Music at the Institute presents Rediscovering Thomas “Foma” de Hartmann. The work of Ukrainian-born composer, Thomas “Foma” de Hartmann, spans classical, folk, and avant-garde styles, making him a key figure in both Ukrainian music history and the broader 20th-century classical tradition. His early music reflects Romantic influences, while his later works incorporate Impressionist elements and diverse styles, including Eastern melodies, as seen in his notable symphonies and concerti. De Hartmann's compositions ultimately reflect his quest for meaning, engaging listeners with their depth and variety.
Program
La Kobsa for solo Cello
Dances from the Opera "Esther” Op. 76, arranged by the composer for Violin and Piano
Sonata for Violin and Piano Op. 51
Sonata for Cello and Piano Op. 63
Performed by
Matt Haimovitz, cello
Solomiya Ivakhiv, violin
Nadia Shpachenko, piano
Music at the Institute presents Rediscovering Thomas “Foma” de Hartmann. The work of Ukrainian-born composer, Thomas “Foma” de Hartmann, spans classical, folk, and avant-garde styles, making him a key figure in both Ukrainian music history and the broader 20th-century classical tradition. His early music reflects Romantic influences, while his later works incorporate Impressionist elements and diverse styles, including Eastern melodies, as seen in his notable symphonies and concerti. De Hartmann's compositions ultimately reflect his quest for meaning, engaging listeners with their depth and variety.
Program
La Kobsa for solo Cello
Dances from the Opera "Esther” Op. 76, arranged by the composer for Violin and Piano
Sonata for Violin and Piano Op. 51
Sonata for Cello and Piano Op. 63
Performed by
Matt Haimovitz, cello
Solomiya Ivakhiv, violin
Nadia Shpachenko, piano