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Nomad Theatre Collective

LXCL:Founded in 2025 by a quartet of former work colleagues-turned-friends, Nomad fosters community in Michiana through live theatrical performances, exploring contemporary themes, and showcasing stories that reflect local voices. By producing works created by and for the community, we strive to keep theatre a shared, inclusive, and meaningful experience for all. (L-R above: Michaela Love-Lantz, Reagan Jay, Sarah Myers, Lee Brown. “The Revolutionists," 2025. Photo by MRS Events LLC.)

Large language models have been trained on thousands of books and scripts, meaning entire scenes can be generated with just a few strokes of the keyboard. But should generative AI have a role in the theatre? And would audiences be able to tell the difference between a genuine Eboni Booth or Tennessee Williams and plays generated to merely resemble them? Nomad Theatre Collective is exploring these questions through a night of 10-minute plays, all written by real, human artists &mdash; except one. A panel discussion will follow, featuring guests Professor Susan Baxter (Saint Mary&rsquo;s College), Micah Spiece (Wayne State University), and Professor Joshua Wells (Indiana University-South Bend).

Dive Into the Future: A Night of 10-Minute Plays

&iexcl;Es nuestro cumplea&ntilde;os! 🎭&nbsp;En el a&ntilde;o desde nuestra fundaci&oacute;n, llevamos la comedia dram&aacute;tica feminista de Lauren Gunderson The Revolutionists al Centro Battell en Mishawaka, y exploramos el futuro de la IA en las artes con A Night of 10-Minute Plays en la Biblioteca P&uacute;blica del Condado de St Joe en South Bend. En cada paso del camino, trabajamos para asegurar que el proceso fuera tan fluido y agradable para nuestros voluntarios como lo fue el resultado final para el p&uacute;blico. Ay&uacute;danos a celebrar y dar la bienvenida a otro a&ntilde;o de teatro poderoso, oportuno y centrado en la comunidad que permanece contigo mucho despu&eacute;s de que se enciendan las luces haciendo una donaci&oacute;n deducible de impuestos hoy.

¡Es nuestro cumpleaños! 🎭 En el año desde nuestra fundación, llevamos la comedia dramática feminista de Lauren Gunderson The Revolutionists al Centro Battell en Mishawaka, y exploramos el futuro de la IA en las artes con A Night of 10-Minute Plays en la Biblioteca Pública del Condado de St Joe en South Bend. En cada paso del camino, trabajamos para asegurar que el proceso fuera tan fluido y agradable para nuestros voluntarios como lo fue el resultado final para el público. Ayúdanos a celebrar y dar la bienvenida a otro año de teatro poderoso, oportuno y centrado en la comunidad que permanece contigo mucho después de que se enciendan las luces haciendo una donación deducible de impuestos hoy.

¡Es nuestro cumpleaños!

It&rsquo;s our birthday! 🎭&nbsp;In the year since our founding, we brought Lauren Gunderson&rsquo;s feminist dramedy The Revolutionists to the Battell Center in Mishawaka, and explored the future of AI in the arts with A Night of 10-Minute Plays at the St Joe County Public Library in South Bend. Every step of the way, we worked to ensure that the process was as smooth and enjoyable for our volunteers as the end result was for audiences. Help us celebrate and usher in another year of powerful, timely, community-focused theater that stays with you long after the lights come up by making a tax-deductible donation today.

It’s our birthday! 🎭 In the year since our founding, we brought Lauren Gunderson’s feminist dramedy The Revolutionists to the Battell Center in Mishawaka, and explored the future of AI in the arts with A Night of 10-Minute Plays at the St Joe County Public Library in South Bend. Every step of the way, we worked to ensure that the process was as smooth and enjoyable for our volunteers as the end result was for audiences. Help us celebrate and usher in another year of powerful, timely, community-focused theater that stays with you long after the lights come up by making a tax-deductible donation today.

We’re a year old!

En una Tierra alternativa, la hija del Presidente, Helena Glory, viaja a la instalaci&oacute;n de fabricaci&oacute;n en la isla de los Robots Universales de Rossum, una corporaci&oacute;n que produce trabajadores humanos sint&eacute;ticos, para convencer al CEO Harry Domin de que los robots tienen almas y merecen condiciones justas y un trato humano. A pesar de las garant&iacute;as de Domin y su equipo de gesti&oacute;n de que los robots no tienen almas ni sentimientos, Helena se propone ayudar a sus hermanos y hermanas robots como sea posible, incluso a su propio detrimento.&nbsp; Una historia presciente sobre la toma de control de la inteligencia artificial, as&iacute; como un examen de las relaciones laborales y lo que significa ser humano, R.U.R.: Robots Universales de Rossum sigue siendo tan relevante como lo fue cuando se present&oacute; por primera vez hace m&aacute;s de un siglo, en la secuela de la Primera Guerra Mundial. [Consejo de Contenido R.U.R.: Robots Universales de Rossum contiene lo siguiente: referencia, discusi&oacute;n y/o representaci&oacute;n de la muerte, misoginia; lenguaje leve y temas violentos.]

R.U.R.: Robots Universales de Rossum

On an alternate Earth, the President&#39;s daughter, Helena Glory, travels to the island manufacturing facility for Rossum&rsquo;s Universal Robots, a corporation that produces synthetic humanoid laborers, to convince CEO Harry Domin that the robots have souls and deserve fair conditions and humane treatment. Despite assurances from Domin and his management team that the robots have no souls or feelings, Helena sets out to help her robot brothers and sisters however she can, even to her own detriment.&nbsp; A prescient tale about A.I. takeover, as well as an examination of labor relations and what it means to be human, R.U.R.: Rossum&rsquo;s Universal Robots remains as relevant as when it was first performed over a century ago in the aftermath of World War I and the advent of mass production. [Content Advisory R.U.R.: Rossum&rsquo;s Universal Robots contains the following: reference, discussion, and/or depiction of death, misogyny; mild language, and violent themes.]

Nomad Theatre Collective

Nomad Theatre Collective

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R.U.R.: Rossum’s Universal Robots

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We’re a year old!

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