Automata Arts

### Context Profile for Automata Arts

1. **Organization Mission & Cause**:
   - **Mission**: Automata Arts is dedicated to fostering innovative and experimental performance art. Their mission revolves around creating a space for artists to explore and present new work, particularly in the realm of installation and performance art. They aim to challenge traditional narratives and engage audiences in unique, immersive experiences.
   - **Cause**: The organization emphasizes the importance of artistic exploration and community engagement, providing a platform for artists to push boundaries and provoke thought through their work.

2. **Type of Activities**:
   - **Events**: Automata Arts hosts various performances, including installation performances like "Eutrophia II," which combines elements of visual art and live performance.
   - **Fundraising Campaigns**: They engage in fundraising efforts to support their residency programs and events, offering free or discounted tickets to encourage community participation.
   - **Community Programs**: The organization facilitates audience engagement through participatory events, allowing audiences to interact with the performances and provide feedback.

3. **Tone of Voice**:
   - The tone of Automata Arts is **professional yet approachable**, with an emphasis on **artistic expression**. Their language is often **inspiring and thought-provoking**, aiming to engage audiences intellectually and emotionally. The use of artistic terminology and detailed descriptions reflects a deep appreciation for the nuances of performance art.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their content is more formal and focused on conveying artistic concepts and event details without the casualness that emojis might imply.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but Automata Arts is involved in contemporary performance art and has established itself as a significant venue for experimental work.
   - **Scale**: The organization has a total of 57 forms and email campaigns, indicating active engagement with their audience.
   - **Impact Metrics**: While specific metrics were not detailed, the organization’s focus on community engagement and artist support suggests a commitment to fostering a vibrant arts community.
   - **Volunteer Info**: Information on volunteer opportunities was not explicitly mentioned, but the participatory nature of their events implies potential for audience involvement.

6. **Writing Guidelines**:
   - **Style**: Content should maintain a balance between professional and accessible language. Use artistic terminology where appropriate to reflect the organization's focus on performance art.
   - **Structure**: Clear, concise paragraphs with a focus on engaging the reader. Use headings and bullet points for easy navigation, especially in event descriptions.
   - **Engagement**: Encourage audience interaction by posing questions or inviting feedback where relevant. Highlight the unique aspects of each event to draw in attendees.
   - **Call to Action**: Always include a clear call to action, whether it’s to purchase tickets, attend an event, or support the organization through donations.

This context profile provides a comprehensive overview of Automata Arts, enabling AI assistants to generate tailored content that aligns with the organization’s mission, activities, and communication style.

Threshold to Threshold
Students, Seniors, Underemployed

Students, Seniors, and Underemployed

General admission

<p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit">Sunday March 26, 2023 at 7:30 PM <span style="background-color:transparent;color:rgb(0, 0, 0);font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;font-weight:400;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Doors at 7pm; Screening at 7:30 <span style="background-color:transparent;color:rgb(0, 0, 0);font-family:Helvetica;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;font-weight:400;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">pm<p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <span style="font-size:11pt;font-family:Roboto, sans-serif;color:rgb(0, 0, 0);background-color:transparent;font-weight:700;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">AUTOMATA presents <span style="font-size:14px;font-family:Helvetica;color:rgb(226, 80, 65);background-color:transparent;font-weight:700;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Threshold to Threshold:<span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Join us on Sunday, March 26 as we introduce a new film screening series Threshold to Threshold, curated by Cherlyn Hsing-Hsin Liu <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">This program includes recent works by two contemporary filmmakers: PENG Zuqiang 彭祖强 and  Kohei SENGEN <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">仙元浩平<span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">.  <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">About the Program: <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Threshold to threshold, pasts to presents, language colliding with language, one crossroad and the next. The <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Threshold to Threshold <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> film series embraces these precarious states. The films we are interested in transmit landscapes, people, and histories that are constantly being displaced or forgotten. The challenges presented by the works are various, but because there are thousands of thresholds we can go thousands of places.  <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">The first part of the program will feature two of Peng’s short experimental films. <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Sight Leak 瞥漏 <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">reflects on fragments of unpublished writing by Roland Barthes from his visit to China in 1973. It concerns gazes and places, with an undercurrent of desire and eroticism. <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">The Cyan Garden 青园<span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> explores the limits of memory as it attempts to give form to the past. The film was in part shot on “Lucky,” a 16mm B&W film stock formerly used for military aerial detection. The second part of the program will show Segen's feature, <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Song of a Dying Summer <span style="font-size:12px;font-family:Helvetica;color:rgb(34, 34, 34);background-color:transparent;font-weight:400;font-style:italic;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">逝く夏の歌<span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">. An epic poem of youth, the film, with its coarse-grained super-8mm texture conveys the melancholy of growing up and growing apart. <span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Runtime: 92 mins. <p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <div style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;box-sizing:inherit"><span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Artist Bios:<span style="font-size:12px;font-family:Helvetica;color:rgb(0, 0, 0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Peng Zuqiang 彭祖强(b. 1992, Changsha) currently lives and works in Amsterdam, The Netherlands. He graduated from the Goldsmiths, University of London in 2014, and from the School of the Art Institute of Chicago in 2017. He makes video, film and installation, with an attention to the affective qualities within histories, bodies, and language, approximating meanings through associations and coincidences. Kohei Sengen 仙元浩平(b. 1972, Tokyo) After graduating from Tisch School of the Arts, New York University in 1995, he has been making independent films mainly with 8mm film. His main theme is the impermanence of youth. He is also an organizer of a small group of independent filmmakers called The Seventh Poetry Society. His recent films include And Thus, They're Back on the Spaceship and No One Can Draw My Picture.</div><div style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(34, 34, 34);color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;box-sizing:inherit"> </div> <span style="font-size:12px;color:rgb(0, 0, 0);background-color:transparent;font-weight:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;font-family:Helvetica">Curator BioCherlyn Hsing-Hsin Liu is an interdisciplinary artist, filmmaker, writer, and curator whose work is grounded in literature and the conceptual avant-garde. Cherlyn’s creative activity starts from a life event, an anomaly in language or in the material world. It continues by employing methods drawn from both Eastern and Western practices and philosophies. Her working method at various times involves handcrafted material, mixed media, and experimental interchange between new and old technologies. She is a lecturer at CalArts, teaching experimental film. She is co-curator of Move Screen, Process Cinema, the founder of Experimentalist Media Collective, the editor of B-Journal, and serves as a programmer for the Experimental session of Slamdance Film Festival. <p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <span style="font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;font-family:Helvetica;color:rgb(34, 34, 34);font-style:italic;font-variant-ligatures:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;font-size:12px">This program is supported, in part, by the City of Los Angeles Department of Cultural Affairs and Los Angeles County Arts and Culture.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-top-left-radius:4px;border-top-right-radius:4px;border-bottom-right-radius:4px;border-bottom-left-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;box-sizing:inherit;-webkit-user-select:none">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-top-left-radius:4px;border-top-right-radius:4px;border-bottom-right-radius:4px;border-bottom-left-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;box-sizing:inherit;-webkit-user-select:none">Last name, Here are the details for Threshold to Threshold: PENG Zuqiang 彭祖强 + Kohei SENGEN at Automata.  📭   at 504 Chung King Rd, Los Angeles, CA 90012, USA ⌚️   On Sunday, March 26 at 7:30 PM at Automata. As a reminder, you must wear a face mask to attend this screening.(masks provided at door, as needed) See you soon! Automataautomataarts@gmail.com323 6495134

