Centre des musiciens du monde

### Context Profile for Centre des musiciens du monde

#### 1. Organization Mission & Cause
The **Centre des musiciens du monde** is dedicated to promoting cultural diversity through music. Their mission is to create a more compassionate and inclusive world by providing access to music and artistic expression. They believe that music can be a powerful tool for social change, fostering community engagement and cultural exchange.

#### 2. Type of Activities
The organization engages in various activities, including:
- **Concerts**: They host a series of free concerts in Parc Lahaie, aiming to make music accessible to all.
- **Fundraising Campaigns**: Regular campaigns like "Donner pour faire la différence" encourage community support for their events and initiatives.
- **Volunteer Opportunities**: They invite individuals to contribute their time and skills to support their mission and events.

#### 3. Tone of Voice
The tone of the Centre des musiciens du monde is **friendly, inspiring, and community-oriented**. Their communications often include motivational language that emphasizes collective action and the impact of individual contributions. They use inclusive language to foster a sense of belonging and urgency in their appeals for support.

#### 4. Emoji Usage
The organization utilizes emojis sparingly but effectively in their communications. For instance, they use 🌟 in campaign titles to add a visual element that conveys enthusiasm and positivity. This usage is generally limited to promotional materials and social media posts, enhancing engagement without overwhelming the message.

#### 5. Key Facts
- **Founding Info**: Specific founding details were not available on the website, but the organization has established itself as a key player in promoting music and cultural diversity.
- **Scale**: They have conducted 12 forms and sent out 25 email campaigns, indicating an active engagement with their audience.
- **Impact Metrics**: The organization aims to host 8 concerts in 2025, ensuring free access to all attendees, which reflects their commitment to community service.
- **Volunteer Info**: They actively encourage volunteering, highlighting that contributions of time and skills are valuable to their mission.

#### 6. Writing Guidelines
- **Style**: Use a conversational and uplifting tone that resonates with community values. 
- **Structure**: Keep messages clear and concise, using bullet points or lists for easy readability, especially in fundraising appeals.
- **Call to Action**: Always include a strong call to action, encouraging donations, sharing, or volunteering.
- **Personalization**: Utilize personalized greetings in email communications to foster a connection with recipients (e.g., using their first name).
- **Visual Elements**: Incorporate emojis judiciously to enhance engagement without detracting from the message.

This context profile serves as a guide for creating tailored content that aligns with the Centre des musiciens du monde's mission and values, ensuring that communications are effective and resonate with their audience.

March 21 and 22 : 4 pm to 8 pm | Single ticket 150$ + tx | TPS 5% (790863112 RT0001) : 7,50 $ / TVQ 9,975% (1224874291 TQ0001) : 14,96 $

General admission

21 et 22 mars 16h-20h | Prix unitaire 150$ + tx | TPS 5% (790863112 RT0001) : 7,50 $ / TVQ 9,975% (1224874291 TQ0001) : 14,96 $

