The Opera Makers

### Context Profile for The Opera Makers

1. **Organization Mission & Cause**:
   - **Mission**: The Opera Makers is dedicated to creating innovative and accessible opera experiences that engage diverse audiences. Their mission emphasizes the importance of storytelling through music and aims to break down barriers in the traditional opera landscape.
   - **Cause**: They focus on inclusivity in the arts, striving to make opera a medium that resonates with a broader demographic, particularly those who may not have had access to it before.

2. **Type of Activities**:
   - **Events**: The organization hosts performances that are designed to be engaging and accessible, often incorporating modern themes and narratives.
   - **Community Programs**: They may offer workshops or educational programs aimed at introducing opera to new audiences, fostering appreciation for the art form.
   - **Fundraising Campaigns**: While specific campaigns were not detailed, the organization likely engages in fundraising to support their productions and outreach efforts.

3. **Tone of Voice**:
   - The tone of the website is **friendly**, **inviting**, and **inspiring**. It seeks to engage readers with a sense of warmth and enthusiasm about the arts. The language is accessible, aiming to demystify opera and make it relatable to a wider audience.

4. **Emoji Usage**:
   - The website does not prominently feature emojis in its content. The communication style is straightforward and professional, focusing on clarity and engagement without the use of informal symbols.

5. **Key Facts**:
   - **Founding Info**: The Opera Makers is a new organization, and specific founding details were not provided on the website.
   - **Scale**: As a new entity, they are likely in the early stages of development with limited outreach and impact metrics available.
   - **Impact Metrics**: Currently, there are no specific metrics available on their website regarding audience reach or community impact.
   - **Volunteer Info**: There is no detailed information on volunteer opportunities or involvement on the website, indicating that this may still be in development.

6. **Writing Guidelines**:
   - **Style**: Content should maintain a friendly and inviting tone, using clear and accessible language to engage a diverse audience.
   - **Focus**: Emphasize storytelling and the transformative power of opera, making connections to community and inclusivity.
   - **Call to Action**: Encourage participation and engagement, whether through attending performances, supporting fundraising efforts, or joining community programs.

### Summary
The Opera Makers is a nascent nonprofit focused on making opera accessible and engaging for a diverse audience. Their friendly and inspiring tone invites participation and fosters a sense of community. As they grow, it will be essential to develop clear metrics and volunteer opportunities to enhance their impact and outreach. Future communications should reflect their mission of inclusivity and storytelling, maintaining a warm and inviting style.

LXCL:£20 until January 8th - £25 after

Early Bird Admission

LXCL:Students/ Under 35s and Blue Light Card Holders £12.50 until January 8th, £15 after.

