Theatre Of The Beat Inc.

### Context Profile for Theatre Of The Beat Inc.

1. **Organization Mission & Cause**:
   - **Mission**: Theatre Of The Beat Inc. is dedicated to creating and promoting socially relevant theatre that engages audiences and fosters dialogue on important social issues. Their aim is to support emerging artists and provide a platform for diverse voices in the performing arts.
   - **Cause**: The organization focuses on community engagement through the arts, emphasizing the importance of storytelling in addressing social justice and cultural narratives.

2. **Type of Activities**:
   - **Events**: They host theatre festivals, such as the "MADGEN: Theatre of the Beat's Emerging Producers Festival," which showcases new works and supports emerging producers.
   - **Community Programs**: They engage in outreach initiatives that include workshops and educational programs aimed at fostering artistic development and community involvement.
   - **Fundraising Campaigns**: Regular fundraising efforts to support productions and community programs, often highlighted through email campaigns and social media.

3. **Tone of Voice**:
   - The tone is **friendly**, **inspiring**, and **inclusive**. The language used is accessible and engaging, aiming to connect with a broad audience while maintaining a professional undertone. The content often reflects a sense of urgency regarding social issues, encouraging action and participation.

4. **Emoji Usage**:
   - The organization does **not** appear to use emojis in their communications. Their content maintains a more traditional and professional format, focusing on clear and impactful language rather than informal elements like emojis.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not available on the website, but the organization has been active in promoting theatre for social change.
   - **Scale**: They focus on local community engagement, with events hosted in accessible venues.
   - **Impact Metrics**: While specific metrics are not detailed, the organization emphasizes the importance of community involvement and the support of emerging artists.
   - **Volunteer Info**: Opportunities for volunteering and community involvement are likely available, although specific details should be confirmed through direct inquiry or further website exploration.

6. **Writing Guidelines**:
   - **Style**: Use clear, engaging language that reflects the organization's mission of inclusivity and community engagement. 
   - **Structure**: Content should be organized with headings and bullet points for easy readability, especially for event promotions and fundraising appeals.
   - **Call to Action**: Encourage participation and support through direct calls to action, emphasizing the impact of contributions on the community and the arts.
   - **Audience Engagement**: Use storytelling techniques to connect emotionally with the audience, sharing personal stories or testimonials where appropriate to illustrate the impact of their work.

This context profile provides a comprehensive overview of Theatre Of The Beat Inc., enabling AI assistants to generate tailored and effective content that resonates with the organization's mission and audience.

LXCL:General admission to all three days in the Festival

Festival Pass

LXCL:General admission to both shows on one night

Double Bill

LXCL:General Admission to one show

One Show Pass

Pay What You Can

MADGEN: Theatre of the Beat&#39;s Emerging Producers Festival is a theatre festival designed to highlight and support emerging producers, with hands on experience that accumulates with the production of three fantastic shows! From Stardust by Annie Valentina, produced by Reena Goze <span fr-original-style='color: rgb(0, 0, 0); font-family: "Times New Roman", serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;' id="isPasted" style='color: rgb(0, 0, 0); font-family: "Times New Roman", serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important; box-sizing: inherit;'>Being the introverted loner in a family of &ldquo;strong personalities&rdquo; is challenging at the best of times &ndash; and these are far from the best of times. Given how the last few months have gone for Cass, maybe actually the worst. But between a self-involved girlboss sister, an emotionally distant mother, and now Cass&rsquo; grandmother&rsquo;s progressing dementia, it doesn&rsquo;t exactly feel like falling apart is an option. Things could always be worse, right? As long as you have a secret David Bowie in your back pocket, are you really out of coping strategies? The Apartment&nbsp;by Rimah Jabr, produced by Paul Smith <span fr-original-style='color: rgb(34, 34, 34); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 12pt; font-family: "Times New Roman", serif; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; vertical-align: baseline;' id="isPasted" style='color: rgb(34, 34, 34); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 12pt; font-family: "Times New Roman", serif; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; vertical-align: baseline; box-sizing: inherit;'>Amira and Jasir are a young couple who usually spend their mornings listening to the radio or bickering. Now, as they unpack their new apartment in Palestine&rsquo;s West Bank city of Nablus, they are given no choice but to pack what they can and leave. Written by artist and scholar Rimah Jabr, The Apartment<span fr-original-style='color: rgb(34, 34, 34); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 12pt; font-family: "Times New Roman", serif; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; vertical-align: baseline;' style='color: rgb(34, 34, 34); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-size: 12pt; font-family: "Times New Roman", serif; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; vertical-align: baseline; box-sizing: inherit;'>&nbsp;is a charming and disarming play about home, the lengths we&rsquo;ll go to make it, and life after the rubble. Horses&nbsp;by Thea Fitz-James and Justin Otto, produced by Rhys Whitham <span fr-original-style="font-size:12pt;font-family:'Times New Roman',serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" id="isPasted" style='font-size: 12pt; font-family: "Times New Roman", serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;'>A play of dance and desperation. Pushing the archetypal phrase &lsquo;starving artists&rsquo; to the extreme, Horses explores the ugly underbelly of what it means to suffer for your art. Fitz-James and Otto use dance as an allegory for labour in a Hunger Games-meets-Footloose competition that draws attention to the emotional and physical demands of late stage capitalism. &lsquo;The Marathon&rsquo; is a survival of the fittest/last person standing contest that requires teams of two to compete. The winner takes home a cash prize, and what cannot be paid in cash will be paid in exposure. Dances may go on for months at a time, with the contestants resting for 10 minutes at a time every 2 hours. For some this is all they have left, for others it&rsquo;s the only skill they have, but they are all poor, and they are all desperate for a win. MADGEN runs from August 21st to the 23rd, with two shows each evening, at 2174 Danforth Avenue. The building is fully accessible, and we are excited to welcome you into the space!&nbsp; The show schedule is:Thursday August 21stFrom Stardust @ 6PM &amp; The Apartment @ 8PM Friday August 22ndHorses @ 6PM &amp; From Stardust @ 8PM Saturday August 23rdThe Apartment @ 6PM &amp; Horses @ 8PM Each performance is roughly an hour long, with a 20 minute talkback after each 6PM slot.