Admission générale

Singing Masterclass | The Vocal Art of Recitar Cantando with Marco Beasley&nbsp;and&nbsp;maestro at the continuo:&nbsp;Stefano Rocco Dates and time : March 21 from 4 pm to 8 pm AND March 22 from 4 pm to 8 pm&nbsp; The class is open to professionals and high level amateurs singers who want to explore, understand and experience the Italian Renaissance repertoire from the end of the fifteenth century (Frottole and sacred Motets), until the beginning of the seventeenth century (defined as the Recitar Cantando style). The masterclass will focus on pieces composed by Bartolomeo Tromboncino, Marco Cara to Claudio Monteverdi, Giulio Caccini, Jacopo Peri and others.&nbsp;NOTE: It&#39;s really important that students communicate their repertoire choices in advance (from the list below or what you wish to work on) by sending the parts and clearly indicating the key transposition. &nbsp;Suggested repertoire: - &nbsp;Le Frottole per canto e liuto, libro I e II del Bossiniensis, 1509 &amp; 1511 - Emilio de Cavalieri:&nbsp;brani dalla Rappresentazione di Anima et di Corpo, Roma, 1600 - Giulio Caccini:&nbsp;dal I e II libro delle Nuove Musiche, Firenze 1601 &amp; 1614 - Claudio Monteverdi:&nbsp;estratti dall&rsquo;Orfeo, favola in musica, Venezia, 1607 - Claudio Monteverdi:&nbsp;estratti a voce sola ed a due voci dal Vespro, Venezia, 1610 - Alessandro Grandi:&nbsp;estratti dai Mottetti, libro II, Venezia, 1625 - Giovanni Felice Sances:&nbsp;Cantada a voce sola sul Passacaglie, libro II, Venezia 1633 - Giovanni Felice Sances:&nbsp;Stabat Mater dolorosa, Mottetti, Venezia, 1638 - Claudio Monteverdi: estratti dal Combattimento..., Venezia, 1638<p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'> Venue : Centre des musiciens du monde, 5043 rue Saint-Dominique, Montr&eacute;alDates and time : March 21 and 22 mars 2022 | 4 pm - 8 pmFee : 150$ + taxes for a 2-day masterclass (8 hours)<p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'> <p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>Conditions :&nbsp;<p id="isPasted" style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Online reservation only<p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Vaccination passport required at the entrance and validation of ID card<p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Wearing a mask at all times in the Centre (except during singing exercises)<p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Distance of two meters at all times MARCO BEASLEY | BIOGRAPHY&nbsp;Born in 1957, Marco Beasley completed his studies at the University of Bologna, deepening his knowledge of two stylistic pillars of the late Renaissance - recitar cantando, and sacred and secular polyphony. He went on to lead an active performance career which soon took him to prestigious venues, including the Mozarteum in Salzburg, di Santa Cecilia in Rome, and Lincoln Center in New York. In 1984, he co-founded the early music ensemble Accordion along with Guido Morini and Stefano Rocco. Most recordings in Marco Beasley&rsquo;s sizable and wide-ranging discography feature this ensemble, which he left in 2014 to pursue independent and more intimate projects. His performances, informed by personal research into vocal production and the intelligibility of sung texts, continue to draw praise from an ever-broader array of spectators. For more information: <a href="mailto:info@centredesmusiciens.com" id="isPasted">info@centredesmusiciens.com</a> | 514-397-9226

Hello Prénom Nom, Thank you for your registration ! Event: Singing workshop with Marco Beasley | The Vocal Art of Recitar Cantando Address: 📭 5043 Saint-Dominique Street, Montreal, QC, H2T 1V1 Date and time⌚️: Monday March 21 AND Tuesday March 22, 2022 from 4 p.m. to 8 p.m. The Centre des musiciens will be open from 3:30 p.m. to welcome you, please arrive at least 15 minutes in advance for us to validate your vaccination passports before the beginning of the workshop on March 21. As a reminder, here are <a href="https://centredesmusiciensdumonde.com/en/covid-19-sanitary-measures/">the health measures</a> issued by Public Health in effect at the Centre des musiciens : - Online reservation only- Vaccination passport required at the entrance and validation of ID card- Wearing a mask at all times in the Centre (except during singing exercises)- Distance of two meters at all times Truly, Sylvianne Lagueux-Tremblayinfo@centredesmusiciens.com514-397-9226

