Training Society Of Vancouver

### Context Profile for Training Society of Vancouver

1. **Organization Mission & Cause**:
   - The Training Society of Vancouver (TSV) is dedicated to providing high-quality education and training in the performing arts, particularly dance. Their mission centers around fostering creativity, developing skills, and supporting emerging artists in a collaborative environment. They aim to create opportunities for individuals to explore their artistic potential and engage with the community through various programs and workshops.

2. **Type of Activities**:
   - TSV offers a variety of activities including:
     - **Workshops and Classes**: Regular classes led by experienced instructors, such as the "Working Class" series featuring choreographers like Lesley Telford.
     - **Community Programs**: Initiatives aimed at supporting local artists and promoting dance education.
     - **Partnerships**: Collaborations with organizations like Matriarchs Uprising to enhance community engagement and outreach.

3. **Tone of Voice**:
   - The tone of TSV's communications is **friendly**, **inspiring**, and **professional**. They use approachable language that invites participation and fosters a sense of community. Their content often emphasizes encouragement and support for artistic growth.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their email campaigns and website content maintain a more traditional and professional appearance, focusing on clear and direct language without the use of emojis.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not mentioned on the website.
   - **Scale**: TSV has a total of 17 forms and has conducted 105 email campaigns, indicating an active engagement with their audience.
   - **Impact Metrics**: While specific metrics are not detailed, the organization emphasizes community involvement and support for emerging artists.
   - **Volunteer Info**: Information regarding volunteer opportunities is not explicitly stated, but the organization likely encourages community participation in its programs.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is accessible to a broad audience. 
   - **Structure**: Organize content with headings and bullet points for easy readability.
   - **Personalization**: Incorporate personal touches, such as addressing recipients by name in emails, to foster a connection.
   - **Call to Action**: Encourage participation in classes and workshops with inviting language that highlights the benefits of joining.
   - **Visuals**: While the use of emojis is minimal, consider incorporating relevant images or graphics to enhance engagement without detracting from the professional tone.

This context profile serves as a foundation for generating tailored content that aligns with the Training Society of Vancouver's mission, activities, and communication style.

LXCL:Working Class from 10am-11:30am

Wednesday - December 10

Friday - December 12

LXCL:If the class you selected is full, please select this Waitlist Ticket.

Waitlist Ticket

Class Description:This contemporary technique class prepares participants to work with both scored improvisational tasks and set movement sequences, prioritising both the individual and the collective movements of the room. It invites students to work with an awareness of the perpetual changes occurring in mind, body, emotion and energy while negotiating movement tasks and technical movement sequences. This class privileges how our way of thinking about our bodies creates a felt sense in the body that is malleable through practice. The class begins with a warm up focused on developing strength, mobility, and dynamic stability within the body. This 35-minute warm up is an opportunity for students to mobilize all joints, engage specific muscle structures, and prioritize dynamic systems of support in the musco-skeletal system. The improvisatory scores propose systems of support from inside and outside of the body, invite the articulation of both joints and flesh, and activate the mind as a catalyst for shifts in sensation and perception.&nbsp;The structured material invites students to explore precisely how and when their bodies are activated into movement. These exercises are intended to offer participants a structure for exploring multiple approaches and entry points to the material. Guided improvisation and set movement become containers for attention. They are strategies for remaining present, feeling the senses work in concert, and becoming attuned to the perpetual and dynamic negotiations within our body and the space we share.&nbsp; Bio:Justine A. Chambers is a dance artist and educator living and working on the unceded Coast Salish territories of the Sḵwx̱w&uacute;7mesh, Musqueam and Tsleil-Waututh Nations in Vancouver, Canada. Her practice is a collaboration with her Black matrilineal heritage, and extends from this continuum and its entanglements with Western contemporary dance and visual arts practices. Her research attends to individual and collective embodied archives, social choreographies of the everyday, and choreography and dance as otherwise ways of being in relation. Chambers&rsquo; work has been hosted at galleries, festivals and theatres nationally and internationally including: EMPAC, PICA, Toronto Biennial of Art, Agora de la Danse, Libby Leshgold Gallery, CAG, Sophiensaele, Artspeak, The Western Front, The Dance Centre, National Arts Centre, Leonard and Bina Ellen Gallery, Art Museum at U of T, Mile Zero Dance, and the Hong Kong Performing Arts Festival. She is an Assistant Professor at the School for Contemporary Arts at SFU, and Associate Artist to The Dance Centre. Chambers is Max Tyler-Hite&rsquo;s mother.&nbsp; <a data-fr-linked="true" fr-original-style="" href="http://justineachambers.com" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">justineachambers.com</a> Photography credits: iiii photography<p fr-original-style="line-height:1.2;margin:0pt 0px;width:100%;box-sizing:inherit;color:rgb(15, 14, 91);" style="line-height: 1.2; margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(15, 14, 91);"> ** If you are new to TSV, please read and fill our&nbsp;<a fr-original-style="" href="https://docs.google.com/forms/d/e/1FAIpQLSe4ckig-uUADITS9N0IF8huEGIquclyfxZHvt5KQJwButAivA/viewform" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">TSV Consent &amp; Liability Form</a><p fr-original-style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;width:100%;box-sizing:inherit;color:rgb(15, 14, 91);" style="line-height: 1.2; margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(15, 14, 91);"><span fr-original-style="color:rgb(117, 117, 117);font-family:Roboto, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit;" style="color:rgb(117, 117, 117);font-family:Roboto, Helvetica, Arial, sans-serif;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit;">**By purchasing a class, You hereby release to Training Society of Vancouver the rights to all photography and video recordings that may be taken during classes and workshops for promotional use.