Hi there, Thank you so much for buying a ticket to MADGEN: Theatre of the Beat&#39;s Emerging Producers Festival, and for supporting live theatre. We can&#39;t wait to see you at the show! If you have any questions about the Festival please contact Owen at <a data-fr-linked="true" fr-original-style="" href="mailto:owen@theatreofthebeat.ca" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">owen@theatreofthebeat.ca</a>. To continue to stay in contact with Theatre of the Beat, and to get further updates on MADGEN, please head to our website (www.theatreofthebeat.ca) and sign up for our newsletter. We can&#39;t wait to see you at the Festival! Warmly,Owen Carter, Reena Goze, Paul Smith, and Rhys Whitham

MADGEN: Theatre of the Beat's Emerging Producers Festival is a theatre festival designed to highlight and support emerging producers, with hands on experience that accumulates with the production of three fantastic shows! From Stardust by Annie Valentina, produced by Reena Goze Being the introverted loner in a family of “strong personalities” is challenging at the best of times – and these are far from the best of times. Given how the last few months have gone for Cass, maybe actually the worst. But between a self-involved girlboss sister, an emotionally distant mother, and now Cass’ grandmother’s progressing dementia, it doesn’t exactly feel like falling apart is an option. Things could always be worse, right? As long as you have a secret David Bowie in your back pocket, are you really out of coping strategies? The Apartment by Rimah Jabr, produced by Paul Smith Amira and Jasir are a young couple who usually spend their mornings listening to the radio or bickering. Now, as they unpack their new apartment in Palestine’s West Bank city of Nablus, they are given no choice but to pack what they can and leave. Written by artist and scholar Rimah Jabr, The Apartment is a charming and disarming play about home, the lengths we’ll go to make it, and life after the rubble. Horses by Thea Fitz-James and Justin Otto, produced by Rhys Whitham A play of dance and desperation. Pushing the archetypal phrase ‘starving artists’ to the extreme, Horses explores the ugly underbelly of what it means to suffer for your art. Fitz-James and Otto use dance as an allegory for labour in a Hunger Games-meets-Footloose competition that draws attention to the emotional and physical demands of late stage capitalism. ‘The Marathon’ is a survival of the fittest/last person standing contest that requires teams of two to compete. The winner takes home a cash prize, and what cannot be paid in cash will be paid in exposure. Dances may go on for months at a time, with the contestants resting for 10 minutes at a time every 2 hours. For some this is all they have left, for others it’s the only skill they have, but they are all poor, and they are all desperate for a win. MADGEN runs from August 21st to the 23rd, with two shows each evening, at 2174 Danforth Avenue. The building is fully accessible, and we are excited to welcome you into the space!  The show schedule is:Thursday August 21stFrom Stardust @ 6PM &amp; The Apartment @ 8PM Friday August 22ndHorses @ 6PM &amp; From Stardust @ 8PM Saturday August 23rdThe Apartment @ 6PM &amp; Horses @ 8PM Each performance is roughly an hour long, with a 20 minute talkback after each 6PM slot.

Theatre Of The Beat Inc.

Add a donation for Theatre Of The Beat Inc.

MADGEN: Theatre of the Beat's Emerging Producers Festival

2174 Danforth Ave

Festival Pass

$30

Double Bill

$20

One Show Pass

$15

Pay What You Can

Free

Pay What You Can

$5

Pay What You Can

$10

Pay What You Can

$30