San Francisco Composers Chamber Orchestra

**Context Profile for San Francisco Composers Chamber Orchestra (SFCCO)**

1. **Organization Mission & Cause:**
   - The San Francisco Composers Chamber Orchestra (SFCCO) is dedicated to providing a platform for composers to have their music performed by a live orchestra. Their mission is to support bold, local, experimental, and unheard voices in the music community. They aim to make orchestral music accessible and inclusive, allowing composers to share their work with live audiences, often for the first time.

2. **Type of Activities:**
   - **Concerts and Performances:** SFCCO organizes concerts featuring world premieres of new orchestral works by Bay Area composers.
   - **Fundraising Campaigns:** They run donation campaigns to support their activities, emphasizing the impact of contributions on the careers of composers and the musical community.
   - **Community Engagement:** SFCCO connects composers and audiences in meaningful ways, fostering personal and artistic growth.

3. **Tone of Voice:**
   - The tone is inspiring and passionate, emphasizing the importance and impact of new music. It is also friendly and inclusive, aiming to engage a broad audience in the mission of supporting living composers.

4. **Emoji Usage:**
   - SFCCO frequently uses emojis in their communications to add a friendly and engaging touch. Examples include 🎶, 🎼, 💡, and 🎁. These are used to highlight key sections and create a visually appealing and approachable communication style.

5. **Key Facts:**
   - **Founding Information:** SFCCO was founded in 2002.
   - **Volunteer Involvement:** The orchestra is composed entirely of composer-performers who volunteer their time.
   - **Impact Metrics:** Each performance costs between $3,000 to $4,000, but the impact on composers' careers and the community is described as priceless.
   - **Affiliation:** SFCCO is part of Erling Wold’s Fabrications, a 501(c)3 organization.

6. **Writing Guidelines:**
   - **Language Style:** Use clear, engaging, and inspiring language that emphasizes the importance of supporting new music and living composers.
   - **Structure:** Organize content with headings and bullet points for clarity. Use bold text to highlight important information.
   - **Engagement:** Incorporate calls to action that encourage donations and participation, using a friendly and inclusive tone.
   - **Visual Elements:** Utilize emojis to break up text and add a friendly, approachable feel to communications.

By adhering to these guidelines, AI assistants can generate content that aligns with SFCCO's mission and effectively engages their audience.

LXCL:Grants entry to the event with access to standard amenities and activities.

General Admission

LXCL:Grants premium entry with access to exclusive areas and VIP amenities.

Senior & Student Admissions

LXCL:Pay what you can—ticket sales help us bring these concerts to life, but our priority is having you there. If finances are tight, please join us anyway.

