Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

LXCL:Ce billet donne accès à la conversation entre Zohra Opoku et Mallory Lowe Mpoka, présentée dans le cadre du Symposium RAN au MBAM. Le nombre de places est limité afin de favoriser un échange privilégié entre les intervenantes et le public.

Admission générale

This ticket provides access to the conversation between Zohra Opoku and Mallory Lowe Mpoka, presented as part of the RAN Symposium at the MBAM. The number of seats is limited to encourage a privileged exchange between the speakers and the audience.

General Admission

Cette conversation porte sur la pratique artistique de Zohra Opoku, dont le travail explore l&#39;identit&eacute;, l&#39;appartenance et la m&eacute;moire culturelle &agrave; travers la photographie, les textiles et les installations. N&eacute;e en Allemagne de l&#39;Est et d&eacute;sormais install&eacute;e &agrave; Accra, Opoku s&#39;appuie sur des r&eacute;cits personnels et ancestraux pour examiner les intersections entre l&#39;h&eacute;ritage et l&#39;exp&eacute;rience contemporaine. Son approche tactile, qui combine s&eacute;rigraphie, broderie et collage, transforme le tissu en un lieu de r&eacute;flexion sur le corps et son histoire. Dans un dialogue avec l&#39;artiste Mallory Lowe Mpoka, cet &eacute;change offre un aper&ccedil;u des pr&eacute;occupations communes autour de la m&eacute;moire, de la mat&eacute;rialit&eacute; et de la transmission des histoires diasporiques. Cette activit&eacute; s&rsquo;inscrit dans le cadre du Symposium international RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir : patrimoines, savoirs et solidarit&eacute;s, projet de Nigra Iuventa, organis&eacute; en partenariat avec le Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec et le Goethe-Institut de Montr&eacute;al et qui se tiendra &agrave; Montr&eacute;al du 18 au 22 novembre 2025. Elle est pr&eacute;sent&eacute;e en partenariat avec le Mus&eacute;e des beaux-arts de Montr&eacute;al (MBAM). La rencontre aura lieu au Salon, situ&eacute; au deuxi&egrave;me &eacute;tage du pavillon Jean-No&euml;l Desmarais, au 1380, rue Sherbrooke Ouest. Le lieu est accessible aux personnes &agrave; mobilit&eacute; r&eacute;duite. Biographies des intervenantes:&nbsp; ZOHRA OPOKU&nbsp; n&eacute;e en 1976 &agrave; Altdöbern (ancienne RDA/Allemagne de l&#39;Est) ; vit et travaille &agrave; Accra, au Ghana. La pratique multidisciplinaire de Zohra Opoku explore l&#39;identit&eacute;, la m&eacute;moire et l&#39;appartenance &agrave; travers la photographie, le textile et l&#39;installation. N&eacute;e en Allemagne de l&#39;Est et bas&eacute;e &agrave; Accra, elle fait le pont entre ses deux h&eacute;ritages en fusionnant l&#39;artisanat traditionnel et les processus exp&eacute;rimentaux. &Agrave; l&#39;aide d&#39;images s&eacute;rigraphi&eacute;es sur des tissus naturels, de broderies et de collages, elle construit des r&eacute;cits stratifi&eacute;s ancr&eacute;s dans l&#39;histoire personnelle et culturelle. Son travail refl&egrave;te les paysages &eacute;motionnels de la diaspora africaine, transformant des exp&eacute;riences intimes en r&eacute;flexions universelles. Expos&eacute;e &agrave; l&#39;&eacute;chelle internationale, l&#39;&oelig;uvre d&#39;Opoku a &eacute;t&eacute; pr&eacute;sent&eacute;e dans des institutions telles que la Tate Modern, le Zeitz MOCAA, le Louvre Abu Dhabi et le Brooklyn Museum, et fait partie des principales collections publiques du monde entier. Mallory Lowe Mpoka (n&eacute;e en 1996) est une artiste camerounaise-belge bas&eacute;e &agrave; Montr&eacute;al. Sa pratique photographique &eacute;largie explore la m&eacute;moire, le lieu et l&#39;identit&eacute; &agrave; travers le tissage, la c&eacute;ramique et la sculpture. S&#39;appuyant sur des archives personnelles et l&#39;h&eacute;ritage colonial, son travail fait le pont entre les continents et les histoires. Elle a expos&eacute; &agrave; l&#39;&eacute;chelle internationale et pr&eacute;sente actuellement une exposition solo &agrave; la Fonderie Darling dans le cadre de la Biennale Momenta en 2025.

