Garage Arts Project Inc

### Context Profile for Garage Arts Project Inc

#### 1. Organization Mission & Cause
Garage Arts Project Inc is dedicated to fostering creativity and community engagement through the arts. Their mission revolves around providing a platform for diverse artistic expressions and storytelling, particularly focusing on underrepresented voices and narratives. They aim to bridge communities through multidisciplinary performances that encompass movement, music, spoken word, and visual art, creating a space where stories converge and resonate.

#### 2. Type of Activities
- **Events**: The organization hosts various artistic events, such as the "Bridges Festival," which showcases performances by local artists and students. These events often highlight themes of identity, memory, and collaboration.
- **Fundraising Campaigns**: They engage in fundraising activities to support their events and initiatives, often collaborating with local organizations and receiving grants from city arts programs.
- **Community Programs**: Garage Arts Project emphasizes community involvement, encouraging participation from local artists and audiences in their performances and workshops.

#### 3. Tone of Voice
The tone of voice used by Garage Arts Project is **inspiring, friendly, and professional**. Their communications reflect a commitment to inclusivity and creativity, often using language that is engaging and accessible. They aim to create a welcoming atmosphere for all community members, encouraging participation and support for the arts.

#### 4. Emoji Usage
Garage Arts Project utilizes emojis sparingly in their communications. They incorporate emojis like 📍 (location) and 📅 (calendar) in event announcements to enhance clarity and engagement. The use of emojis is effective but not overdone, maintaining a professional appearance while adding a friendly touch.

#### 5. Key Facts
- **Founding Info**: Specific founding details are not provided on the website.
- **Scale**: The organization has conducted 9 total forms and sent out 16 email campaigns, indicating an active engagement with their audience.
- **Impact Metrics**: While specific metrics are not detailed, the organization highlights the importance of community involvement and collaboration in their events.
- **Volunteer Info**: Information about volunteering opportunities is not explicitly mentioned on the website, but community engagement is a core aspect of their mission.

#### 6. Writing Guidelines
- **Style**: Use a conversational yet professional tone that reflects inclusivity and creativity. Aim to inspire and engage the audience.
- **Language**: Incorporate storytelling elements to highlight the impact of the arts on community and individual expression. Use clear and accessible language.
- **Format**: Utilize bullet points for clarity when listing events or key information. Include relevant emojis to enhance engagement without overwhelming the text.
- **Call to Action**: Encourage participation and support in a friendly manner, making it easy for readers to understand how they can get involved.

This context profile serves as a foundational guide for creating personalized and effective content for Garage Arts Project Inc, ensuring alignment with their mission and communication style.

General admission

<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">Garage Arts Project, in collaboration with the Indian Cultural Heritage Foundation (ICHF), presents the Artist Showcase by Vaibhav Arekar, one of the leading Bharatanatyam artists in India. An intense, calm, and immersive approach is a key signature style of his performance. Vaibhav's choreography is inspired by modernity within a classical template. <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1711331529/jx2tw0ci2b7jqwabujym.jpg" style="width:367px;display:block;vertical-align:top;margin:5px auto;text-align:center;max-width:calc(100% - 10px);position:relative;cursor:pointer;padding:0px 1px;-webkit-user-select:none;box-sizing:inherit" /><table><tbody><tr><td>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</td></tr></tbody></table><p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">Pravaaha is a Bharatanatyam performance that is in two halves.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">The solo form of traditional Bharatanatyam challenges the dancer and the dancing body, at once, to oscillate between being an individual identity and a philosophical concept. This experiential state is sought in the first half of Margam. It includes signature pieces like:-<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">*Ardhanarishwara- The choreography that has emerged from a personal and artistic journey reflects the two dynamic principles –the masculine and the feminine. A composition of Muttuswami Dikshitar.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">*Varnam–A Swati Tirunal kritiis in praise of Hanuman was choreographed by his guru, Dr.Smt. Kanak Rele. It has been carried forward for 26 years as a masterpiece of her creativity.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">*Harihara–An abhanga by Sant Namdev describing the two godheads -Shiva and Vishnu.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">The next part is a solo dance-drama - Debotar Grash.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">Arekar says, "There has been a deep desire for a long time to explore the mother-child relationship through the medium of art-classical dance. Thus, Debotar Grash was born based on Tagore’s poem, which has the same name."<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">Debotar Grash becomes the frame within which the emotional landscape of a child's innocence and mother's love is painted. Further excerpts from The Crescent Moon, ‘Bir Purush/Hero’, ‘My Song’, and ‘The End’ have been imaginatively woven into the plot. The idiom, of course, is that of Bharatanatyam, and spoken words are interspersed within the dance narrative. The flavor of English poems juxtaposed against the original Bengali, Hindustani music, and Carnatic percussion ensemble have been woven into the audio-visual texture of this Debotar Grash.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit"><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1711234317/rnai365ni1iciqjph02v.jpg" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;-webkit-user-select:none;box-sizing:inherit" /><p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">ARTIST NOTE: As a man of contemporary times, I need to investigate, experience, and perform Bharatanatyam within its classical idiom, not as an ancient form but as a contemporaneous art. Pravaaha looks at the flow of this ancient art as it has come down to me, imbibed in the present, and now flows through me into the future.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;caret-color:rgb(0, 0, 0);color:rgb(0, 0, 0);margin-top:0px;margin-bottom:0px;box-sizing:inherit">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;-webkit-touch-callout:none;-webkit-user-select:none;box-sizing:inherit">First name , Thank you from the bottom of our hearts for registering for our event and supporting our cause. This registration greatly helps our mission. If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our organization! Renuka Rajagopalan,President, Founder Garage Arts Projectwww.garageartsproject.org<a href="mailto:renuka@garageartsproject.org" style="color:inherit;text-decoration:inherit;-webkit-user-select:auto;box-sizing:inherit">renuka@garageartsproject.org</a>

