Audio Engineering Society NY Section

### Context Profile for Audio Engineering Society NY Section

#### 1. Organization Mission & Cause
The Audio Engineering Society (AES) NY Section is dedicated to advancing the science and practice of audio engineering. Their mission is to foster the exchange of information and ideas among audio professionals, students, and enthusiasts. They aim to promote education, networking, and collaboration within the audio community, emphasizing the importance of audio engineering in various industries, including music, film, and broadcasting.

#### 2. Type of Activities
The AES NY Section engages in a variety of activities, including:
- **Educational Events**: Workshops, seminars, and lectures featuring industry experts.
- **Networking Opportunities**: Events designed to connect audio professionals and students.
- **Community Programs**: Initiatives to support local audio engineering students and professionals.
- **Publications**: Regular newsletters and updates about the latest in audio technology and industry trends.

#### 3. Tone of Voice
The tone of voice used by the AES NY Section is:
- **Professional**: The language is formal and technical, reflecting the expertise of the audio engineering field.
- **Informative**: Communications are focused on providing valuable information and updates to members.
- **Friendly**: While maintaining professionalism, the tone is welcoming and inclusive, encouraging participation and engagement.

#### 4. Emoji Usage
The AES NY Section does not appear to use emojis in their communications. Their content is primarily text-based, focusing on clear and professional language without the informal touch that emojis provide.

#### 5. Key Facts
- **Founding Info**: The Audio Engineering Society was founded in 1948, with the NY Section being one of its key chapters.
- **Scale**: The organization has a significant presence with numerous events and a robust membership base.
- **Impact Metrics**: Specific metrics on impact are not detailed on the website, but the organization emphasizes community engagement and professional development.
- **Volunteer Info**: Opportunities for volunteering are likely available, though specific details were not prominently featured on the website.

#### 6. Writing Guidelines
- **Clarity and Precision**: Use clear and precise language, especially when discussing technical topics.
- **Professional Formatting**: Maintain a structured format in emails and newsletters, using headings and bullet points for easy readability.
- **Engagement Focus**: Encourage participation in events and programs, using calls to action that are direct and informative.
- **Consistency**: Ensure that all communications reflect the organization's mission and values, maintaining a consistent tone across all platforms.

This context profile provides a comprehensive overview of the Audio Engineering Society NY Section, enabling AI assistants to generate tailored and relevant content that aligns with the organization's mission and communication style.

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In person ticket required, doors open 6:45. Event at 7:30 in person and on Facebooklive.  On December 13, 2023 the New York Section of the Audio Engineering Society will be hosting a hybrid event, The Production of NPR’s “Wait, Wait, Don’t Tell Me.”  The show’s production, live performance, various location issues, technical issues, and dealing with the pandemic will be discussed.  Dec 13 Speakers will be Lorna White (Technical Director) and Robert Neuhaus (Production Manager.}  This event will be moderated by David Bialik.  This event is co-hosted by Mercy University.  Limited “in-person” tickets will be available.  The event will also be streamed on Facebook.  Lorna White joined NPR in 1984. For twelve years she engineered Morning Edition, All Things Considered, Weekend Edition, Performance Today, and operated Master Control. In 1996 she accepted the position of NPR Chicago Bureau Engineer. In addition to providing studio support, she has experience in recording news remotes and classical music ensembles. She has been with Wait, Wait, Don’t Tell Me since the beginning in 1998. Lorna is a graduate of Illinois State University with a degree in Communications and Music.Robert Neuhaus (Production Manager) began his professional career at the Goodman Theatre in Chicago and went on to create sound designs for most major Chicago theaters, including Chicago Shakespeare, where his designs earned two Joseph Jefferson awards. In addition to his work in theatre, Robert designed sound systems for consulting firm Schuler Shook and produced seven seasons of the audio theatre series Chicago Theatres on the Air for WFMT and L.A. Theatre Works. All the while he was also serving as a freelance engineer for NPR, recording everything from important politicians to squealing hogs. Shortly after Wait, Wait, Don’t Tell Me went into production in early 1998 the demands of the show became a full-time job and Robert has been a member of the Wait, Wait, Don’t Tell Me technical production team ever since. We thank Mercy University, National Public Radio, and New York Public Radio for their assistance in organizing this event.

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In person ticket required, doors open 6:45. Event at 7:30 in person and on Facebooklive.  On December 13, 2023 the New York Section of the Audio Engineering Society will be hosting a hybrid event, The Production of NPR’s “Wait, Wait, Don’t Tell Me.”  The show’s production, live performance, various location issues, technical issues, and dealing with the pandemic will be discussed.  Dec 13 Speakers will be Lorna White (Technical Director) and Robert Neuhaus (Production Manager.}  This event will be moderated by David Bialik.  This event is co-hosted by Mercy University.  Limited “in-person” tickets will be available.  The event will also be streamed on Facebook.  Lorna White joined NPR in 1984. For twelve years she engineered Morning Edition, All Things Considered, Weekend Edition, Performance Today, and operated Master Control. In 1996 she accepted the position of NPR Chicago Bureau Engineer. In addition to providing studio support, she has experience in recording news remotes and classical music ensembles. She has been with Wait, Wait, Don’t Tell Me since the beginning in 1998. Lorna is a graduate of Illinois State University with a degree in Communications and Music.Robert Neuhaus (Production Manager) began his professional career at the Goodman Theatre in Chicago and went on to create sound designs for most major Chicago theaters, including Chicago Shakespeare, where his designs earned two Joseph Jefferson awards. In addition to his work in theatre, Robert designed sound systems for consulting firm Schuler Shook and produced seven seasons of the audio theatre series Chicago Theatres on the Air for WFMT and L.A. Theatre Works. All the while he was also serving as a freelance engineer for NPR, recording everything from important politicians to squealing hogs. Shortly after Wait, Wait, Don’t Tell Me went into production in early 1998 the demands of the show became a full-time job and Robert has been a member of the Wait, Wait, Don’t Tell Me technical production team ever since. We thank Mercy University, National Public Radio, and New York Public Radio for their assistance in organizing this event.

Audio Engineering Society NY Section

The Production of NPR’s “Wait, Wait, Don’t Tell Me.”

47 W 34th St.

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