Automata Arts

### Context Profile for Automata Arts

1. **Organization Mission & Cause**:
   - **Mission**: Automata Arts is dedicated to fostering innovative and experimental performance art. Their mission revolves around creating a space for artists to explore and present new work, particularly in the realm of installation and performance art. They aim to challenge traditional narratives and engage audiences in unique, immersive experiences.
   - **Cause**: The organization emphasizes the importance of artistic exploration and community engagement, providing a platform for artists to push boundaries and provoke thought through their work.

2. **Type of Activities**:
   - **Events**: Automata Arts hosts various performances, including installation performances like "Eutrophia II," which combines elements of visual art and live performance.
   - **Fundraising Campaigns**: They engage in fundraising efforts to support their residency programs and events, offering free or discounted tickets to encourage community participation.
   - **Community Programs**: The organization facilitates audience engagement through participatory events, allowing audiences to interact with the performances and provide feedback.

3. **Tone of Voice**:
   - The tone of Automata Arts is **professional yet approachable**, with an emphasis on **artistic expression**. Their language is often **inspiring and thought-provoking**, aiming to engage audiences intellectually and emotionally. The use of artistic terminology and detailed descriptions reflects a deep appreciation for the nuances of performance art.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their content is more formal and focused on conveying artistic concepts and event details without the casualness that emojis might imply.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but Automata Arts is involved in contemporary performance art and has established itself as a significant venue for experimental work.
   - **Scale**: The organization has a total of 57 forms and email campaigns, indicating active engagement with their audience.
   - **Impact Metrics**: While specific metrics were not detailed, the organization’s focus on community engagement and artist support suggests a commitment to fostering a vibrant arts community.
   - **Volunteer Info**: Information on volunteer opportunities was not explicitly mentioned, but the participatory nature of their events implies potential for audience involvement.

6. **Writing Guidelines**:
   - **Style**: Content should maintain a balance between professional and accessible language. Use artistic terminology where appropriate to reflect the organization's focus on performance art.
   - **Structure**: Clear, concise paragraphs with a focus on engaging the reader. Use headings and bullet points for easy navigation, especially in event descriptions.
   - **Engagement**: Encourage audience interaction by posing questions or inviting feedback where relevant. Highlight the unique aspects of each event to draw in attendees.
   - **Call to Action**: Always include a clear call to action, whether it’s to purchase tickets, attend an event, or support the organization through donations.

This context profile provides a comprehensive overview of Automata Arts, enabling AI assistants to generate tailored content that aligns with the organization’s mission, activities, and communication style.

General admission

General admission + Donation

THIS EVENT IS SOLD OUT.  Four films by Stan Brakhage with music by Ulrich Krieger, Eyvind Kang, and Michael Pisaro-LiuShown on 16mm: Cricket Requiem; Song 27: Part 1, My Mountain; Cat of the Worm's Green Realm; and The Persian Series, 1-5. *Seating is limited. Ticket reservations are recommended. Performers: Ulrich Krieger is a German composer and saxophonist living in Southern California. Krieger’s recent focus lies on the experimental fringes of contemporary rock culture, in the limbo where noise, metal, silence, electronic music, improvisation and experimental chamber music meet – not accepting stylistic boundaries. Beside his solo work he performed extensively with his groups Metal Machine Trio and Text of Light. He collaborated and performed with Lou Reed, Merzbow, Carl Stone, John Zorn, Lee Ranaldo, Christian Marclay, Faust, Phill Niblock, Berlin Philharmonics, Ensemble Modern, Musikfabrik, PARTCH Ensemble, and many more. His compositions are widely performed internationally. Krieger studied classical/contemporary saxophone, composition, electronic music, and musicology in Berlin and New York. He is professor for composition and rock music at CalArts. <a style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">www.ulrich-krieger.com</a> Michael Pisaro-Liu is a guitarist and composer and a long-time member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro-Liu is known for pieces of long duration with periods of silence, over the past two decades his work has branched out in many directions, including work with field recording, electronics, improvisation and large ensembles of very different kinds of instrumental constitution. Pisaro-Liu is the Director of Composition and Experimental Music the California Institute of the Arts. Eyvind Kang’s recent albums are Azure (with Jessika Kenney, 2023), Sonic Gnostic (2021) and Ajaeng Ajaeng (2020). They have performed with musicians including Bennie Maupin, Bill Frisell, Laurie Anderson.  Films: Cricket Requiem  1999 | 3 minutes | COLOR | SILENT | 16mmSong 27: Part 1, My Mountain 1968 | 17.5 minutes | COLOR | SILENT | 16mmCat of the Worm's Green Realm 1997 | 14 minutes | COLOR | SILENT | 16mmPersian Series, 1-5  1999 | 15.5 minutes | COLOR | SILENT | 16mm Stan Brakhage is one of the most influential filmmakers in American avant-garde cinema, noted for his unflinching social commentaries and technical innovations. Over his nearly 40-year career, he has made over 200 films of varying length. He made his first film, Interim (1952) at age 18 after dropping out of college. Brakhage films seek to change the way we see. They encourage viewers to eschew traditional narrative structure in favor of pure visual perception that is not reliant on naming what is seen; rather his goal is to create a more visceral visual experience, for he believes that a "stream-of visual-consciousness could be nothing less than the pathway of the soul."

