Resource Centre (DARC)

DARC RESOLUTION 2024

2 Daly Ave

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General Admission

Free