<p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">Sunday March 26, 2023 at 7:30 PM Doors at 7pm; Screening at 7:30 pm<p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> AUTOMATA presents Threshold to Threshold:Join us on Sunday, March 26 as we introduce a new film screening series Threshold to Threshold, curated by Cherlyn Hsing-Hsin Liu This program includes recent works by two contemporary filmmakers: PENG Zuqiang 彭祖强 and  Kohei SENGEN 仙元浩平.  About the Program: Threshold to threshold, pasts to presents, language colliding with language, one crossroad and the next. The Threshold to Threshold  film series embraces these precarious states. The films we are interested in transmit landscapes, people, and histories that are constantly being displaced or forgotten. The challenges presented by the works are various, but because there are thousands of thresholds we can go thousands of places.  The first part of the program will feature two of Peng’s short experimental films. Sight Leak 瞥漏 reflects on fragments of unpublished writing by Roland Barthes from his visit to China in 1973. It concerns gazes and places, with an undercurrent of desire and eroticism. The Cyan Garden 青园 explores the limits of memory as it attempts to give form to the past. The film was in part shot on “Lucky,” a 16mm B&amp;W film stock formerly used for military aerial detection. The second part of the program will show Segen's feature, Song of a Dying Summer 逝く夏の歌. An epic poem of youth, the film, with its coarse-grained super-8mm texture conveys the melancholy of growing up and growing apart. Runtime: 92 mins. <p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <div>Artist Bios:Peng Zuqiang 彭祖强(b. 1992, Changsha) currently lives and works in Amsterdam, The Netherlands. He graduated from the Goldsmiths, University of London in 2014, and from the School of the Art Institute of Chicago in 2017. He makes video, film and installation, with an attention to the affective qualities within histories, bodies, and language, approximating meanings through associations and coincidences. Kohei Sengen 仙元浩平(b. 1972, Tokyo) After graduating from Tisch School of the Arts, New York University in 1995, he has been making independent films mainly with 8mm film. His main theme is the impermanence of youth. He is also an organizer of a small group of independent filmmakers called The Seventh Poetry Society. His recent films include And Thus, They're Back on the Spaceship and No One Can Draw My Picture.</div><div> </div> Curator BioCherlyn Hsing-Hsin Liu is an interdisciplinary artist, filmmaker, writer, and curator whose work is grounded in literature and the conceptual avant-garde. Cherlyn’s creative activity starts from a life event, an anomaly in language or in the material world. It continues by employing methods drawn from both Eastern and Western practices and philosophies. Her working method at various times involves handcrafted material, mixed media, and experimental interchange between new and old technologies. She is a lecturer at CalArts, teaching experimental film. She is co-curator of Move Screen, Process Cinema, the founder of Experimentalist Media Collective, the editor of B-Journal, and serves as a programmer for the Experimental session of Slamdance Film Festival. <p style="font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;text-align:left;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> This program is supported, in part, by the City of Los Angeles Department of Cultural Affairs and Los Angeles County Arts and Culture.

Automata Arts

AUTOMATA presents Threshold to Threshold: PENG Zuqiang 彭祖强 + Kohei SENGEN 仙元浩平. Sunday March 26, 2023 at 7:30 PM

504 Chung King Rd

Students, Seniors, and Underemployed

$10

General admission

$12

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