Audio Engineering Society NY Section

### Context Profile for Audio Engineering Society NY Section

#### 1. Organization Mission & Cause
The Audio Engineering Society (AES) NY Section is dedicated to advancing the science and practice of audio engineering. Their mission is to foster the exchange of information and ideas among audio professionals, students, and enthusiasts. They aim to promote education, networking, and collaboration within the audio community, emphasizing the importance of audio engineering in various industries, including music, film, and broadcasting.

#### 2. Type of Activities
The AES NY Section engages in a variety of activities, including:
- **Educational Events**: Workshops, seminars, and lectures featuring industry experts.
- **Networking Opportunities**: Events designed to connect audio professionals and students.
- **Community Programs**: Initiatives to support local audio engineering students and professionals.
- **Publications**: Regular newsletters and updates about the latest in audio technology and industry trends.

#### 3. Tone of Voice
The tone of voice used by the AES NY Section is:
- **Professional**: The language is formal and technical, reflecting the expertise of the audio engineering field.
- **Informative**: Communications are focused on providing valuable information and updates to members.
- **Friendly**: While maintaining professionalism, the tone is welcoming and inclusive, encouraging participation and engagement.

#### 4. Emoji Usage
The AES NY Section does not appear to use emojis in their communications. Their content is primarily text-based, focusing on clear and professional language without the informal touch that emojis provide.

#### 5. Key Facts
- **Founding Info**: The Audio Engineering Society was founded in 1948, with the NY Section being one of its key chapters.
- **Scale**: The organization has a significant presence with numerous events and a robust membership base.
- **Impact Metrics**: Specific metrics on impact are not detailed on the website, but the organization emphasizes community engagement and professional development.
- **Volunteer Info**: Opportunities for volunteering are likely available, though specific details were not prominently featured on the website.

#### 6. Writing Guidelines
- **Clarity and Precision**: Use clear and precise language, especially when discussing technical topics.
- **Professional Formatting**: Maintain a structured format in emails and newsletters, using headings and bullet points for easy readability.
- **Engagement Focus**: Encourage participation in events and programs, using calls to action that are direct and informative.
- **Consistency**: Ensure that all communications reflect the organization's mission and values, maintaining a consistent tone across all platforms.

This context profile provides a comprehensive overview of the Audio Engineering Society NY Section, enabling AI assistants to generate tailored and relevant content that aligns with the organization's mission and communication style.

Student

Member

Non Member Guest Price, Consider joining AES!  "http://AES.org/join"

Non Member Guest Price

AES NY Section Committee invites you to a  deep dive into the making of Mean Girls featuring the audio and music team. Recorded at Daxxit Sound Studios (Fort Lee, NJ) and The DiMenna Center for Classical music (NYC). Score was mixed at Daxxit sound studios and the music was mixed at Larrabee Studios (Los Angeles) and immersive theatrical Atmos was mixed at Parabolic Studios (NYC). This will be a very rare chance to see behind the scenes of an entire timeline of Audio Production of a major motion picture. Immersive mixes will be heard in the Studios as part of the panel presentation.  This is not a free event, it will also be streamed on AES NY Sections Facebook live that day. In person ticketed audience members will be entered in to a raffle with a chance to win an NFR copy of Eventide Micropitch Immersive Delay Plugin. Admission is limited so please only sign up if you can attend.  Students = $5.00  / AES Members=10.00 / Non Members $25.00 May 2nd at Parabolic Studios, NYC Doors open at 5PM and Event starts at 5:45PM the link for Facebook Live will appear on Facebook Groups page at 5:45PM Panelists:Hanan Rubinstein, Lead Music Producer and Score Mixer Hanan is an in demand sound engineer, producer, vocal coach and a true multi-instrumentalist. From the stage to the studio he is known for his work with Alicia Keys, Adam Blackstone/BBE, Jeff Richmond and J.Cole. His other credits include a bevy of industry leading artists such as Ed Sheeran, Charlie Puth, Sara Bareilles, Bonnie Raitt, Carole King, Ellie Goulding, The Roots, Nick Jonas and many others. Hanan is the Co-owner and chief engineer of Daxxit Sound Studios in Fort Lee, NJ (<a href="http://www.daxxitmusic.com/" style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">www.DaxxitMusic.com</a>) Jack Grabow,  Music Supervisor and Lead Music Editor Jack is a NYC based music producer, supervisor, and editor. His credits include Mean Girls (2024), Unbreakable Kimmy Schmidt (2015-2019), and Netflix's Girls5eva. In addition to his work in film and television, he has composed music for several dance companies including Alvin Ailey, Baye & Asa, and BODYTRAFFIC. Manny Marroquin , Music Mixer Manny’s talent is unique, having graced nearly 250 million albums worldwide. His ear for sound has helped earn him over forty #1 albums and one hundred Top 10 albums on The Billboard 200. Add to that another twelve Hot 100 #1 singles and over forty singles in the Top 10; the range of his talent is extraordinary and his work reaches far beyond one genre. He received his first Grammy award in 2005 and has collected many more since then, including Best Engineered Album for John Mayer’s “Battle Studies” in 2011, Record of the year for Lizo’s “About Damn Time”, and much more coming to a running total of 18. He’s firmly secured his role as one of the most in demand mixing engineers in the industry today. (<a href="http://www.mannymarroquin.com/" style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">www.mannymarroquin.com</a>) Lewis Goldstein, Atmos MixerRerecording Engineer  Lew is a Re-Recording Mixer and Supervising Sound Editor based in New York City. For the past 37 years, Goldstein has been at the forefront of Digital audio for film and television. In 2010, Goldstein opened Parabolic, a full-service Audio Post-Production facility, offering a wide range of sound editorial services, ADR recording services and 7.1 and 5.1 mixing services. The facility was soon upgraded to be Dolby ATMOS capable, boasting a 38-speaker ATMOS theatrical mix stage as well as a 7.1.4 Near-field mix environment. Some of Parabolic’s recent credits include features such as Lisa Frankenstein, Family, In The Heights, Hereditary, Eileen, Shotgun Wedding and Mean Girls, along with TV work on Russian Doll, Modern Love, The Other Two, For Life and Emily in Paris. <a href="https://www.parabolicny.com/" style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">https://www.parabolicny.co</a>m Moderated by Roey Shamir (AES NY Section Co-Chair)