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for your interest in Zoopraxographers #1: Cricket Requiem.This event has general seating.  We look forward to seeing you soon. Automata Artsautomataarts@gmail.com

THIS EVENT IS SOLD OUT.  Four films by Stan Brakhage with music by Ulrich Krieger, Eyvind Kang, and Michael Pisaro-LiuShown on 16mm: Cricket Requiem; Song 27: Part 1, My Mountain; Cat of the Worm's Green Realm; and The Persian Series, 1-5. *Seating is limited. Ticket reservations are recommended. Performers: Ulrich Krieger is a German composer and saxophonist living in Southern California. Krieger’s recent focus lies on the experimental fringes of contemporary rock culture, in the limbo where noise, metal, silence, electronic music, improvisation and experimental chamber music meet – not accepting stylistic boundaries. Beside his solo work he performed extensively with his groups Metal Machine Trio and Text of Light. He collaborated and performed with Lou Reed, Merzbow, Carl Stone, John Zorn, Lee Ranaldo, Christian Marclay, Faust, Phill Niblock, Berlin Philharmonics, Ensemble Modern, Musikfabrik, PARTCH Ensemble, and many more. His compositions are widely performed internationally. Krieger studied classical/contemporary saxophone, composition, electronic music, and musicology in Berlin and New York. He is professor for composition and rock music at CalArts. <a>www.ulrich-krieger.com</a> Michael Pisaro-Liu is a guitarist and composer and a long-time member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro-Liu is known for pieces of long duration with periods of silence, over the past two decades his work has branched out in many directions, including work with field recording, electronics, improvisation and large ensembles of very different kinds of instrumental constitution. Pisaro-Liu is the Director of Composition and Experimental Music the California Institute of the Arts. Eyvind Kang’s recent albums are Azure (with Jessika Kenney, 2023), Sonic Gnostic (2021) and Ajaeng Ajaeng (2020). They have performed with musicians including Bennie Maupin, Bill Frisell, Laurie Anderson.  Films: Cricket Requiem  1999 | 3 minutes | COLOR | SILENT | 16mmSong 27: Part 1, My Mountain 1968 | 17.5 minutes | COLOR | SILENT | 16mmCat of the Worm's Green Realm 1997 | 14 minutes | COLOR | SILENT | 16mmPersian Series, 1-5  1999 | 15.5 minutes | COLOR | SILENT | 16mm Stan Brakhage is one of the most influential filmmakers in American avant-garde cinema, noted for his unflinching social commentaries and technical innovations. Over his nearly 40-year career, he has made over 200 films of varying length. He made his first film, Interim (1952) at age 18 after dropping out of college. Brakhage films seek to change the way we see. They encourage viewers to eschew traditional narrative structure in favor of pure visual perception that is not reliant on naming what is seen; rather his goal is to create a more visceral visual experience, for he believes that a "stream-of visual-consciousness could be nothing less than the pathway of the soul."