Singing Masterclass | The Vocal Art of Recitar Cantando with Marco Beasley and maestro at the continuo: Stefano Rocco Dates and time : March 21 from 4 pm to 8 pm AND March 22 from 4 pm to 8 pm  The class is open to professionals and high level amateurs singers who want to explore, understand and experience the Italian Renaissance repertoire from the end of the fifteenth century (Frottole and sacred Motets), until the beginning of the seventeenth century (defined as the Recitar Cantando style). The masterclass will focus on pieces composed by Bartolomeo Tromboncino, Marco Cara to Claudio Monteverdi, Giulio Caccini, Jacopo Peri and others. NOTE: It's really important that students communicate their repertoire choices in advance (from the list below or what you wish to work on) by sending the parts and clearly indicating the key transposition.  Suggested repertoire: -  Le Frottole per canto e liuto, libro I e II del Bossiniensis, 1509 &amp; 1511 - Emilio de Cavalieri: brani dalla Rappresentazione di Anima et di Corpo, Roma, 1600 - Giulio Caccini: dal I e II libro delle Nuove Musiche, Firenze 1601 &amp; 1614 - Claudio Monteverdi: estratti dall’Orfeo, favola in musica, Venezia, 1607 - Claudio Monteverdi: estratti a voce sola ed a due voci dal Vespro, Venezia, 1610 - Alessandro Grandi: estratti dai Mottetti, libro II, Venezia, 1625 - Giovanni Felice Sances: Cantada a voce sola sul Passacaglie, libro II, Venezia 1633 - Giovanni Felice Sances: Stabat Mater dolorosa, Mottetti, Venezia, 1638 - Claudio Monteverdi: estratti dal Combattimento..., Venezia, 1638<p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%"> Venue : Centre des musiciens du monde, 5043 rue Saint-Dominique, MontréalDates and time : March 21 and 22 mars 2022 | 4 pm - 8 pmFee : 150$ + taxes for a 2-day masterclass (8 hours)<p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%"> <p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">Conditions : <p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">- Online reservation only<p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">- Vaccination passport required at the entrance and validation of ID card<p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">- Wearing a mask at all times in the Centre (except during singing exercises)<p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">- Distance of two meters at all times MARCO BEASLEY | BIOGRAPHY Born in 1957, Marco Beasley completed his studies at the University of Bologna, deepening his knowledge of two stylistic pillars of the late Renaissance - recitar cantando, and sacred and secular polyphony. He went on to lead an active performance career which soon took him to prestigious venues, including the Mozarteum in Salzburg, di Santa Cecilia in Rome, and Lincoln Center in New York. In 1984, he co-founded the early music ensemble Accordion along with Guido Morini and Stefano Rocco. Most recordings in Marco Beasley’s sizable and wide-ranging discography feature this ensemble, which he left in 2014 to pursue independent and more intimate projects. His performances, informed by personal research into vocal production and the intelligibility of sung texts, continue to draw praise from an ever-broader array of spectators. For more information: <a href="mailto:info@centredesmusiciens.com">info@centredesmusiciens.com</a> | 514-397-9226

Singing Masterclass | The Vocal Art of Recitar Cantando with Marco Beasley

Stage de chant | L&#39;Art vocal du Recitar Cantando avec Marco BeasleyDates et heures : Le 21 mars de 16h &agrave; 20h ET le 22 mars de 16h &agrave; 20h Ce stage intensif de chant s&rsquo;adresse aux chanteurs professionnels ou amateurs de haut niveau qui souhaitent explorer, comprendre et exp&eacute;rimenter le r&eacute;pertoire chant&eacute; de la Renaissance italienne de la fin du XVe si&egrave;cle (Frottole et Motets sacr&eacute;s) jusqu&#39;au d&eacute;but du XVIIe si&egrave;cle (d&eacute;fini comme le Recitar Cantando). Les pi&egrave;ces qui seront travaill&eacute;es sont issues d&rsquo;un vaste r&eacute;pertoire de compositeurs de cette &eacute;poque allant de Bartolomeo Tromboncino, Marco Cara, jusqu&#39;&agrave; Claudio Monteverdi, Giulio Caccini et Jacopo Peri. &Agrave; noter que vous devez nous mentionner les pi&egrave;ces que vous souhaitez travailler durant le stage. Si la pi&egrave;ce ne se trouve pas dans la liste de suggestions ci-dessous, veuillez nous en faire part pour que nous puissions transmettre votre demande &agrave; Marco Beasley et son instrumentiste Stephano Rocco (luth).&nbsp; R&eacute;pertoire sugg&eacute;r&eacute; :&nbsp; - &nbsp;Le Frottole per canto e liuto, libro I e II del Bossiniensis, 1509 &amp; 1511 - Emilio de Cavalieri:&nbsp;brani dalla Rappresentazione di Anima et di Corpo, Roma, 1600 - Giulio Caccini:&nbsp;dal I e II libro delle Nuove Musiche, Firenze 1601 &amp; 1614 - Claudio Monteverdi:&nbsp;estratti dall&rsquo;Orfeo, favola in musica, Venezia, 1607 - Claudio Monteverdi:&nbsp;estratti a voce sola ed a due voci dal Vespro, Venezia, 1610 - Alessandro Grandi:&nbsp;estratti dai Mottetti, libro II, Venezia, 1625 - Giovanni Felice Sances:&nbsp;Cantada a voce sola sul Passacaglie, libro II, Venezia 1633 - Giovanni Felice Sances:&nbsp;Stabat Mater dolorosa, Mottetti, Venezia, 1638 - Claudio Monteverdi: estratti dal Combattimento..., Venezia, 1638 Lieu : Centre des musiciens du monde, 5043 rue Saint-Dominique, Montr&eacute;alDate et heure : 21 et 22 mars 2022 de 16h &agrave; 20hPrix : 150$ + taxes pour les 2 jours (8 heures de stage)&nbsp;Conditions :- R&eacute;servation en ligne obligatoire- Passeport vaccinal exig&eacute;- Port du masque en tout temps (sauf durant les exercices de chant)- Places limit&eacute;es BIOGRAPHIE DE MARCO BEASLEYN&eacute; en 1957 en Italie, Marco Beasley poursuit des &eacute;tudes &agrave; l&rsquo;Universit&eacute; de Bologne o&ugrave; il approfondit sa connaissance des fondements stylistiques de l&rsquo;&eacute;poque de la Renaissance tardive : le recitar cantando et la polyphonie sacr&eacute;e et profane. Il entreprend alors une carri&egrave;re de concertiste qui le m&egrave;nera sur les sc&egrave;nes les plus prestigieuses, Concertgebouw d&rsquo;Amsterdam, l&rsquo;Acad&eacute;mie Sainte-C&eacute;cile &agrave; Rien et le Lincoln Center &agrave; New York. En 1984, il cofonde l&rsquo;ensemble Accordone avec Guido Morini et Stefano Rocco. La vaste discographie de Marco Beasley comporte de nombreux enregistrements avec cet ensemble. En 2014, il d&eacute;cide de poursuivre son chemin en solo pour explorer une voie plus personnelle et ind&eacute;pendante. Ses recherches sur la prononciation et l&rsquo;intelligibilit&eacute; des textes chant&eacute;s lui valent l&rsquo;admiration d&rsquo;un public toujours plus nombreux. Pour plus d&#39;information: <a href="mailto:info@centredesmusiciens.com" id="isPasted">info@centredesmusiciens.com</a> | 514-397-9226

