Concours international d'orgue du Canada

### Context Profile for Concours international d'orgue du Canada (CIOC)

#### 1. Organization Mission & Cause
The **Concours international d'orgue du Canada (CIOC)** is dedicated to promoting the art of organ music through international competitions, concerts, and educational initiatives. Their mission is to foster the appreciation of organ music and support the development of talented organists, creating a vibrant community around this unique musical form. The CIOC aims to elevate the profile of organ music in Canada and beyond, encouraging both performers and audiences to engage with this rich cultural heritage.

#### 2. Type of Activities
- **International Competitions**: The CIOC hosts prestigious organ competitions that attract talented musicians from around the world.
- **Concerts**: They organize concerts featuring both competition winners and established artists, such as the recent concert featuring Shen Yuan.
- **Educational Programs**: The organization provides resources and opportunities for learning about organ music, including workshops and masterclasses.
- **Community Engagement**: Through partnerships with local organizations, CIOC promotes organ music within the community, enhancing cultural appreciation.

#### 3. Tone of Voice
The tone of the CIOC's communications is **professional yet accessible**, with a blend of **inspiring and informative** language. The organization conveys a sense of passion for music and a commitment to community engagement, making their content both engaging and educational. The use of formal language is balanced with friendly expressions, inviting audiences to participate in their events and initiatives.

#### 4. Emoji Usage
The CIOC does not prominently use emojis in their communications. Their content tends to maintain a more traditional and formal approach, focusing on clear and professional messaging without the casualness that emojis might convey.

#### 5. Key Facts
- **Founding Information**: The CIOC was established to promote organ music and support organists through competitions and events.
- **Scale**: The organization has conducted a total of **61 forms** and sent out **91 email campaigns**, indicating a robust engagement strategy.
- **Impact Metrics**: While specific metrics are not detailed on the website, the organization highlights its role in fostering international talent and community involvement in organ music.
- **Volunteer Information**: The CIOC encourages volunteer participation in events, although specific details about volunteer opportunities are not extensively covered on the website.

#### 6. Writing Guidelines
- **Clarity and Professionalism**: Maintain a clear and professional tone throughout the content. Avoid overly casual language or slang.
- **Inspiration and Engagement**: Use inspiring language that encourages participation and appreciation for organ music. Highlight the emotional and cultural significance of the events.
- **Informative Content**: Provide detailed information about events, competitions, and educational opportunities. Ensure that all communications are informative and encourage further engagement.
- **Call to Action**: Include clear calls to action in all communications, inviting readers to attend events, participate in competitions, or support the organization.

This context profile serves as a foundational guide for creating tailored communications that resonate with the CIOC's mission and audience.

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Voluntary contribution

<p fr-original-style='background: transparent; border: 0px; outline: 0px; padding: 0px; vertical-align: baseline; pointer-events: auto; font: 400 15px "times new roman", times, serif; color: rgb(0, 0, 0); letter-spacing: normal; margin-block: 0px; margin: 0px; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; text-align: left;' id="isPasted" style='background: transparent; border: 0px; outline: 0px; padding: 0px; vertical-align: baseline; pointer-events: auto; font: 400 15px "times new roman", times, serif; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; text-align: left; box-sizing: inherit; margin-block: 0px; margin: 0px;'>The Festival des couleurs de l&#39;orgue fran&ccedil;ais presents Elisabeth Hubmann.<p fr-original-style='background: transparent; border: 0px; outline: 0px; padding: 0px; vertical-align: baseline; pointer-events: auto; font: 400 15px "times new roman", times, serif; color: rgb(0, 0, 0); letter-spacing: normal; margin-block: 0px; margin: 0px; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; text-align: left;' style='background: transparent; border: 0px; outline: 0px; padding: 0px; vertical-align: baseline; pointer-events: auto; font: 400 15px "times new roman", times, serif; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; text-align: left; box-sizing: inherit; margin-block: 0px; margin: 0px;'> <p fr-original-style='background: transparent; border: 0px; outline: 0px; padding: 0px; vertical-align: baseline; pointer-events: auto; font: 400 15px "times new roman", times, serif; color: rgb(0, 0, 0); letter-spacing: normal; margin-block: 0px; margin: 0px; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; text-align: left;' style='background: transparent; border: 0px; outline: 0px; padding: 0px; vertical-align: baseline; pointer-events: auto; font: 400 15px "times new roman", times, serif; color: rgb(0, 0, 0); letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; text-align: left; box-sizing: inherit; margin-block: 0px; margin: 0px;'>Austrian organist Elisabeth Hubmann, currently mainly active in Innsbruck, Geneva and Amsterdam, deals with early and contemporary organ music and promotes a transdisciplinary, anti-reductionist approach to the organ. In her work as a musicologist, she particularly explores the interfaces between anthropology, cultural heritage, listening practices, instrument making and artistic research. As part of a doctorate at the Vrije Universiteit Amsterdam, she is researching modern organ cultures, historical sound heritage and their resilience.&nbsp;