Hello First name Last name<p fr-original-style="box-sizing:inherit;width:757px;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin:0px;line-height:1.5;" style="box-sizing:inherit;width:757px;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin:0px;line-height:1.5;"> Thank you from the Board of TSV for joining us at Working Class!Class will take place at Scotiabank Dance Centre (677 Davie St, Vancouver, BC V6B 2G6) Happy dancing! If you have any questions please contact us at: <a fr-original-style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit;" href="mailto:trainingsocietyofvancouver@gmail.com" style="color: inherit; text-decoration: inherit; user-select: auto; box-sizing: inherit;">trainingsocietyofvancouver@gmail.com</a> Kind regards, Training Society of Vancouver&nbsp;<a fr-original-style="" href="https://www.trainingsocietyofvancouver.ca/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">www.trainingsocietyofvancouver.com</a>

Class Description:This contemporary technique class prepares participants to work with both scored improvisational tasks and set movement sequences, prioritising both the individual and the collective movements of the room. It invites students to work with an awareness of the perpetual changes occurring in mind, body, emotion and energy while negotiating movement tasks and technical movement sequences. This class privileges how our way of thinking about our bodies creates a felt sense in the body that is malleable through practice. The class begins with a warm up focused on developing strength, mobility, and dynamic stability within the body. This 35-minute warm up is an opportunity for students to mobilize all joints, engage specific muscle structures, and prioritize dynamic systems of support in the musco-skeletal system. The improvisatory scores propose systems of support from inside and outside of the body, invite the articulation of both joints and flesh, and activate the mind as a catalyst for shifts in sensation and perception. The structured material invites students to explore precisely how and when their bodies are activated into movement. These exercises are intended to offer participants a structure for exploring multiple approaches and entry points to the material. Guided improvisation and set movement become containers for attention. They are strategies for remaining present, feeling the senses work in concert, and becoming attuned to the perpetual and dynamic negotiations within our body and the space we share.  Bio:Justine A. Chambers is a dance artist and educator living and working on the unceded Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations in Vancouver, Canada. Her practice is a collaboration with her Black matrilineal heritage, and extends from this continuum and its entanglements with Western contemporary dance and visual arts practices. Her research attends to individual and collective embodied archives, social choreographies of the everyday, and choreography and dance as otherwise ways of being in relation. Chambers’ work has been hosted at galleries, festivals and theatres nationally and internationally including: EMPAC, PICA, Toronto Biennial of Art, Agora de la Danse, Libby Leshgold Gallery, CAG, Sophiensaele, Artspeak, The Western Front, The Dance Centre, National Arts Centre, Leonard and Bina Ellen Gallery, Art Museum at U of T, Mile Zero Dance, and the Hong Kong Performing Arts Festival. She is an Assistant Professor at the School for Contemporary Arts at SFU, and Associate Artist to The Dance Centre. Chambers is Max Tyler-Hite’s mother.  <a href="http://justineachambers.com" target="_blank">justineachambers.com</a> Photography credits: iiii photography ** If you are new to TSV, please read and fill our <a href="https://docs.google.com/forms/d/e/1FAIpQLSe4ckig-uUADITS9N0IF8huEGIquclyfxZHvt5KQJwButAivA/viewform" target="_blank">TSV Consent &amp; Liability Form</a>**By purchasing a class, You hereby release to Training Society of Vancouver the rights to all photography and video recordings that may be taken during classes and workshops for promotional use.

Training Society Of Vancouver

Working Class with Justine A. Chambers - December 10/12

Scotiabank Dance Centre

Add a donation for Training Society Of Vancouver

Wednesday - December 10

$15

Friday - December 12

$15

Waitlist Ticket

Free