Bonjour Prénom Nom, Merci pour votre inscription ! &Eacute;v&egrave;nement : Stage de chant avec Marco Beasley | L&#39;Art vocal du Recitar Cantando Adresse : 📭 &nbsp; Au 5043, rue Saint-Dominique, Montr&eacute;al, QC, H2T 1V1 Date et heure⌚️ &nbsp; : Le lundi 21 mars ET mardi 22 mars 2022 de 16 h &agrave; 20 hLe Centre des musiciens sera ouvert d&egrave;s 15h30 pour vous accueillir, veuillez arrivez au moins 15 minutes d&#39;avance pour permettre &agrave; l&#39;&eacute;quipe de valider vos passeports vaccinaux avant le d&eacute;but du stage le 21 mars. Pour rappel, voici <a href="https://centredesmusiciensdumonde.com/mesures-sanitaires-covid-19/">les mesures sanitaires</a> &eacute;mises par la Sant&eacute; Publique en vigueur au Centre des musiciens : <p id="isPasted" style='box-sizing: border-box; padding: 0px; margin: 0px 0px 10px; outline: 0px; display: block; color: rgb(0, 0, 0); font-family: "Trebuchet MS", Arial, Helvetica, sans-serif; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- R&eacute;servation en ligne obligatoire<p style='box-sizing: border-box; padding: 0px; margin: 0px 0px 10px; outline: 0px; display: block; color: rgb(0, 0, 0); font-family: "Trebuchet MS", Arial, Helvetica, sans-serif; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Passeport vaccinal exig&eacute;e &agrave; l&#39;entr&eacute;e et validation de la carte d&#39;identit&eacute;<p style='box-sizing: border-box; padding: 0px; margin: 0px 0px 10px; outline: 0px; display: block; color: rgb(0, 0, 0); font-family: "Trebuchet MS", Arial, Helvetica, sans-serif; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Port du masque en tout temps dans vos d&eacute;placement (sauf durant les exercices de chant)<p style='box-sizing: border-box; padding: 0px; margin: 0px 0px 10px; outline: 0px; display: block; color: rgb(0, 0, 0); font-family: "Trebuchet MS", Arial, Helvetica, sans-serif; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'>- Distanciation de deux m&egrave;tres en tout temps<p style='box-sizing: border-box; padding: 0px; margin: 0px 0px 10px; outline: 0px; display: block; color: rgb(0, 0, 0); font-family: "Trebuchet MS", Arial, Helvetica, sans-serif; font-size: 13px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'> Sinc&egrave;rement,&nbsp; Sylvianne Lagueux-Tremblayinfo@centredesmusiciens.com514-397-9226

