American Sephardi Federation

### Context Profile for American Sephardi Federation

1. **Organization Mission & Cause**:
   The American Sephardi Federation (ASF) is dedicated to preserving and promoting the rich heritage and culture of Sephardic Jews. Their mission is to foster a greater understanding of Sephardic history, culture, and traditions, while also advocating for the rights and welfare of Sephardic communities worldwide. ASF aims to create a vibrant community that connects Sephardic Jews and educates others about their unique contributions to Jewish life and culture.

2. **Type of Activities**:
   - **Cultural Events**: ASF organizes various cultural events, including lectures, discussions, and community gatherings that celebrate Sephardic traditions and history.
   - **Educational Programs**: They provide educational resources and programs to promote understanding of Sephardic heritage.
   - **Advocacy**: ASF engages in advocacy efforts to support Sephardic communities and address issues affecting them.
   - **Fundraising Campaigns**: They run fundraising campaigns to support their programs and initiatives, such as the recent campaign for Hakham Isaac Sassoon, which focuses on scholarly discussions and community engagement.

3. **Tone of Voice**:
   The tone of voice used by the American Sephardi Federation is professional yet warm and inviting. Their communications are informative and respectful, reflecting a deep appreciation for their cultural heritage. The language is often academic but accessible, aiming to engage both Sephardic Jews and the broader community.

4. **Emoji Usage**:
   The analysis of the website and communications indicates that the American Sephardi Federation does not prominently use emojis in their content. Their tone remains formal and respectful, which aligns with their mission of cultural preservation and education.

5. **Key Facts**:
   - **Founding Info**: The American Sephardi Federation was established to serve the needs of Sephardic Jews and to promote their culture.
   - **Scale**: The organization has a significant outreach, with 34 total forms and 29 email campaigns indicating active engagement with their community.
   - **Impact Metrics**: Specific metrics were not detailed on the website, but their events and programs suggest a commitment to community involvement and education.
   - **Volunteer Info**: Information regarding volunteer opportunities may be available on their website, indicating a community-driven approach.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that reflects the organization’s commitment to education and cultural preservation. Avoid overly casual language to maintain professionalism.
   - **Audience Engagement**: Address the audience directly when possible, using inclusive language that invites participation and fosters community.
   - **Cultural Sensitivity**: Be mindful of the cultural context and significance of the topics discussed, ensuring respect for Sephardic traditions and values.
   - **Call to Action**: Include clear calls to action, whether inviting participation in events, supporting fundraising efforts, or engaging with educational content.

This context profile will assist AI assistants in generating tailored and effective content for the American Sephardi Federation, ensuring alignment with their mission, tone, and community engagement strategies.

