AS220

### Context Profile for AS220

1. **Organization Mission & Cause:**
   AS220 is a nonprofit organization dedicated to fostering a creative community in Providence, Rhode Island. Their mission is to provide a platform for artists and the community to express themselves freely and to support the development of new art forms. They aim to create an inclusive environment where creativity thrives, and they emphasize the importance of art as a tool for social change and community engagement.

2. **Type of Activities:**
   - **Events:** AS220 hosts a variety of events including live performances, art exhibitions, and workshops. They often feature local artists and provide a space for creative expression.
   - **Fundraising Campaigns:** Regular fundraising initiatives are conducted to support their programming and facilities.
   - **Community Programs:** They offer programs that engage the community in the arts, including educational workshops and collaborative projects that aim to empower participants through creativity.

3. **Tone of Voice:**
   The tone of AS220's communications is friendly, informal, and inviting. They use inclusive language that encourages participation and fosters a sense of community. The content often conveys enthusiasm and passion for the arts, making it accessible and relatable to a broad audience.

4. **Emoji Usage:**
   AS220 does not prominently use emojis in their communications. Their content tends to maintain a professional yet approachable tone without relying on emojis to convey emotion or engagement.

5. **Key Facts:**
   - **Founding Info:** AS220 was founded in 1985 and has since become a cornerstone of the Providence arts community.
   - **Scale:** They have a significant presence with 353 total forms and 557 total email campaigns, indicating active engagement with their audience.
   - **Impact Metrics:** While specific metrics were not detailed on the website, AS220 emphasizes their role in supporting local artists and fostering community engagement through the arts.
   - **Volunteer Info:** The organization likely has volunteer opportunities, although specific details were not extracted from the website.

6. **Writing Guidelines:**
   - Use a friendly and conversational tone that reflects the community-oriented mission of AS220.
   - Focus on inclusivity and encouragement, inviting readers to participate in events and programs.
   - Keep language simple and accessible, avoiding jargon to ensure clarity for all audiences.
   - Highlight the impact of participation and the importance of community in all communications.
   - Use engaging subject lines and content that reflect the excitement and vibrancy of the events and programs offered.

This context profile provides a comprehensive overview of AS220, enabling AI assistants to generate tailored content that resonates with the organization's mission and audience.

General admission

Doors at 8, Tunes at 9 The Medium <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1725662521/fmlk7htl8iks7wpimxh9.jpg" style="width:551px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" /> The third album from beloved Nashville indie rockers The Medium, City Life, is the first they’ve produced on their own. Recorded in their homes with the help of a few friends (Johnny Hopson and George Rezeck), this grassroots approach to recording captures them simultaneously at their most relaxed as well as their most airtight. Ironically, City Life presents the quartet sounding their most country yet – sonically embracing some of the musical territory of their hometown (“Ghost in the Garden”) as well as lyrically wrestling with the challenges of its rapid changes (“Sellout City”). Songwriter/singer/guitarist Shane Perry’s whip smart writing always leaves room for the cosmic joke to wink right back, though – his delivery by turns sensitive and deadpan. The band’s penchant for saccharine harmonies, hypnotic riffs, and earnest ballads cohere everything into a uniquely relevant take on a classic 70’s rock sound. Inspired by the yearning refrain at the end of Harry Nillsson’s “I Guess the Lord Must Be in New York City,” the record envisions ‘city life’ as a call for a better world – a society driven by care over productivity; by community over profiteering. The album’s buoyant title track outlines a journey toward rebirth: “It started as a song about my brother moving to Chicago,” Perry explains, “but it became a rebirth album – all the dread and excitement, a new path, and everything we’ll have to leave behind to go forward. It contains my ideas of people disillusioned, so they rebel, or cling to loved ones and simple pleasures, even if they happen to disappear.” While some of these stories are imagined, others are real – for example, “The Day Dale Died,” written after a chance encounter with a friendly NASCAR fan at the flea market. The mischievous psych-folk rocker “James Harvey” was inspired by a series of online posts between rival high school sports teams that co-writer / bassist Sam Silva recalled and shared with Perry. Nothing is too niche or mundane for The Medium to glean meaning –each funny anecdote signaling an attentive curiosity about the people that make up their own city lives. The first record with co-producer, guitarist, and drummer Peter Brooks — the record two-step dances between his jazz-adjacent style and longtime band member Jared Hicks’ solid rock drumming. Metabolized through their decade-long friendships, each band member’s influences are rendered into a cohesive sound: whether it’s Silva’s love for Bon Scott-era AC/DC manifest in the riff he cooked up for “Golden Angels” or Neil Young’s spectral presence over the hauntingly beautiful folk ballad “Horse in Heart” (spurred during sessions for their last record,For Horses).“Everybody’s got a little horse in their heart,” Perry croons during the latter, “and it don’t matter who you are / you can be a superstar.”That little horse – that deep seated piece of wilderness tucked away within everyone – is what The Medium is so adept at honoring, lyrically and musically. City Life captures the sound of old friends who are committed to discovering new pathways forward – within their musicianship as well as within the world around them. Check the band out <a href="https://www.themediumband.com/" rel="noopener noreferrer" style="color:green;text-decoration:inherit;user-select:auto;font-weight:700;box-sizing:inherit" target="_blank">here</a>! Jo Celine <a href="https://www.instagram.com/liljosieposey/" style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">https://www.instagram.com/liljosieposey/</a>