<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">Garage Arts Project, in collaboration with the Indian Cultural Heritage Foundation (ICHF), presents the Artist Showcase by Vaibhav Arekar, one of the leading Bharatanatyam artists in India. An intense, calm, and immersive approach is a key signature style of his performance. Vaibhav's choreography is inspired by modernity within a classical template. <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1711331529/jx2tw0ci2b7jqwabujym.jpg" style="width:367px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;cursor:pointer;padding:0px 1px;-webkit-user-select:none;box-sizing:inherit;max-width:100%" /><table><tbody><tr><td>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~</td></tr></tbody></table><p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">Pravaaha is a Bharatanatyam performance that is in two halves.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">The solo form of traditional Bharatanatyam challenges the dancer and the dancing body, at once, to oscillate between being an individual identity and a philosophical concept. This experiential state is sought in the first half of Margam. It includes signature pieces like:-<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">*Ardhanarishwara- The choreography that has emerged from a personal and artistic journey reflects the two dynamic principles –the masculine and the feminine. A composition of Muttuswami Dikshitar.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">*Varnam–A Swati Tirunal kritiis in praise of Hanuman was choreographed by his guru, Dr.Smt. Kanak Rele. It has been carried forward for 26 years as a masterpiece of her creativity.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">*Harihara–An abhanga by Sant Namdev describing the two godheads -Shiva and Vishnu.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">The next part is a solo dance-drama - Debotar Grash.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">Arekar says, "There has been a deep desire for a long time to explore the mother-child relationship through the medium of art-classical dance. Thus, Debotar Grash was born based on Tagore’s poem, which has the same name."<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">Debotar Grash becomes the frame within which the emotional landscape of a child's innocence and mother's love is painted. Further excerpts from The Crescent Moon, ‘Bir Purush/Hero’, ‘My Song’, and ‘The End’ have been imaginatively woven into the plot. The idiom, of course, is that of Bharatanatyam, and spoken words are interspersed within the dance narrative. The flavor of English poems juxtaposed against the original Bengali, Hindustani music, and Carnatic percussion ensemble have been woven into the audio-visual texture of this Debotar Grash.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%"><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1711234317/rnai365ni1iciqjph02v.jpg" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;cursor:pointer;padding:0px 1px;-webkit-user-select:none;box-sizing:inherit;max-width:100%" /><p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">ARTIST NOTE: As a man of contemporary times, I need to investigate, experience, and perform Bharatanatyam within its classical idiom, not as an ancient form but as a contemporaneous art. Pravaaha looks at the flow of this ancient art as it has come down to me, imbibed in the present, and now flows through me into the future.<p style="font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration:none;margin-top:0px;margin-bottom:0px;box-sizing:inherit;max-width:100%">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Garage Arts Project Inc

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Vaibhav Arekar - Artist Showcase

1517 H Ave

General admission

$25