General admission

<p style="box-sizing:border-box;margin:0px;cursor:text;counter-reset:list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0;padding:0px;color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;line-height:24px">Book Presentation by the editors Yaëlle Azagury and Frances Malino and discussion (Q&A). <strong style="font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);outline:none !important;font-weight:700;box-sizing:inherit">Blanche Bendahan<span fr-original-style="outline: none !important; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: rgb(0, 0, 0);" style="font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);outline:none !important;box-sizing:inherit"> was born in Oran, Algeria on 26 November 1893, to a Jewish family of Moroccan-Spanish origin. Shortly after her birth, her family moved to France, where she was educated in the French system. Bendahan published her first collection of poetry, La voile sur l’eau<span fr-original-style="outline: none !important; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: rgb(0, 0, 0);" style="font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);outline:none !important;box-sizing:inherit">, in 1926 and then her first novel, Mazaltob<span fr-original-style="outline: none !important; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: rgb(0, 0, 0);" style="font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);outline:none !important;box-sizing:inherit">, in 1930. Mazaltob<span fr-original-style="outline: none !important; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: rgb(0, 0, 0);" style="font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);outline:none !important;box-sizing:inherit">, which won an award from the Académie Française, portrays a North African woman in Tetouan, Morocco, and the oppression to which she is subjected by the patriarchal society in which she lives. <span fr-original-style="color: rgb(34, 34, 34); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" style="color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">Eleanor Foa, writing for the Jewish Book Council, describes Mazaltob <span fr-original-style="outline: none !important; font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; color: black;" style="font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:black;outline:none !important;box-sizing:inherit">“psychologically astute, highlighting clashes—of traditions and of values—that are incredibly modern. The history of this little known corner of the Jewish world where ‘the Sephardim view themselves as aristocrats’ is fascinating and moving. Bendahan was ahead of her time as a feminist yet of the moment as a novelist. She had one foot in twentieth century European culture and another in the rituals and rhythms of ancient Sephardic Jewry.”<p style="box-sizing:border-box;margin:0px;cursor:text;counter-reset:list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0;padding:0px;color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;line-height:24px"> <p style="box-sizing:border-box;margin:0px;cursor:text;counter-reset:list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0;padding:0px;color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;line-height:24px">Yaëlle Azagury grew up in Tangier, Morocco and moved to Paris, France to study French and English Literature. She graduated from the University of Paris, and has a Diplome de l’Institut d’Etudes Politiques (Paris) and a Ph.D in French Literature from Columbia University in New York. Yaëlle taught Literature-Humanities at Columbia University, French and English Literature at Barnard College and the State University of New York (Purchase College). Her articles and book reviews have appeared in academic and non-academic publications such as Lilith, the Jerusalem Report, the Jerusalem Post, the Washington Post, the New York Times and the New York Times Book Review. Yaëlle writes about art, literature and culture, primarily French, Sephardi and North African.<p style="box-sizing:border-box;margin:0px;cursor:text;counter-reset:list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0;padding:0px;color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;line-height:24px;text-align:center"> <p style="box-sizing:border-box;margin:0px;cursor:text;counter-reset:list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0;padding:0px;color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;line-height:24px">Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. She is author of The Sephardic Jews of Bordeaux: Assimilation and Emancipation in Revolutionary and Napoleonic France (1978) and A Jew in the French Revolution: The Life of Zalkind Hourwitz(1996) and co-editor of Essays in Modern Jewish History: a Tribute to Ben Halpern (1982), The Jews in Modern France(1985), Profiles in Diversity: Jews in a Changing Europe (1998), and Voices of the Diaspora: Jewish Women Writing in the New Europe (2005). Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education. Malino is a co-founder and current President of Digital Heritage Mapping, whose flagship initiative is the Diarna Geo-Museum of North African and Middle Eastern Jewish Life.<p style="box-sizing:border-box;margin:0px;cursor:text;counter-reset:list-1 0 list-2 0 list-3 0 list-4 0 list-5 0 list-6 0 list-7 0 list-8 0 list-9 0;padding:0px;color:rgb(34, 34, 34);font-family:&quot;Helvetica Neue&quot;, Helvetica, Arial, Verdana, sans-serif;font-size:16px;line-height:24px;text-align:center">

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for registering for our event and supporting our cause. This registration greatly helps our mission. If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! ASFinfo@americansephardi.org

Book Presentation by the editors Yaëlle Azagury and Frances Malino and discussion (Q&amp;A). Blanche Bendahan was born in Oran, Algeria on 26 November 1893, to a Jewish family of Moroccan-Spanish origin. Shortly after her birth, her family moved to France, where she was educated in the French system. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930. Mazaltob, which won an award from the Académie Française, portrays a North African woman in Tetouan, Morocco, and the oppression to which she is subjected by the patriarchal society in which she lives. Eleanor Foa, writing for the Jewish Book Council, describes Mazaltob “psychologically astute, highlighting clashes—of traditions and of values—that are incredibly modern. The history of this little known corner of the Jewish world where ‘the Sephardim view themselves as aristocrats’ is fascinating and moving. Bendahan was ahead of her time as a feminist yet of the moment as a novelist. She had one foot in twentieth century European culture and another in the rituals and rhythms of ancient Sephardic Jewry.” Yaëlle Azagury grew up in Tangier, Morocco and moved to Paris, France to study French and English Literature. She graduated from the University of Paris, and has a Diplome de l’Institut d’Etudes Politiques (Paris) and a Ph.D in French Literature from Columbia University in New York. Yaëlle taught Literature-Humanities at Columbia University, French and English Literature at Barnard College and the State University of New York (Purchase College). Her articles and book reviews have appeared in academic and non-academic publications such as Lilith, the Jerusalem Report, the Jerusalem Post, the Washington Post, the New York Times and the New York Times Book Review. Yaëlle writes about art, literature and culture, primarily French, Sephardi and North African. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. She is author of The Sephardic Jews of Bordeaux: Assimilation and Emancipation in Revolutionary and Napoleonic France (1978) and A Jew in the French Revolution: The Life of Zalkind Hourwitz(1996) and co-editor of Essays in Modern Jewish History: a Tribute to Ben Halpern (1982), The Jews in Modern France(1985), Profiles in Diversity: Jews in a Changing Europe (1998), and Voices of the Diaspora: Jewish Women Writing in the New Europe (2005). Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education. Malino is a co-founder and current President of Digital Heritage Mapping, whose flagship initiative is the Diarna Geo-Museum of North African and Middle Eastern Jewish Life.

American Sephardi Federation

Rediscovering Mazaltob

15 W 16th St

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