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , You're in for a great AES NY Section Event! If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! AES NY SECTIONaesnysection@gmail.com

AES NY Section Committee invites you to a  deep dive into the making of Mean Girls featuring the audio and music team. Recorded at Daxxit Sound Studios (Fort Lee, NJ) and The DiMenna Center for Classical music (NYC). Score was mixed at Daxxit sound studios and the music was mixed at Larrabee Studios (Los Angeles) and immersive theatrical Atmos was mixed at Parabolic Studios (NYC). This will be a very rare chance to see behind the scenes of an entire timeline of Audio Production of a major motion picture. Immersive mixes will be heard in the Studios as part of the panel presentation.  This is not a free event, it will also be streamed on AES NY Sections Facebook live that day. In person ticketed audience members will be entered in to a raffle with a chance to win an NFR copy of Eventide Micropitch Immersive Delay Plugin. Admission is limited so please only sign up if you can attend.  Students = $5.00  / AES Members=10.00 / Non Members $25.00 May 2nd at Parabolic Studios, NYC Doors open at 5PM and Event starts at 5:45PM the link for Facebook Live will appear on Facebook Groups page at 5:45PM Panelists:Hanan Rubinstein, Lead Music Producer and Score Mixer Hanan is an in demand sound engineer, producer, vocal coach and a true multi-instrumentalist. From the stage to the studio he is known for his work with Alicia Keys, Adam Blackstone/BBE, Jeff Richmond and J.Cole. His other credits include a bevy of industry leading artists such as Ed Sheeran, Charlie Puth, Sara Bareilles, Bonnie Raitt, Carole King, Ellie Goulding, The Roots, Nick Jonas and many others. Hanan is the Co-owner and chief engineer of Daxxit Sound Studios in Fort Lee, NJ (<a href="http://www.daxxitmusic.com/">www.DaxxitMusic.com</a>) Jack Grabow,  Music Supervisor and Lead Music Editor Jack is a NYC based music producer, supervisor, and editor. His credits include Mean Girls (2024), Unbreakable Kimmy Schmidt (2015-2019), and Netflix's Girls5eva. In addition to his work in film and television, he has composed music for several dance companies including Alvin Ailey, Baye &amp; Asa, and BODYTRAFFIC. Manny Marroquin , Music Mixer Manny’s talent is unique, having graced nearly 250 million albums worldwide. His ear for sound has helped earn him over forty #1 albums and one hundred Top 10 albums on The Billboard 200. Add to that another twelve Hot 100 #1 singles and over forty singles in the Top 10; the range of his talent is extraordinary and his work reaches far beyond one genre. He received his first Grammy award in 2005 and has collected many more since then, including Best Engineered Album for John Mayer’s “Battle Studies” in 2011, Record of the year for Lizo’s “About Damn Time”, and much more coming to a running total of 18. He’s firmly secured his role as one of the most in demand mixing engineers in the industry today. (<a href="http://www.mannymarroquin.com/">www.mannymarroquin.com</a>) Lewis Goldstein, Atmos MixerRerecording Engineer  Lew is a Re-Recording Mixer and Supervising Sound Editor based in New York City. For the past 37 years, Goldstein has been at the forefront of Digital audio for film and television. In 2010, Goldstein opened Parabolic, a full-service Audio Post-Production facility, offering a wide range of sound editorial services, ADR recording services and 7.1 and 5.1 mixing services. The facility was soon upgraded to be Dolby ATMOS capable, boasting a 38-speaker ATMOS theatrical mix stage as well as a 7.1.4 Near-field mix environment. Some of Parabolic’s recent credits include features such as Lisa Frankenstein, Family, In The Heights, Hereditary, Eileen, Shotgun Wedding and Mean Girls, along with TV work on Russian Doll, Modern Love, The Other Two, For Life and Emily in Paris. <a href="https://www.parabolicny.com/">https://www.parabolicny.co</a>m Moderated by Roey Shamir (AES NY Section Co-Chair)