Dancemakers

### Context Profile for Dancemakers

#### 1. Organization Mission & Cause
Dancemakers is dedicated to fostering a vibrant dance community through innovative programming, education, and collaboration. Their mission focuses on exploring the craft and practice of dance curation, emphasizing inclusivity and diversity within the art form. They aim to elevate the voices of underrepresented artists and create spaces for dialogue and exchange in the dance sector.

#### 2. Type of Activities
- **Symposiums**: The organization hosts annual symposiums, such as "What Can Dance Curation Do?", which includes workshops, discussions, and networking opportunities for dance curators and artists.
- **Community Programs**: Dancemakers engages in various community outreach initiatives, promoting dance as a means of expression and connection.
- **Collaborative Projects**: They partner with other organizations, like the Critical Distance Centre for Curators, to enhance the scope and impact of their events.

#### 3. Tone of Voice
The tone of Dancemakers is **inspiring**, **friendly**, and **professional**. Their communication reflects a commitment to inclusivity and community engagement, using language that is accessible yet respectful of the art form's complexity. They often employ a conversational style that invites participation and collaboration.

#### 4. Emoji Usage
Dancemakers does not prominently use emojis in their communications. Their content tends to maintain a more formal and professional tone, focusing on clarity and the seriousness of their mission rather than casual or playful elements.

#### 5. Key Facts
- **Founding Info**: Specific founding details were not available on the website, but the organization has established itself as a key player in the dance community.
- **Scale**: Dancemakers has conducted 8 forms and 18 email campaigns, indicating an active engagement with their audience.
- **Impact Metrics**: While specific metrics were not detailed on the website, the organization emphasizes community involvement and the promotion of diverse voices in dance.
- **Volunteer Info**: Information on volunteer opportunities was not explicitly stated; however, community engagement suggests potential for volunteer involvement.

#### 6. Writing Guidelines
- **Clarity and Accessibility**: Use clear and straightforward language that is easy to understand for a broad audience.
- **Inspiration and Engagement**: Aim to inspire readers by highlighting the transformative power of dance and the importance of community.
- **Professionalism**: Maintain a professional tone that reflects the organization's commitment to the arts while remaining approachable.
- **Inclusivity**: Ensure language is inclusive, reflecting the diversity of the dance community and encouraging participation from all backgrounds.

This context profile serves as a foundational guide for creating personalized and effective content for Dancemakers, ensuring alignment with their mission and values.

PAY WHAT YOU CAN

<p data-pm-slice="1 1 []" fr-original-style="text-align:center;white-space:pre-wrap;" id="isPasted" style="text-align: center; white-space: pre-wrap; margin: 0px; width: 100%; line-height: 1.5; box-sizing: inherit; color: rgb(0, 0, 0);">Join Kosi and Furqan for their Dance&amp; Abolition workshop &ldquo;No Half Steppin, No Half Measures&rdquo;: a freestyle dance and journalling workshop exploring the themes of Abolition &amp; World Building&nbsp;in 2 partsJune 21 12:30-3:45 Venue: Society Clubhouse 967 College St, Toronto, ON M6H 1A6 Pay-what-you-can What does a world without prisons, police, or carceral punishment look like&mdash;and how do we build it? This interactive workshop invites participants into an exploration of abolition, its roots and branches, first as a political framework, and then as creative and imaginative practice. Grounded in the belief that building a world rooted in care, accountability, community, and refusal to acquiesce to imperial, capitalist, and oppressive system of the (in)justice system(s) requires radical imagination&mdash; we turn and connect to Hip Hop through dance, which in its rhythms and improvisation, mirrors our movements towards abolition as a powerful tool for visioning and building new futures. PART ONE, Facilitated by Furqan Mohamed: Participants will engage in a mix of guided and group and reflective journaling. This part of the workshop will create space to unpack and outline core abolitionist ideas&mdash;drawing from the work of historic organizers, neighbours, thinkers, and artists&mdash;and explore how these concepts show up in our everyday lives. Through writing prompts and dialogue, we&rsquo;ll reflect on questions like: What does safety mean to you? To your kin? What does &ldquo;justice&rdquo; really mean? How can we perform acts of abolition in our everyday? What would we need to give up, and make room for? What do we need to be healing from, and what are we moving toward, together? PART TWO, Facilitated by Kosi C Ese: Kosi&#39;s workshop titled &lsquo;No Half-Steppin&rsquo; is a nod to the infamous Big Daddy Kane &lsquo;Ain&rsquo;t No Half Steppin&rsquo; which makes a case for playfulness in rhyme and adaptability in and around structure within hip-hop. The title also points to staying clear of hesitation informally. A closer reading of Hip-Hop freestyle dance presents the idea that &quot;hip is to be in the know and hop is the movement we create with said knowledge&quot;.&nbsp;Participants will engage in guided freestyle exercises to Hip-Hop music and use concepts of play and improvisation to generate conviction in the body. This portion will invite us to reflect on how we move forward and build the abolitionist futures we desire by going backwards to gain the necessary context.&nbsp;

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Christina de la Cruzartistic@dancemakers.org

Join Kosi and Furqan for their Dance&amp; Abolition workshop “No Half Steppin, No Half Measures”: a freestyle dance and journalling workshop exploring the themes of Abolition &amp; World Building in 2 partsJune 21 12:30-3:45 Venue: Society Clubhouse 967 College St, Toronto, ON M6H 1A6 Pay-what-you-can What does a world without prisons, police, or carceral punishment look like—and how do we build it? This interactive workshop invites participants into an exploration of abolition, its roots and branches, first as a political framework, and then as creative and imaginative practice. Grounded in the belief that building a world rooted in care, accountability, community, and refusal to acquiesce to imperial, capitalist, and oppressive system of the (in)justice system(s) requires radical imagination— we turn and connect to Hip Hop through dance, which in its rhythms and improvisation, mirrors our movements towards abolition as a powerful tool for visioning and building new futures. PART ONE, Facilitated by Furqan Mohamed: Participants will engage in a mix of guided and group and reflective journaling. This part of the workshop will create space to unpack and outline core abolitionist ideas—drawing from the work of historic organizers, neighbours, thinkers, and artists—and explore how these concepts show up in our everyday lives. Through writing prompts and dialogue, we’ll reflect on questions like: What does safety mean to you? To your kin? What does “justice” really mean? How can we perform acts of abolition in our everyday? What would we need to give up, and make room for? What do we need to be healing from, and what are we moving toward, together? PART TWO, Facilitated by Kosi C Ese: Kosi's workshop titled ‘No Half-Steppin’ is a nod to the infamous Big Daddy Kane ‘Ain’t No Half Steppin’ which makes a case for playfulness in rhyme and adaptability in and around structure within hip-hop. The title also points to staying clear of hesitation informally. A closer reading of Hip-Hop freestyle dance presents the idea that "hip is to be in the know and hop is the movement we create with said knowledge". Participants will engage in guided freestyle exercises to Hip-Hop music and use concepts of play and improvisation to generate conviction in the body. This portion will invite us to reflect on how we move forward and build the abolitionist futures we desire by going backwards to gain the necessary context.

Dancemakers

Dance&Abolition

967 College St

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Free

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$5

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$10

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$20

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