Sliding scale tickets

<hr style="display: block; border-width: 2px medium medium; border-style: solid none none; border-color: currentcolor; border-image: initial; font-family: &quot;Lucida Grande&quot;, Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; clear: both; user-select: none; break-after: page; box-sizing: inherit;" id="isPasted" fr-original-style="display: block; border-right: none; border-bottom: none; border-left: none; border-image: initial; border-top: 2px solid; font-family: &quot;Lucida Grande&quot;, Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Nothing holds still for long. Forms stretch. Familiar sounds return in unfamiliar ways. What once felt settled begins to move. On June 6, the San Francisco Composers Chamber Orchestra&nbsp;presents an evening shaped by change&mdash;seven works by six Bay Area composers, where tradition bends, stories reappear in new forms, and the ground beneath the music never quite settles. From a luminous moonlit nocturne to a driving, turbulent march&hellip; from reimagined 18th-century forms to a vivid retelling of Snow White&mdash;each piece transforms something familiar into something new. Guided by conductor John Kendall Bailey, the music unfolds live, in the moment&mdash;where energy, risk, and discovery are part of the experience. Join us for a night where the ground is always in motion. <hr style="display: block; border-width: 2px medium medium; border-style: solid none none; border-color: currentcolor; border-image: initial; font-family: &quot;Lucida Grande&quot;, Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; clear: both; user-select: none; break-after: page; box-sizing: inherit;" fr-original-style="display: block; border-right: none; border-bottom: none; border-left: none; border-image: initial; border-top: 2px solid; font-family: &quot;Lucida Grande&quot;, Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"><p fr-original-style='color: rgb(0, 0, 0); font-family: "Lucida Grande", Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;' style='color: rgb(0, 0, 0); font-family: "Lucida Grande", Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; margin: 0px; width: 100%; line-height: 1.5; box-sizing: inherit;'>Program for the Evening: John Bilotta&nbsp;&ndash;&nbsp;Moonlit Night on the DniproA nocturne inspired by a moonlit landscape so luminous it once seemed to glow from within. Geoffrey Colton&nbsp;&ndash;&nbsp;String Quartet No. 1A simple idea unfolds through a chain of transformations, with the original theme emerging only at the end. James W. Cook&nbsp;&ndash;&nbsp;String Quartet No. 1, Movement 2A humorous set of variations on a catchy jingle-like tune.hemselves. James W. Cook&nbsp;&ndash;&nbsp;Absolute Music No. 2Music with fixed parameters yet infinitely varying form. Alan Crossman &ndash; Earth MarchA restless, driving work shaped by the intensity of our global movement forward through uncertainty.&nbsp; Vance Maverick &ndash; Quasi all&rsquo;anticaAn 18th-century overture reimagined&mdash;familiar gestures refracted through a modern ear. Michael Orlinsky &ndash; Snow White Ballet (excerpts)A vivid retelling of a familiar tale, full of character, color, and theatrical energy.<p fr-original-style='color: rgb(0, 0, 0); font-family: "Lucida Grande", Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;' style='color: rgb(0, 0, 0); font-family: "Lucida Grande", Verdana, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; margin: 0px; width: 100%; line-height: 1.5; box-sizing: inherit;'> WHY COME?Moonlight, memory, machinery, myth&mdash;each piece shifts the ground in its own way. No two moments settle in quite the same place. Join us for a night of music that doesn&rsquo;t sit still.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for purchasing tickets to the San Francisco Composers Chamber Orchestra!We&rsquo;re excited to share an evening of unforgettable music with you. Your support not only secures your seat at the concert, it also helps bring new works by living composers to life. We can&rsquo;t wait to welcome you and share this musical journey together. See you at the concert! Michael Cookeinfo@sfcco.org

<hr />Nothing holds still for long. Forms stretch. Familiar sounds return in unfamiliar ways. What once felt settled begins to move. On June 6, the San Francisco Composers Chamber Orchestra presents an evening shaped by change—seven works by six Bay Area composers, where tradition bends, stories reappear in new forms, and the ground beneath the music never quite settles. From a luminous moonlit nocturne to a driving, turbulent march… from reimagined 18th-century forms to a vivid retelling of Snow White—each piece transforms something familiar into something new. Guided by conductor John Kendall Bailey, the music unfolds live, in the moment—where energy, risk, and discovery are part of the experience. Join us for a night where the ground is always in motion. <hr /><p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:justify;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;width:100%;line-height:1.5;box-sizing:inherit;max-width:100%">Program for the Evening: John Bilotta – Moonlit Night on the DniproA nocturne inspired by a moonlit landscape so luminous it once seemed to glow from within. Geoffrey Colton – String Quartet No. 1A simple idea unfolds through a chain of transformations, with the original theme emerging only at the end. James W. Cook – String Quartet No. 1, Movement 2A humorous set of variations on a catchy jingle-like tune.hemselves. James W. Cook – Absolute Music No. 2Music with fixed parameters yet infinitely varying form. Alan Crossman – Earth MarchA restless, driving work shaped by the intensity of our global movement forward through uncertainty.  Vance Maverick – Quasi all’anticaAn 18th-century overture reimagined—familiar gestures refracted through a modern ear. Michael Orlinsky – Snow White Ballet (excerpts)A vivid retelling of a familiar tale, full of character, color, and theatrical energy.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:justify;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;width:100%;line-height:1.5;box-sizing:inherit;max-width:100%"> WHY COME?Moonlight, memory, machinery, myth—each piece shifts the ground in its own way. No two moments settle in quite the same place. Join us for a night of music that doesn’t sit still.

San Francisco Composers Chamber Orchestra

Shifting Grounds

1751 Sacramento St

General Admission

$25

Senior & Student Admissions

$20

Sliding scale tickets

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