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thanks so much for your purchase - here are your tickets!  See you at the gig! - Emma RomeBooking Associate<a href="mailto:emma.rome@as220.org" style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">emma.rome@as220.org</a> // booking@as220.org

Doors at 8, Tunes at 9 The Medium <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1725662521/fmlk7htl8iks7wpimxh9.jpg" style="width:551px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit;max-width:100%" /> The third album from beloved Nashville indie rockers The Medium, City Life, is the first they’ve produced on their own. Recorded in their homes with the help of a few friends (Johnny Hopson and George Rezeck), this grassroots approach to recording captures them simultaneously at their most relaxed as well as their most airtight. Ironically, City Life presents the quartet sounding their most country yet – sonically embracing some of the musical territory of their hometown (“Ghost in the Garden”) as well as lyrically wrestling with the challenges of its rapid changes (“Sellout City”). Songwriter/singer/guitarist Shane Perry’s whip smart writing always leaves room for the cosmic joke to wink right back, though – his delivery by turns sensitive and deadpan. The band’s penchant for saccharine harmonies, hypnotic riffs, and earnest ballads cohere everything into a uniquely relevant take on a classic 70’s rock sound. Inspired by the yearning refrain at the end of Harry Nillsson’s “I Guess the Lord Must Be in New York City,” the record envisions ‘city life’ as a call for a better world – a society driven by care over productivity; by community over profiteering. The album’s buoyant title track outlines a journey toward rebirth: “It started as a song about my brother moving to Chicago,” Perry explains, “but it became a rebirth album – all the dread and excitement, a new path, and everything we’ll have to leave behind to go forward. It contains my ideas of people disillusioned, so they rebel, or cling to loved ones and simple pleasures, even if they happen to disappear.” While some of these stories are imagined, others are real – for example, “The Day Dale Died,” written after a chance encounter with a friendly NASCAR fan at the flea market. The mischievous psych-folk rocker “James Harvey” was inspired by a series of online posts between rival high school sports teams that co-writer / bassist Sam Silva recalled and shared with Perry. Nothing is too niche or mundane for The Medium to glean meaning –each funny anecdote signaling an attentive curiosity about the people that make up their own city lives. The first record with co-producer, guitarist, and drummer Peter Brooks — the record two-step dances between his jazz-adjacent style and longtime band member Jared Hicks’ solid rock drumming. Metabolized through their decade-long friendships, each band member’s influences are rendered into a cohesive sound: whether it’s Silva’s love for Bon Scott-era AC/DC manifest in the riff he cooked up for “Golden Angels” or Neil Young’s spectral presence over the hauntingly beautiful folk ballad “Horse in Heart” (spurred during sessions for their last record,For Horses).“Everybody’s got a little horse in their heart,” Perry croons during the latter, “and it don’t matter who you are / you can be a superstar.”That little horse – that deep seated piece of wilderness tucked away within everyone – is what The Medium is so adept at honoring, lyrically and musically. City Life captures the sound of old friends who are committed to discovering new pathways forward – within their musicianship as well as within the world around them. Check the band out <a href="https://www.themediumband.com/" target="_blank">here</a>! Jo Celine <a href="https://www.instagram.com/liljosieposey/">https://www.instagram.com/liljosieposey/</a>

AS220

The Medium w/ Jo Celine

115 Empire St

Add a donation for AS220

General admission

$15