Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

This ticket provides access to the conversation between Zohra Opoku and Mallory Lowe Mpoka, presented as part of the RAN Symposium at the MBAM. The number of seats is limited to encourage a privileged exchange between the speakers and the audience.

General Admission

LXCL:Ce billet donne accès à la conversation entre Anique Jordan et Lori Beavis, présentée dans le cadre du Symposium RAN à daphne. Le nombre de places est limité afin de favoriser un échange privilégié entre les intervenantes et le public.

Admission générale

Les pan&eacute;listes discuteront des joies inh&eacute;rentes &agrave; la curation selon leurs perspectives individuelles. Chacun s&#39;appuiera sur un projet curatorial particulier et sur la mani&egrave;re dont la joie et d&#39;autres sensibilit&eacute;s ont r&eacute;sonn&eacute; &agrave; travers et au sein de cette exposition ou de ce projet. Le panel abordera &eacute;galement la mani&egrave;re dont nous, en tant que travailleurs&middot;euses culturel&middot;le&middot;s, pouvons &ecirc;tre cr&eacute;atifs&middot;ves dans notre travail en &eacute;tant conscient&middot;e&middot;s de l&#39;importance du soin et de nos capacit&eacute;s individuelles. Biographies des intervenantes:&nbsp; Lori Beavis est directrice de daphne, le premier centre d&#39;artistes autochtones &agrave; Tiohti&agrave;:ke/Mooniyang/Montr&eacute;al. Elle est &eacute;galement commissaire ind&eacute;pendante. Son travail de commissaire articule le r&eacute;cit et la m&eacute;moire dans le contexte de l&#39;histoire et de l&#39;identit&eacute; familiales et culturelles, de l&#39;&eacute;ducation artistique et de l&#39;autorepr&eacute;sentation. S&#39;identifiant comme Michi Saagiig (Mississauga) Anishinaabe et colon irlandais-gallois, Beavis est citoyenne de la Premi&egrave;re Nation Hiawatha, &agrave; Rice Lake, en Ontario.&nbsp; Anique Jordan est une artiste, &eacute;crivaine et conservatrice qui cherche &agrave; r&eacute;pondre &agrave; la question de la possibilit&eacute; dans tout ce qu&#39;elle cr&eacute;e. En tant qu&#39;artiste, Jordan travaille dans les domaines de la photographie, de la sculpture et de la performance, utilisant souvent la th&eacute;orie de la hantologie pour remettre en question les r&eacute;cits historiques ou dominants et cr&eacute;er ce qu&#39;elle appelle des images impossibles.&nbsp;

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,<p fr-original-style="box-sizing: inherit; width: 734px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 734px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Merci pour votre inscription &agrave; Joy as a Curatorial Pratice pr&eacute;sent&eacute;e dans le cadre du Symposium RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir, organis&eacute; par Nigra Iuventa, en partenariat avec le Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec et le Goethe-Institut Montr&eacute;al. Cette conversation est pr&eacute;sent&eacute;e en partenariat avec daphne. 📍 Lieu : 5425 Casgrain Ave UNit #103, Montreal, Quebec H2T 1X6 📲 Suivez Nigra Iuventa pour d&eacute;couvrir la programmation compl&egrave;te et nos prochaines actualit&eacute;s :<a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp; 💛 En tant qu&rsquo;organisme &agrave; but non lucratif, nous faisons en sorte d&rsquo;offrir gratuitement la majorit&eacute; de nos activit&eacute;s. Si vous souhaitez soutenir notre mission, un don, m&ecirc;me symbolique, fait une r&eacute;elle diff&eacute;rence :<span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-a25db96d-0528-4b13-b868-c02559874671}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Faire un don}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Faire un don&nbsp; Au plaisir de vous accueillir,L&rsquo;&eacute;quipe du Symposium RAN