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,<p fr-original-style="box-sizing: inherit; width: 734px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 734px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Merci pour votre inscription &agrave; Zohra Opoku en conversation avec Mallory Lowe Mpoka pr&eacute;sent&eacute;e dans le cadre du Symposium RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir, organis&eacute; par Nigra Iuventa, en partenariat avec le Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec et le Goethe-Institut Montr&eacute;al. Cette conversation est pr&eacute;sent&eacute;e en partenariat avec le Mus&eacute;e des beaux-arts de Montr&eacute;al. 📍 Lieu : Le Salon, 2ᵉ &eacute;tage du pavillon Jean-No&euml;l Desmarais, 1380, rue Sherbrooke Ouest, Montr&eacute;al. 📲 Suivez Nigra Iuventa pour d&eacute;couvrir la programmation compl&egrave;te et nos prochaines actualit&eacute;s :<a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp; 💛 En tant qu&rsquo;organisme &agrave; but non lucratif, nous faisons en sorte d&rsquo;offrir gratuitement la majorit&eacute; de nos activit&eacute;s. Si vous souhaitez soutenir notre mission, un don, m&ecirc;me symbolique, fait une r&eacute;elle diff&eacute;rence :<span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-a25db96d-0528-4b13-b868-c02559874671}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Faire un don}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Faire un don&nbsp; Au plaisir de vous accueillir,L&rsquo;&eacute;quipe du Symposium RAN

Cette conversation porte sur la pratique artistique de Zohra Opoku, dont le travail explore l'identité, l'appartenance et la mémoire culturelle à travers la photographie, les textiles et les installations. Née en Allemagne de l'Est et désormais installée à Accra, Opoku s'appuie sur des récits personnels et ancestraux pour examiner les intersections entre l'héritage et l'expérience contemporaine. Son approche tactile, qui combine sérigraphie, broderie et collage, transforme le tissu en un lieu de réflexion sur le corps et son histoire. Dans un dialogue avec l'artiste Mallory Lowe Mpoka, cet échange offre un aperçu des préoccupations communes autour de la mémoire, de la matérialité et de la transmission des histoires diasporiques. Cette activité s’inscrit dans le cadre du Symposium international RAN – Réseaux de l’Atlantique noir : patrimoines, savoirs et solidarités, projet de Nigra Iuventa, organisé en partenariat avec le Consulat général de France à Québec et le Goethe-Institut de Montréal et qui se tiendra à Montréal du 18 au 22 novembre 2025. Elle est présentée en partenariat avec le Musée des beaux-arts de Montréal (MBAM). La rencontre aura lieu au Salon, situé au deuxième étage du pavillon Jean-Noël Desmarais, au 1380, rue Sherbrooke Ouest. Le lieu est accessible aux personnes à mobilité réduite. Biographies des intervenantes:  ZOHRA OPOKU  née en 1976 à Altdöbern (ancienne RDA/Allemagne de l'Est) ; vit et travaille à Accra, au Ghana. La pratique multidisciplinaire de Zohra Opoku explore l'identité, la mémoire et l'appartenance à travers la photographie, le textile et l'installation. Née en Allemagne de l'Est et basée à Accra, elle fait le pont entre ses deux héritages en fusionnant l'artisanat traditionnel et les processus expérimentaux. À l'aide d'images sérigraphiées sur des tissus naturels, de broderies et de collages, elle construit des récits stratifiés ancrés dans l'histoire personnelle et culturelle. Son travail reflète les paysages émotionnels de la diaspora africaine, transformant des expériences intimes en réflexions universelles. Exposée à l'échelle internationale, l'œuvre d'Opoku a été présentée dans des institutions telles que la Tate Modern, le Zeitz MOCAA, le Louvre Abu Dhabi et le Brooklyn Museum, et fait partie des principales collections publiques du monde entier. Mallory Lowe Mpoka (née en 1996) est une artiste camerounaise-belge basée à Montréal. Sa pratique photographique élargie explore la mémoire, le lieu et l'identité à travers le tissage, la céramique et la sculpture. S'appuyant sur des archives personnelles et l'héritage colonial, son travail fait le pont entre les continents et les histoires. Elle a exposé à l'échelle internationale et présente actuellement une exposition solo à la Fonderie Darling dans le cadre de la Biennale Momenta en 2025.