Stage de chant | L'Art vocal du Recitar Cantando avec Marco BeasleyDates et heures : Le 21 mars de 16h à 20h ET le 22 mars de 16h à 20h Ce stage intensif de chant s’adresse aux chanteurs professionnels ou amateurs de haut niveau qui souhaitent explorer, comprendre et expérimenter le répertoire chanté de la Renaissance italienne de la fin du XVe siècle (Frottole et Motets sacrés) jusqu'au début du XVIIe siècle (défini comme le Recitar Cantando). Les pièces qui seront travaillées sont issues d’un vaste répertoire de compositeurs de cette époque allant de Bartolomeo Tromboncino, Marco Cara, jusqu'à Claudio Monteverdi, Giulio Caccini et Jacopo Peri. À noter que vous devez nous mentionner les pièces que vous souhaitez travailler durant le stage. Si la pièce ne se trouve pas dans la liste de suggestions ci-dessous, veuillez nous en faire part pour que nous puissions transmettre votre demande à Marco Beasley et son instrumentiste Stephano Rocco (luth).  Répertoire suggéré :  -  Le Frottole per canto e liuto, libro I e II del Bossiniensis, 1509 &amp; 1511 - Emilio de Cavalieri: brani dalla Rappresentazione di Anima et di Corpo, Roma, 1600 - Giulio Caccini: dal I e II libro delle Nuove Musiche, Firenze 1601 &amp; 1614 - Claudio Monteverdi: estratti dall’Orfeo, favola in musica, Venezia, 1607 - Claudio Monteverdi: estratti a voce sola ed a due voci dal Vespro, Venezia, 1610 - Alessandro Grandi: estratti dai Mottetti, libro II, Venezia, 1625 - Giovanni Felice Sances: Cantada a voce sola sul Passacaglie, libro II, Venezia 1633 - Giovanni Felice Sances: Stabat Mater dolorosa, Mottetti, Venezia, 1638 - Claudio Monteverdi: estratti dal Combattimento..., Venezia, 1638 Lieu : Centre des musiciens du monde, 5043 rue Saint-Dominique, MontréalDate et heure : 21 et 22 mars 2022 de 16h à 20hPrix : 150$ + taxes pour les 2 jours (8 heures de stage) Conditions :- Réservation en ligne obligatoire- Passeport vaccinal exigé- Port du masque en tout temps (sauf durant les exercices de chant)- Places limitées BIOGRAPHIE DE MARCO BEASLEYNé en 1957 en Italie, Marco Beasley poursuit des études à l’Université de Bologne où il approfondit sa connaissance des fondements stylistiques de l’époque de la Renaissance tardive : le recitar cantando et la polyphonie sacrée et profane. Il entreprend alors une carrière de concertiste qui le mènera sur les scènes les plus prestigieuses, Concertgebouw d’Amsterdam, l’Académie Sainte-Cécile à Rien et le Lincoln Center à New York. En 1984, il cofonde l’ensemble Accordone avec Guido Morini et Stefano Rocco. La vaste discographie de Marco Beasley comporte de nombreux enregistrements avec cet ensemble. En 2014, il décide de poursuivre son chemin en solo pour explorer une voie plus personnelle et indépendante. Ses recherches sur la prononciation et l’intelligibilité des textes chantés lui valent l’admiration d’un public toujours plus nombreux. Pour plus d'information: <a href="mailto:info@centredesmusiciens.com">info@centredesmusiciens.com</a> | 514-397-9226

FR

Centre des musiciens du monde

Singing Masterclass | The Vocal Art of Recitar Cantando with Marco Beasley

5043 Rue Saint-Dominique

General admission

$172.46