Indianapolis Early Music

### Context Profile for Indianapolis Early Music

1. **Organization Mission & Cause**:
   - **Mission**: Indianapolis Early Music (IEM) is dedicated to the performance and promotion of early music, which encompasses a wide range of historical musical styles from the medieval to the baroque periods. Their mission is to foster appreciation for this genre and connect it with contemporary audiences.
   - **Cause**: IEM aims to educate the public about early music through performances, outreach, and educational programs, highlighting the historical significance and beauty of this music.

2. **Type of Activities**:
   - **Events**: IEM hosts a variety of concerts and performances, including livestream events and in-person gatherings. Recent events have featured ensembles such as Ensemble Phoenix Munich and thematic concerts that connect historical music with contemporary themes (e.g., Leonard Cohen).
   - **Fundraising Campaigns**: They engage in fundraising through ticket sales for performances and donations, often allowing patrons to choose their donation amounts.
   - **Community Programs**: IEM likely conducts outreach and educational initiatives to promote early music within the community, although specific programs were not detailed on the website.

3. **Tone of Voice**:
   - The tone of voice on the IEM website is **friendly, inviting, and informative**. The language is accessible, aiming to engage both seasoned classical music lovers and newcomers. The use of exclamation points and direct appeals to the audience creates an enthusiastic atmosphere.

4. **Emoji Usage**:
   - IEM uses emojis sparingly in their communications, primarily in email campaigns to enhance engagement. For instance, they use calendar (📅) and location (📍) emojis to highlight event details, which adds a casual and friendly touch to their messages.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not found on the website.
   - **Scale**: IEM has conducted 25 total forms and 28 email campaigns, indicating a consistent engagement strategy with their audience.
   - **Impact Metrics**: While specific metrics were not provided, the organization appears to have a dedicated following and actively promotes events to engage the community.
   - **Volunteer Info**: There was no specific mention of volunteer opportunities on the website, but such roles may exist in the context of events and outreach.

6. **Writing Guidelines**:
   - **Style**: Maintain a friendly and approachable tone, using clear and concise language. Incorporate elements of storytelling to connect historical music with contemporary themes.
   - **Engagement**: Use direct address (e.g., "Join us," "Don't miss this") to create a sense of community and urgency.
   - **Formatting**: Utilize bullet points or short paragraphs for clarity, especially when detailing events or important information.
   - **Emojis**: Integrate emojis in a limited capacity to enhance engagement without overwhelming the text.

This context profile provides a comprehensive overview of Indianapolis Early Music, focusing on their mission, activities, tone, and communication style to support the creation of personalized and effective content.

Single Ticket for "Sonnambula: Passing Fancy"
Sunday, June 30th @ 3:00 PM
Indiana History Center
450 West Ohio St., Indianapolis, IN 46202

General admission advance - Single

Passing Fancy: Beauty in a Moment of Chaos<span fr-original-style="font-family: Roboto; font-size: 18px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: rgb(0, 0, 0);" style="font-family:Roboto;font-size:18px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);box-sizing:inherit">, featuring music by early modern and contemporary composers whose resilience despite pressure to hide their identity, or "pass," inspires us.  <span fr-original-style="font-family: Roboto; font-size: 18px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: rgb(0, 0, 0);" style="font-family:Roboto;font-size:18px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);box-sizing:inherit"><span fr-original-style="color: rgba(23, 23, 23, 0.7); font-family: adobe-garamond-pro; font-size: 18px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" style="color:rgba(23, 23, 23, 0.7);font-family:adobe-garamond-pro;font-size:18px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">This program features music written by composers forced to hide their identities (either social, religious, ethnic, or racial) while working within the structures of European high culture during the Renaissance and Baroque periods. We will consider the beauty of William Byrd (1540–1623) and Richard Dering (c. 1580–1630), two Catholic composers writing illicit church music in Protestant England; Leonora Duarte (1610–1678), a Jewish woman composing in the home while forced to live as a converso, or New Christian, in 17th-century Antwerp; composers under the patronage of Victoria della Rovere (1622–1694) Grand Duchess of Tuscany, who notoriously subjected those close to her to conversion; Élisabeth Jacquet de La Guerre (1665–1729) and other women composers at the court of Louis XIV whose lost works reemerge with a vengeance in our own time; and Johann Nepomuk Maelzel (1772–1838), a German composer of Czech descent, who struggled to establish his mark in the midst of the Napoleonic era, when nationalistic tensions ran high. The voices we will hear in this program continue in our day to be locked behind unjust historical ignorance, rendered silent by gendered language, or forgotten amidst the shifting priorities of classical performance.Note: You can change the amount of donation to Zeffy by selecting the box to the right, then "other", then enter your amount from $0-$$$ when checking out.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Thank you for your purchase for the 58th Indianapolis Early Music Festival Concert Series. We look forward to seeing you on Sunday, June 30, 2024 @ 3:00 PM. Please be sure to print and bring your E-ticket OR have it ready to scan off your phone for admission to the concert. 📭   at 450 West Ohio St, Indianapolis, IN 46202, USA⌚   On <span contenteditable="false" data-custom-variable="{{date-variable-d0adf416-ddff-4d04-92b1-b65738459e21}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date Best wishes,<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1711980690/t13kvqqbenad7eddszc5.png" style="width:134px;display:block;vertical-align:top;margin:5px auto 5px 0px;text-align:left;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" />Darin Sorleymanager@IndyEarlyMusic.org317-842-4272

Passing Fancy: Beauty in a Moment of Chaos, featuring music by early modern and contemporary composers whose resilience despite pressure to hide their identity, or "pass," inspires us.  This program features music written by composers forced to hide their identities (either social, religious, ethnic, or racial) while working within the structures of European high culture during the Renaissance and Baroque periods. We will consider the beauty of William Byrd (1540–1623) and Richard Dering (c. 1580–1630), two Catholic composers writing illicit church music in Protestant England; Leonora Duarte (1610–1678), a Jewish woman composing in the home while forced to live as a converso, or New Christian, in 17th-century Antwerp; composers under the patronage of Victoria della Rovere (1622–1694) Grand Duchess of Tuscany, who notoriously subjected those close to her to conversion; Élisabeth Jacquet de La Guerre (1665–1729) and other women composers at the court of Louis XIV whose lost works reemerge with a vengeance in our own time; and Johann Nepomuk Maelzel (1772–1838), a German composer of Czech descent, who struggled to establish his mark in the midst of the Napoleonic era, when nationalistic tensions ran high. The voices we will hear in this program continue in our day to be locked behind unjust historical ignorance, rendered silent by gendered language, or forgotten amidst the shifting priorities of classical performance.Note: You can change the amount of donation to Zeffy by selecting the box to the right, then "other", then enter your amount from $0-$$$ when checking out.

Indianapolis Early Music

Sonnambula: Passing Fancy

450 W Ohio St

Add a donation for Indianapolis Early Music

General admission advance - Single

$25