Zohra Opoku en conversation avec Mallory Lowe Mpoka

This conversation focuses on the practice of Zohra Opoku, whose work explores identity, belonging, and cultural memory through photography, textiles, and installation. Born in East Germany and now based in Accra, Opoku draws on personal and ancestral narratives to examine how heritage and contemporary experience intersect. Her tactile approach, combining screen-printing, embroidery, and collage, transforms fabric into a site of reflection on the body and its histories. In dialogue with artist Mallory Lowe Mpoka, the exchange offers insights into shared concerns around memory, materiality, and the transmission of diasporic stories. This activity is part of the symposium Black Atlantic Networks: Heritage, Knowledge and Solidarity, taking place in Montr&eacute;al from November 18 to 22, 2025. The symposium fosters transnational dialogue and creates a space for the co-construction of knowledge. The event will be held in The Salon, located on the second floor of the Jean-No&euml;l Desmarais Pavilion. 1380 Sherbrooke Street West. The venue is accessible to people with reduced mobility. About the Speakers :&nbsp; ZOHRA OPOKU&nbsp; b. 1976, Altdöbern (former GDR/ East Germany); lives and works in Accra, Ghana. &nbsp; Zohra Opoku&rsquo;s multidisciplinary practice explores identity, memory, and belonging through photography, textiles, and installation. Born in East Germany and based in Accra, she bridges her dual heritage by merging traditional craftsmanship with experimental processes. Using screen-printed images on natural fabrics, embroidery, and collage, she constructs layered narratives rooted in personal and cultural history. Her work reflects the emotional landscapes of the African diaspora, transforming intimate experiences into universal reflections. Exhibited internationally, Opoku&rsquo;s art has been shown at institutions including Tate Modern, Zeitz MOCAA, Louvre Abu Dhabi, and the Brooklyn Museum, and is held in major public collections worldwide. Mallory Lowe Mpoka (b.1996) is a Cameroonian-Belgian artist based in Montreal. Her expanded photographic practice explores memory, place, and identity through weaving, ceramics, and sculpture. Engaging personal archives and colonial legacies, her work bridges continents and histories. She has exhibited internationally and is currently presenting a solo show at Fonderie Darling during Momenta Biennale in 2025.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,&nbsp; Thank you for registering for Zohra Opoku in conversation with Mallory Lowe Mpok presented as part of the RAN Symposium - Black Atlantic Networks, organized by Nigra Iuventa, in partnership with the Consulate General of France in Quebec and the Goethe-Institut Montreal.This conversation is presented in partnership with the Montreal Museum of Fine Arts. 📍 Location: The Salon, 2nd floor of the Jean-No&euml;l Desmarais Pavilion, 1380 Sherbrooke Street West, Montreal. 📲 Follow Nigra Iuventa to discover the complete program and our latest news: <a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp;💛 As a non-profit organization, we strive to offer the majority of our activities for free. If you would like to support our mission, even a symbolic donation makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-8af0f129-ac48-4ce5-9272-4e254bb3ac7a}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Donate}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">DonateWe look forward to welcoming you,The RAN Symposium Team

This conversation focuses on the practice of Zohra Opoku, whose work explores identity, belonging, and cultural memory through photography, textiles, and installation. Born in East Germany and now based in Accra, Opoku draws on personal and ancestral narratives to examine how heritage and contemporary experience intersect. Her tactile approach, combining screen-printing, embroidery, and collage, transforms fabric into a site of reflection on the body and its histories. In dialogue with artist Mallory Lowe Mpoka, the exchange offers insights into shared concerns around memory, materiality, and the transmission of diasporic stories. This activity is part of the symposium Black Atlantic Networks: Heritage, Knowledge and Solidarity, taking place in Montréal from November 18 to 22, 2025. The symposium fosters transnational dialogue and creates a space for the co-construction of knowledge. The event will be held in The Salon, located on the second floor of the Jean-Noël Desmarais Pavilion. 1380 Sherbrooke Street West. The venue is accessible to people with reduced mobility. About the Speakers :  ZOHRA OPOKU  b. 1976, Altdöbern (former GDR/ East Germany); lives and works in Accra, Ghana.   Zohra Opoku’s multidisciplinary practice explores identity, memory, and belonging through photography, textiles, and installation. Born in East Germany and based in Accra, she bridges her dual heritage by merging traditional craftsmanship with experimental processes. Using screen-printed images on natural fabrics, embroidery, and collage, she constructs layered narratives rooted in personal and cultural history. Her work reflects the emotional landscapes of the African diaspora, transforming intimate experiences into universal reflections. Exhibited internationally, Opoku’s art has been shown at institutions including Tate Modern, Zeitz MOCAA, Louvre Abu Dhabi, and the Brooklyn Museum, and is held in major public collections worldwide. Mallory Lowe Mpoka (b.1996) is a Cameroonian-Belgian artist based in Montreal. Her expanded photographic practice explores memory, place, and identity through weaving, ceramics, and sculpture. Engaging personal archives and colonial legacies, her work bridges continents and histories. She has exhibited internationally and is currently presenting a solo show at Fonderie Darling during Momenta Biennale in 2025.

FR

Nigra Iuventa

Zohra Opoku in conversation with Mallory Lowe Mpoka

1380 Rue Sherbrooke O

General Admission

Free

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