Student/ Under 35 /Blue Light Card

Join The Opera Makers at the UK premiere of Augusta Holm&eacute;s&#39; stunning Romantic opera. &nbsp;Featuring a cast of exceptional early career talent, and a choir of conservatoire voices, against the stunning backdrop of St Paul&#39;s, Knightsbridge, this is an evening of music-making not to be missed. Doors 6pmPerformance 6:30pmRunning time 2 hours 45 including intervals Bar and snacks available to purchase. <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 700; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 700; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">The Work <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Composed in 1895,&nbsp;<span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">La Montagne Noire&nbsp;<span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">is a late-Romantic opera on a grand scale, replete with soaring melodies and moments of outstanding beauty. It is remarkable for being one of very few operas written by a woman to be produced at the Paris Opera during the 19th century. Despite the work&rsquo;s abundant merits, it received a lukewarm reception &ndash; likely due to the scant recognition afforded female composers at the time &ndash; and was never revived. <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">The opera remains unheard in the UK, a situation we are eager to rectify. In 2024, the work was &lsquo;re-premiered&rsquo; by Oper Dortmund in Germany in a production that was nominated for the Best Rediscovered Work by the International Opera Awards. The overwhelmingly positive reception of that production has cemented our view that this work is ripe for a UK premiere. <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 700; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 700; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Our Production <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">We have curated a cast that includes an astonishing level of talent, with three female leads whose careers have all been deeply affected by their choice to become mothers. The decision to start a family remains an impediment to the careers of many singers, particularly those with larger voices whose instruments blossom at precisely the time when it is most likely they will be starting their families. These realities remind us of the challenges that women pursuing artistic careers continue to face, even 130 years after Holm&egrave;s composed her opera. <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">La Montagne Noire&nbsp;<span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">calls for a robust chorus, and we are delighted to feature a diverse student chorus, supported by Trinity Laban Conservatoire of Music &amp; Dance. <span fr-original-style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(34, 34, 34); background-color: transparent; font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">The Opera Makers The Opera Makers have been producing critically acclaimed productions since 2021. &nbsp;Nominated for the Off West End Award for their 2024 production of Turandot, the first in the UK to feature an entirely East Asian Heritage cast; and winners of the 2025 Award for their groundbreaking re-staging of La&nbsp;Boheme, the Opera Makers have a proven track record of creating outstanding opera experiences and championing minority composers through their annual events dedicated to the works of women nd marginalised composers and music makers.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for purchasing your tickets to La Montagne Noire. &nbsp;We are excited to see you there! Doors at 6pm for a prompt 6:30pm start. &nbsp;There will be a cash and card bar and snacks available for purchase before the show and in the interval. If you would like to contribute further to The Opera Makers, please contact us to become a volunteer, or talk to your friends about our cause.&nbsp; You can also support us on easyfundraising at no cost to yourself! https://www.easyfundraising.org.uk/causes/theoperamakers The Opera Makers CIOinfo@theoperamakers.com

Join The Opera Makers at the UK premiere of Augusta Holmés' stunning Romantic opera.  Featuring a cast of exceptional early career talent, and a choir of conservatoire voices, against the stunning backdrop of St Paul's, Knightsbridge, this is an evening of music-making not to be missed. Doors 6pmPerformance 6:30pmRunning time 2 hours 45 including intervals Bar and snacks available to purchase. The Work Composed in 1895, La Montagne Noire is a late-Romantic opera on a grand scale, replete with soaring melodies and moments of outstanding beauty. It is remarkable for being one of very few operas written by a woman to be produced at the Paris Opera during the 19th century. Despite the work’s abundant merits, it received a lukewarm reception – likely due to the scant recognition afforded female composers at the time – and was never revived. The opera remains unheard in the UK, a situation we are eager to rectify. In 2024, the work was ‘re-premiered’ by Oper Dortmund in Germany in a production that was nominated for the Best Rediscovered Work by the International Opera Awards. The overwhelmingly positive reception of that production has cemented our view that this work is ripe for a UK premiere. Our Production We have curated a cast that includes an astonishing level of talent, with three female leads whose careers have all been deeply affected by their choice to become mothers. The decision to start a family remains an impediment to the careers of many singers, particularly those with larger voices whose instruments blossom at precisely the time when it is most likely they will be starting their families. These realities remind us of the challenges that women pursuing artistic careers continue to face, even 130 years after Holmès composed her opera. La Montagne Noire calls for a robust chorus, and we are delighted to feature a diverse student chorus, supported by Trinity Laban Conservatoire of Music &amp; Dance. The Opera Makers The Opera Makers have been producing critically acclaimed productions since 2021.  Nominated for the Off West End Award for their 2024 production of Turandot, the first in the UK to feature an entirely East Asian Heritage cast; and winners of the 2025 Award for their groundbreaking re-staging of La Boheme, the Opera Makers have a proven track record of creating outstanding opera experiences and championing minority composers through their annual events dedicated to the works of women nd marginalised composers and music makers.

The Opera Makers

La Montagne Noire

St Pauls Church

Early Bird Admission

£20

Student/ Under 35 /Blue Light Card

£12.50

Add a donation for The Opera Makers