East Bay Photo Collective

### Context Profile for East Bay Photo Collective (EBPCO)

1. **Organization Mission & Cause**:
   - **Mission**: The East Bay Photo Collective is dedicated to fostering a community of photographers through education and shared experiences. Their mission emphasizes the importance of photography as a means of expression and connection among individuals.
   - **Cause**: They focus on educational initiatives that enhance the skills of photographers, promote artistic collaboration, and provide access to resources like darkroom facilities.

2. **Type of Activities**:
   - **Events**: Regular social gatherings, such as the "Darkroom User Social," which encourages community interaction among darkroom users.
   - **Fundraising Campaigns**: Various campaigns aimed at supporting the collective's educational programs and facilities.
   - **Community Programs**: Workshops, open calls for submissions, and collaborative projects that engage members and the broader community in photography.

3. **Tone of Voice**:
   - The tone of the website and communications is **friendly**, **inviting**, and **informal**. The language used is accessible and encourages participation, with a focus on community building and shared experiences. Phrases like "Can’t wait to see you there!" exemplify their welcoming approach.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The tone remains professional yet approachable without relying on emoji to convey emotion or engagement.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not provided on the website.
   - **Scale**: The organization has a total of 111 forms and has conducted 782 email campaigns, indicating a robust engagement strategy.
   - **Impact Metrics**: While specific metrics are not detailed, the emphasis on community connection and educational opportunities suggests a focus on qualitative impact.
   - **Volunteer Info**: Information regarding volunteer opportunities was not explicitly stated on the website but may be inferred from community engagement activities.

6. **Writing Guidelines**:
   - **Style**: Use a conversational and friendly tone. Avoid overly formal language; instead, aim for inclusivity and warmth.
   - **Structure**: Keep communications clear and concise, using short paragraphs and direct calls to action. Use bold text for emphasis on important points, as seen in event descriptions.
   - **Personalization**: Incorporate personalized greetings in communications, as evidenced by the use of first names in emails.
   - **Engagement**: Encourage community participation and feedback, reflecting the collective’s mission to connect individuals through photography.

This context profile serves as a foundational guide for creating personalized and effective content for the East Bay Photo Collective, ensuring alignment with their mission, tone, and community-focused activities.

General admission

MEMBERS PRICING

<p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background:transparent;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit"> The Zone System was designed as a method for enabling the (analog) B&W photographer to control the technical aspects of exposure, development and printing. It starts with what Ansel Adams called “Pre-visualization” or more specifically the visualization of the subject as a finished black and white print, before the shutter is tripped.<p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background:transparent;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit">Starting with an introduction of how we transcribe into shades of grey, from deepest black to whitest of white, we will explore how to realize that abstraction of reality into a finished print. We will learn about the characteristics of the materials (film, development and print) and both the possibilities and limitations of how these materials can be manipulated to most closely realize the artists’ (pre)visualization of their subject.<p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background:transparent;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit">Most importantly, we will emphasize that the technique itself is not the work of art, but rather a means to that creation. In my own experience, an early fascination and preoccupation with the technique led to losing sight of the art of the photograph. Once the photographer understands the full possibilities and limitations of the media, then they may freely view their subjects through the prisms of lens, film and print.<p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background:transparent;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit">This workshop will be lecture only. No darkroom demonstrations. Participants are encouraged to bring in one or two prints with negatives to ask any questions they may have. This part will not be a critique, rather a chance to assist in understanding how to control the materials.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Thank you so much for signing up for this workshop! We are so excited to have you! We will see you: 📭   at 312 8th St, Oakland, CA 94607, USA⌚   On <span contenteditable="false" data-custom-variable="{{date-variable-19168faa-6b70-4a5c-9120-c6f63bf18ffe}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date A reminder of our workshop policies: East Bay Photo Collective reserves the right to cancel any workshop due to low enrollment. If a workshop is canceled, participants will be notified immediately and will receive a complete refund of all workshop fees, or they may apply their fees to another workshop of their preference, space permitting.Participants may cancel their registration up to 7 days prior to the workshop date for a full refund; participants canceling with fewer than 7 day’s notice are not entitled to a refund, though they may invite another person to substitute their place in the workshop if they wish.For more info, or to cancel a workshop, email us at workshops@ebpco.org Kind regards. East Bay Photo Collective

<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit;max-width:100%"> The Zone System was designed as a method for enabling the (analog) B&amp;W photographer to control the technical aspects of exposure, development and printing. It starts with what Ansel Adams called “Pre-visualization” or more specifically the visualization of the subject as a finished black and white print, before the shutter is tripped.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit;max-width:100%">Starting with an introduction of how we transcribe into shades of grey, from deepest black to whitest of white, we will explore how to realize that abstraction of reality into a finished print. We will learn about the characteristics of the materials (film, development and print) and both the possibilities and limitations of how these materials can be manipulated to most closely realize the artists’ (pre)visualization of their subject.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit;max-width:100%">Most importantly, we will emphasize that the technique itself is not the work of art, but rather a means to that creation. In my own experience, an early fascination and preoccupation with the technique led to losing sight of the art of the photograph. Once the photographer understands the full possibilities and limitations of the media, then they may freely view their subjects through the prisms of lens, film and print.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:13px;margin-bottom:0in;margin-top:0px;box-sizing:inherit;max-width:100%">This workshop will be lecture only. No darkroom demonstrations. Participants are encouraged to bring in one or two prints with negatives to ask any questions they may have. This part will not be a critique, rather a chance to assist in understanding how to control the materials.

East Bay Photo Collective

Add a donation for East Bay Photo Collective

Visualization and the Zone System with Guy Sussman

312 8th St

General admission

$40

MEMBERS PRICING

$32