Audio Engineering Society NY Section

### Context Profile for Audio Engineering Society NY Section

#### 1. Organization Mission & Cause
The Audio Engineering Society (AES) NY Section is dedicated to advancing the science and practice of audio engineering. Their mission is to foster the exchange of information and ideas among audio professionals, students, and enthusiasts. They aim to promote education, networking, and collaboration within the audio community, emphasizing the importance of audio engineering in various industries, including music, film, and broadcasting.

#### 2. Type of Activities
The AES NY Section engages in a variety of activities, including:
- **Educational Events**: Workshops, seminars, and lectures featuring industry experts.
- **Networking Opportunities**: Events designed to connect audio professionals and students.
- **Community Programs**: Initiatives to support local audio engineering students and professionals.
- **Publications**: Regular newsletters and updates about the latest in audio technology and industry trends.

#### 3. Tone of Voice
The tone of voice used by the AES NY Section is:
- **Professional**: The language is formal and technical, reflecting the expertise of the audio engineering field.
- **Informative**: Communications are focused on providing valuable information and updates to members.
- **Friendly**: While maintaining professionalism, the tone is welcoming and inclusive, encouraging participation and engagement.

#### 4. Emoji Usage
The AES NY Section does not appear to use emojis in their communications. Their content is primarily text-based, focusing on clear and professional language without the informal touch that emojis provide.

#### 5. Key Facts
- **Founding Info**: The Audio Engineering Society was founded in 1948, with the NY Section being one of its key chapters.
- **Scale**: The organization has a significant presence with numerous events and a robust membership base.
- **Impact Metrics**: Specific metrics on impact are not detailed on the website, but the organization emphasizes community engagement and professional development.
- **Volunteer Info**: Opportunities for volunteering are likely available, though specific details were not prominently featured on the website.

#### 6. Writing Guidelines
- **Clarity and Precision**: Use clear and precise language, especially when discussing technical topics.
- **Professional Formatting**: Maintain a structured format in emails and newsletters, using headings and bullet points for easy readability.
- **Engagement Focus**: Encourage participation in events and programs, using calls to action that are direct and informative.
- **Consistency**: Ensure that all communications reflect the organization's mission and values, maintaining a consistent tone across all platforms.

This context profile provides a comprehensive overview of the Audio Engineering Society NY Section, enabling AI assistants to generate tailored and relevant content that aligns with the organization's mission and communication style.

Student

AES Member

Non Member

Please join us in person for another great event from the AES NY Section on Tuesday January 14th 2025. Doors open at 5PM even starts at 5:45 - 8:00. Tickets here: Seating is limited to 40 people. This event MAY be streamed on The NY Sections Facebook Live or will be archived for future viewing. Join us for a drink some networking and a informative discussion: 50 years ago the world waited for the event of the century. The Rumble in the Jungle, Muhammad Ali v. George Foreman, captivated the world even before the fight even took place. For days preceding the fight, some of the world's best musicians gathered on one stage for Zaire '74, a music festival showcasing some of the top black artists of the time including James Brown, Bill Withers and B.B. King, and the Fania All Stars. And the person who handled the tech for this event? Bernard Fox. A highly-respected sound designer, audio engineer, recording studio owner, inventor, innovator, producer, teacher, and consultant, Bernard Fox has worked for decades thinking outside the box creating technology where there wasn't any in place. In his own words, "When they said it couldn’t be built, he built it. When they couldn’t imagine it, he designed it. When they had a problem, he fixed it. When they said it couldn’t be done, he did it…" Bernie found a way to make his clients' audio dreams a reality at times when live multitrack recording wasn't as easy as it is today. Join us for this unique deep dive into the tech behind The Rumble in the Jungle 50 years later. Bio:  Bernard Fox has had (so far) a very varied and interesting life, while meeting and working with many of the world’s most famous people.  If you want to know more, take a look at his website, (not updated in around 10 years).   <a href="http://www.bernardfox.com/" style="text-decoration-color:currentcolor;user-select:auto;box-sizing:inherit">www.bernardfox.com</a>  History:Bernard Fox started working in the Dubbing Room at RKO Pictures NYC, Then to Projectionist, to Film Mixer, to Multitrack Audio Engineer on film, to Multitrack Music Recordist (film or tape or digital), to Music Mixer (film or tape or digital or live), to Live Multitrack Music Recordist, to Sync Specialist, to Lease Purchased RKO, to become regular studio owner, to Mastering Engineer, to Theater Consultant, to Theatrical Sound Designer, to Theme Park Designer, to Live “One Off” TV Mixer, to Episodic TV Sound, to ADR, to Film Producer (Produced two features), to become a “Hired Gun” in any kind of Audio, (including a short stint at United Nations after 911).     He taught Audio and all the sub-disciplines, all along the way, mostly full time. (CMA, IAR, Sarah Lawrence: NYU, US Air Force.) and all along the way he Invented:  (Automated mixing for live theater, “Performance Automation”, “Rack and Roll”, “Head Worn Subminiature Lavalieres” “Perfect Score”,  the first (what later became known as) “Smart Slate”, (For “When We Were Kings”) and then, Medical, Energy, and Military inventions, to name a few). Moderated by Jeanne Montalvo Lucar Our hosts:VoxPod NYC is a Voice Recording / Audio Capture facility that has 10 top quality booths (IAC, Acoustic Systems, Wenger), each with a ProTools system, each remotely accessible. Source-Connect licenses for each of the booths. The facility is available to producers and engineers, and talent. Client-partners (Buttons Sounds and VoiceWorks Audio) currently working in our facility and offer booth access to any other facility in NYC or other locations. Please visit  website for more about VoxPod NYC. <a href="https://www.voxpodnyc.com/" style="text-decoration-color:currentcolor;user-select:auto;box-sizing:inherit">https://www.voxpodnyc.com</a> or call 646-208-2012

