W.E.C.A.N. Society and W.E.C.A.N. Society Trust

### Context Profile for W.E.C.A.N. Society and W.E.C.A.N. Society Trust

#### 1. Organization Mission & Cause
The W.E.C.A.N. Society (Women Empowered through Culture, Arts, and Nature) is dedicated to empowering individuals, particularly women, through creative expression and community engagement. Their mission emphasizes the transformative power of the arts and nature in fostering personal growth, community connection, and cultural appreciation. They aim to create inclusive spaces where creativity thrives, enabling participants to explore their artistic potential and connect with others.

#### 2. Type of Activities
- **Workshops and Classes**: The organization offers various art classes, such as "Drawing with Expression," which focus on building confidence in drawing through guided exercises.
- **Community Programs**: They host events that encourage community participation and creative exploration, fostering a sense of belonging.
- **Fundraising Campaigns**: Engaging in fundraising activities to support their programs and initiatives.

#### 3. Tone of Voice
The tone of voice used by W.E.C.A.N. Society is **friendly, inspiring, and approachable**. Their communications are designed to encourage participation and convey a sense of warmth and inclusivity. They use language that is accessible and engaging, making the arts feel approachable for everyone, regardless of skill level.

#### 4. Emoji Usage
The organization does not prominently feature emojis in their communications. Their content maintains a professional yet friendly tone without relying on emojis to convey emotion or engagement.

#### 5. Key Facts
- **Founding Info**: Specific founding details were not found on the website; further research may be needed.
- **Scale**: The organization has a total of 17 forms and has conducted 8 email campaigns, indicating an active engagement with their community.
- **Impact Metrics**: Metrics on impact were not detailed on the website; however, the focus on community engagement suggests a commitment to measuring participant satisfaction and growth.
- **Volunteer Info**: Information on volunteer opportunities was not explicitly mentioned; further exploration may be necessary to understand how individuals can get involved.

#### 6. Writing Guidelines
- **Style**: Use a conversational and engaging style that reflects warmth and inclusivity. Avoid overly formal language; instead, opt for a friendly and encouraging tone.
- **Content Structure**: Begin with a welcoming introduction, followed by clear descriptions of activities and their benefits. Use bullet points for clarity when listing events or important information.
- **Call to Action**: Encourage participation with inviting language, emphasizing the community aspect and the personal growth opportunities available through their programs.
- **Personalization**: Incorporate personalized elements in communications, such as addressing participants by name, to enhance engagement.

This context profile serves as a foundational guide for creating tailored content that resonates with the values and mission of the W.E.C.A.N. Society, ensuring that all communications reflect their commitment to empowerment through the arts and community.

Members

Non-Members

w/ Riisa Gundesen $185 (Non-Members) / $175 (Members) &ndash; 4 sessionsDates &amp; Time: Saturday, April 4, 11, 18, and 25, 2026, 1 &ndash; 4 PM Harcourt House Artist Run Centre The Maggie and John Mitchell Art Education Studio, ANNEX Building,&nbsp;10211 &ndash; 112 Street, Edmonton Please ring buzzer upon arrival In this workshop we will consider traditional and contemporary palettes, alla prima oil painting techniques, and expressive, gestural brushwork. Working with long and short poses, your instructor will also guide you in observational strategies, as well as basic anatomy and other techniques specific to working with the human figure.&nbsp; Materials:Participants are asked to bring their own materials for this workshop. A list of recommended supplies: ● Paint: Oil paint in the following colours :- Ultramarine Blue&nbsp;- Alizarin Crimson&nbsp;- Cad Red Light (or hue)&nbsp;- Cad Yellow Deep/Medium (or hue)&nbsp;- Ivory Black&nbsp;- Titanium White&nbsp;- Burnt Sienna (or other earth tone)&nbsp;- Yellow Ochre (optional)&nbsp;- Prussian Blue (optional)&nbsp;● Brushes: Hog&rsquo;s Hair brushes, Flat or Filbert. Sizes ~ 2 - 8, at least four or five&nbsp;● Mediums: Walnut or Linseed Oil, Odourless Mineral Spirits if desired (no turpentine or other solvents with strong fumes please)&nbsp;● Surfaces: 5 surfaces minimum, each around 22&rdquo; x 30&rdquo;, or larger if desired. You might work on stretched canvas, masonite, wood, rag paper, or cardboard. If you are working in oil, your surface needs to be properly primed with gesso or equivalent. Typically, 2 or more layers of gesso are necessary to fully seal a surface for oils. Alternatively, you can find pre-primed canvas surfaces, including canvas papers, or Arches does an oil paper as well. Note that many pre-fab stretched canvases, especially cheaper ones, are primed for acrylic, not oil, and you made to gesso them further to avoid strike through.&nbsp;● Sketching supplies: You may wish to make some preliminary drawings before you start painting - a sketchbook or newsprint pad, some pencils or charcoal, something along those lines would be good for that.&nbsp;Instructor&rsquo;s BioRiisa Gundesen (she/her) is an oil painter based in Edmonton, AB, on Treaty 6 Territory. Her practice deals with self-portraiture and still life, exploring intersections of personal narrative, gender, consumerism, and the abject. Her paintings have been shown in galleries and artist-run centres across North America; her newest body of work has been exhibited in major group shows at Contemporary Calgary, and the Esplanade Arts And Heritage Centre, and in recent solo shows in Ottawa, ON, Utica, NY, and Kingston, ON. She has also been featured in such publications as Galleries West and The Capilano Review, and her work is included in the collections of the Alberta Foundation for the Arts, and the University of Saskatchewan. Gundesen received her BFA from the University of Lethbridge in 2012, and her MFA from the University of Saskatchewan in 2018. She currently teaches painting and drawing at the University of Alberta and MacEwan University.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for The Figure in Oil. Your registration greatly helps our mission.&nbsp; If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Harcourt House Teamexhibit@harcourthouse.ab.ca