Les panélistes discuteront des joies inhérentes à la curation selon leurs perspectives individuelles. Chacun s'appuiera sur un projet curatorial particulier et sur la manière dont la joie et d'autres sensibilités ont résonné à travers et au sein de cette exposition ou de ce projet. Le panel abordera également la manière dont nous, en tant que travailleurs·euses culturel·le·s, pouvons être créatifs·ves dans notre travail en étant conscient·e·s de l'importance du soin et de nos capacités individuelles. Biographies des intervenantes:  Lori Beavis est directrice de daphne, le premier centre d'artistes autochtones à Tiohtià:ke/Mooniyang/Montréal. Elle est également commissaire indépendante. Son travail de commissaire articule le récit et la mémoire dans le contexte de l'histoire et de l'identité familiales et culturelles, de l'éducation artistique et de l'autoreprésentation. S'identifiant comme Michi Saagiig (Mississauga) Anishinaabe et colon irlandais-gallois, Beavis est citoyenne de la Première Nation Hiawatha, à Rice Lake, en Ontario.  Anique Jordan est une artiste, écrivaine et conservatrice qui cherche à répondre à la question de la possibilité dans tout ce qu'elle crée. En tant qu'artiste, Jordan travaille dans les domaines de la photographie, de la sculpture et de la performance, utilisant souvent la théorie de la hantologie pour remettre en question les récits historiques ou dominants et créer ce qu'elle appelle des images impossibles.

Joy as Curatorial Practice with Anique Jordan and Lori Beavis

The panelists will be in conversation discussing the joys imbued in curation from their individual perspectives. Each will draw on a particular curatorial project and the ways that joy and other sensibilities resonated through and within that exhibition or project. The panel will also touch on the ways we as cultural workers can be generative in the work we do by being cognizant of care and our individual capacities. About the Speakers :&nbsp; Lori Beavis is the Director of daphne, the first Indigenous artist-run centre in Tiohti&agrave;:ke/ Mooniyang/ Montreal. She is also an independent curator. Her curatorial work articulates narrative and memory in the context of family and cultural history and identity, art education and self-representation. Identifying as Michi Saagiig (Mississauga) Anishinaabe and Irish-Welsh settler, Beavis is a citizen of Hiawatha First Nation, Rice Lake, Ontario.&nbsp; Anique Jordan is an artist, writer and curator who looks to answer the question of possibility in everything she creates. As an artist, Jordan works in photography, sculpture and performance often employing the theory of hauntology to challenge historical or dominant narratives and creating, what she calls, impossible images.&nbsp;

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,&nbsp; Thank you for registering for Joy as Curatorial Practice &nbsp;presented as part of the RAN Symposium - Black Atlantic Networks, organized by Nigra Iuventa, in partnership with the Consulate General of France in Quebec and the Goethe-Institut Montreal.This conversation is presented in partnership with the daphne. 📍 Location:5425 Casgrain Ave UNit #103, Montreal, Quebec H2T 1X6 📲 Follow Nigra Iuventa to discover the complete program and our latest news: <a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp;💛 As a non-profit organization, we strive to offer the majority of our activities for free. If you would like to support our mission, even a symbolic donation makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-8af0f129-ac48-4ce5-9272-4e254bb3ac7a}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Donate}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">DonateWe look forward to welcoming you,The RAN Symposium Team

The panelists will be in conversation discussing the joys imbued in curation from their individual perspectives. Each will draw on a particular curatorial project and the ways that joy and other sensibilities resonated through and within that exhibition or project. The panel will also touch on the ways we as cultural workers can be generative in the work we do by being cognizant of care and our individual capacities. About the Speakers :  Lori Beavis is the Director of daphne, the first Indigenous artist-run centre in Tiohtià:ke/ Mooniyang/ Montreal. She is also an independent curator. Her curatorial work articulates narrative and memory in the context of family and cultural history and identity, art education and self-representation. Identifying as Michi Saagiig (Mississauga) Anishinaabe and Irish-Welsh settler, Beavis is a citizen of Hiawatha First Nation, Rice Lake, Ontario.  Anique Jordan is an artist, writer and curator who looks to answer the question of possibility in everything she creates. As an artist, Jordan works in photography, sculpture and performance often employing the theory of hauntology to challenge historical or dominant narratives and creating, what she calls, impossible images.

FR

Nigra Iuventa

Joy as Curatorial Practice with Anique Jordan and Lori Beavis

5425 Casgrain Ave UNit #103

General Admission

Free

Add a donation for Nigra Iuventa