Hi <span data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! AES NY SECTIONaesnysection@gmail.com

Please join us in person for another great event from the AES NY Section on Tuesday January 14th 2025. Doors open at 5PM even starts at 5:45 - 8:00. Tickets here: Seating is limited to 40 people. This event MAY be streamed on The NY Sections Facebook Live or will be archived for future viewing. Join us for a drink some networking and a informative discussion: 50 years ago the world waited for the event of the century. The Rumble in the Jungle, Muhammad Ali v. George Foreman, captivated the world even before the fight even took place. For days preceding the fight, some of the world's best musicians gathered on one stage for Zaire '74, a music festival showcasing some of the top black artists of the time including James Brown, Bill Withers and B.B. King, and the Fania All Stars. And the person who handled the tech for this event? Bernard Fox. A highly-respected sound designer, audio engineer, recording studio owner, inventor, innovator, producer, teacher, and consultant, Bernard Fox has worked for decades thinking outside the box creating technology where there wasn't any in place. In his own words, "When they said it couldn’t be built, he built it. When they couldn’t imagine it, he designed it. When they had a problem, he fixed it. When they said it couldn’t be done, he did it…" Bernie found a way to make his clients' audio dreams a reality at times when live multitrack recording wasn't as easy as it is today. Join us for this unique deep dive into the tech behind The Rumble in the Jungle 50 years later. Bio:  Bernard Fox has had (so far) a very varied and interesting life, while meeting and working with many of the world’s most famous people.  If you want to know more, take a look at his website, (not updated in around 10 years).   <a href="http://www.bernardfox.com/">www.bernardfox.com</a>  History:Bernard Fox started working in the Dubbing Room at RKO Pictures NYC, Then to Projectionist, to Film Mixer, to Multitrack Audio Engineer on film, to Multitrack Music Recordist (film or tape or digital), to Music Mixer (film or tape or digital or live), to Live Multitrack Music Recordist, to Sync Specialist, to Lease Purchased RKO, to become regular studio owner, to Mastering Engineer, to Theater Consultant, to Theatrical Sound Designer, to Theme Park Designer, to Live “One Off” TV Mixer, to Episodic TV Sound, to ADR, to Film Producer (Produced two features), to become a “Hired Gun” in any kind of Audio, (including a short stint at United Nations after 911).     He taught Audio and all the sub-disciplines, all along the way, mostly full time. (CMA, IAR, Sarah Lawrence: NYU, US Air Force.) and all along the way he Invented:  (Automated mixing for live theater, “Performance Automation”, “Rack and Roll”, “Head Worn Subminiature Lavalieres” “Perfect Score”,  the first (what later became known as) “Smart Slate”, (For “When We Were Kings”) and then, Medical, Energy, and Military inventions, to name a few). Moderated by Jeanne Montalvo Lucar Our hosts:VoxPod NYC is a Voice Recording / Audio Capture facility that has 10 top quality booths (IAC, Acoustic Systems, Wenger), each with a ProTools system, each remotely accessible. Source-Connect licenses for each of the booths. The facility is available to producers and engineers, and talent. Client-partners (Buttons Sounds and VoiceWorks Audio) currently working in our facility and offer booth access to any other facility in NYC or other locations. Please visit  website for more about VoxPod NYC. <a href="https://www.voxpodnyc.com/">https://www.voxpodnyc.com</a> or call 646-208-2012

Audio Engineering Society NY Section

AES NY Section presents: The Rumble in the Jungle featuring Bernard Fox at VoxPadNYC

230 W 39th St 2nd floor

Student

$5

AES Member

$10

Non Member

$25

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