w/ Riisa Gundesen $185 (Non-Members) / $175 (Members) – 4 sessionsDates &amp; Time: Saturday, April 4, 11, 18, and 25, 2026, 1 – 4 PM Harcourt House Artist Run Centre The Maggie and John Mitchell Art Education Studio, ANNEX Building, 10211 – 112 Street, Edmonton Please ring buzzer upon arrival In this workshop we will consider traditional and contemporary palettes, alla prima oil painting techniques, and expressive, gestural brushwork. Working with long and short poses, your instructor will also guide you in observational strategies, as well as basic anatomy and other techniques specific to working with the human figure.  Materials:Participants are asked to bring their own materials for this workshop. A list of recommended supplies: ● Paint: Oil paint in the following colours :- Ultramarine Blue - Alizarin Crimson - Cad Red Light (or hue) - Cad Yellow Deep/Medium (or hue) - Ivory Black - Titanium White - Burnt Sienna (or other earth tone) - Yellow Ochre (optional) - Prussian Blue (optional) ● Brushes: Hog’s Hair brushes, Flat or Filbert. Sizes ~ 2 - 8, at least four or five ● Mediums: Walnut or Linseed Oil, Odourless Mineral Spirits if desired (no turpentine or other solvents with strong fumes please) ● Surfaces: 5 surfaces minimum, each around 22” x 30”, or larger if desired. You might work on stretched canvas, masonite, wood, rag paper, or cardboard. If you are working in oil, your surface needs to be properly primed with gesso or equivalent. Typically, 2 or more layers of gesso are necessary to fully seal a surface for oils. Alternatively, you can find pre-primed canvas surfaces, including canvas papers, or Arches does an oil paper as well. Note that many pre-fab stretched canvases, especially cheaper ones, are primed for acrylic, not oil, and you made to gesso them further to avoid strike through. ● Sketching supplies: You may wish to make some preliminary drawings before you start painting - a sketchbook or newsprint pad, some pencils or charcoal, something along those lines would be good for that. Instructor’s BioRiisa Gundesen (she/her) is an oil painter based in Edmonton, AB, on Treaty 6 Territory. Her practice deals with self-portraiture and still life, exploring intersections of personal narrative, gender, consumerism, and the abject. Her paintings have been shown in galleries and artist-run centres across North America; her newest body of work has been exhibited in major group shows at Contemporary Calgary, and the Esplanade Arts And Heritage Centre, and in recent solo shows in Ottawa, ON, Utica, NY, and Kingston, ON. She has also been featured in such publications as Galleries West and The Capilano Review, and her work is included in the collections of the Alberta Foundation for the Arts, and the University of Saskatchewan. Gundesen received her BFA from the University of Lethbridge in 2012, and her MFA from the University of Saskatchewan in 2018. She currently teaches painting and drawing at the University of Alberta and MacEwan University.

W.E.C.A.N. Society and W.E.C.A.N. Society Trust

The Figure in Oil

10211 112 St NW

Members

$175

Non-Members

$185

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