Thank you for registering for an event reminder. We look forward to seeing you at the 2025 Grand Organ Festival. Your eticket will be emailed to you shortly.&nbsp; The CIOC Team<a fr-original-style="" href="mailto:info@ciocm.org" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">info@ciocm.org</a>

<p style="border:0px;outline:0px;padding:0px;vertical-align:baseline;pointer-events:auto;font:400 15px &quot;times new roman&quot;, times, serif;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;text-align:left;box-sizing:inherit;margin-block:0px;margin:0px;max-width:100%">The Festival des couleurs de l'orgue français presents Elisabeth Hubmann.<p style="border:0px;outline:0px;padding:0px;vertical-align:baseline;pointer-events:auto;font:400 15px &quot;times new roman&quot;, times, serif;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;text-align:left;box-sizing:inherit;margin-block:0px;margin:0px;max-width:100%"> <p style="border:0px;outline:0px;padding:0px;vertical-align:baseline;pointer-events:auto;font:400 15px &quot;times new roman&quot;, times, serif;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;text-align:left;box-sizing:inherit;margin-block:0px;margin:0px;max-width:100%">Austrian organist Elisabeth Hubmann, currently mainly active in Innsbruck, Geneva and Amsterdam, deals with early and contemporary organ music and promotes a transdisciplinary, anti-reductionist approach to the organ. In her work as a musicologist, she particularly explores the interfaces between anthropology, cultural heritage, listening practices, instrument making and artistic research. As part of a doctorate at the Vrije Universiteit Amsterdam, she is researching modern organ cultures, historical sound heritage and their resilience.

Elisabeth Hubmann (Festival des couleurs de l'orgue français)

Le Festival des couleurs de l&#39;orgue fran&ccedil;ais pr&eacute;sente Elisabeth Hubmann. L&#39;organiste autrichienne Elisabeth Hubmann, aujourd&acute;hui principalment active &agrave; Innsbruck, Gen&egrave;ve et Amsterdam, s&#39;int&eacute;resse &agrave; la musique d&#39;orgue ancienne et contemporaine et promeut une approche transdisciplinaire et anti-r&eacute;ductionniste de l&#39;orgue. Dans son travail de musicologue, elle explore en particulier les interfaces entre l&#39;anthropologie, l&#39;h&eacute;ritage culturel, les pratiques d&#39;&eacute;coute, la facture instrumentale et la recherche ax&eacute;e sur la pratique (artistic research). Dans le cadre d&#39;un doctorat &agrave; la Vrije Universiteit Amsterdam, elle m&egrave;ne des recherches sur les cultures modernes et contemporaines de l&#39;orgue, l&#39;h&eacute;ritage sonore historique et sa r&eacute;silience.&nbsp;

Merci de vous &ecirc;tre inscrit pour recevoir un rappel de l&#39;&eacute;v&eacute;nement. Nous avons h&acirc;te de vous voir au Grand Festival d&#39;Orgue 2025. L&#39;&eacute;quipe du CIOCinfo@ciocm.org

Le Festival des couleurs de l'orgue français présente Elisabeth Hubmann. L'organiste autrichienne Elisabeth Hubmann, aujourd´hui principalment active à Innsbruck, Genève et Amsterdam, s'intéresse à la musique d'orgue ancienne et contemporaine et promeut une approche transdisciplinaire et anti-réductionniste de l'orgue. Dans son travail de musicologue, elle explore en particulier les interfaces entre l'anthropologie, l'héritage culturel, les pratiques d'écoute, la facture instrumentale et la recherche axée sur la pratique (artistic research). Dans le cadre d'un doctorat à la Vrije Universiteit Amsterdam, elle mène des recherches sur les cultures modernes et contemporaines de l'orgue, l'héritage sonore historique et sa résilience.

FR

Concours international d'orgue du Canada

Elisabeth Hubmann (Festival des couleurs de l'orgue français)

2065 Rue Sherbrooke O

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Free

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