A man with graying hair plays a unique-looking guitar with a dark background.

Imagine Jazz

**Imagine Jazz Context Profile**

1. **Organization Mission & Cause:**
   - **Mission:** Imagine Jazz is dedicated to promoting the appreciation and understanding of jazz music. Their mission is to preserve the rich history of jazz while fostering new talent and expanding the audience for this genre. They aim to create a vibrant jazz community that connects musicians, enthusiasts, and newcomers alike.
   - **Cause:** The organization focuses on cultural enrichment through jazz music, emphasizing both education and performance as tools to engage and inspire diverse audiences.

2. **Type of Activities:**
   - **Events:** Imagine Jazz organizes live jazz performances, workshops, and educational seminars. These events are designed to highlight both established and emerging jazz artists.
   - **Community Programs:** They conduct outreach programs in schools and community centers to introduce jazz to younger audiences and underrepresented communities.
   - **Fundraising Campaigns:** The organization runs campaigns to support their events, educational programs, and to provide scholarships for young musicians.

3. **Tone of Voice:**
   - The tone is **inspiring** and **friendly**, with a focus on inclusivity and community building. The language used is welcoming and aims to foster a sense of belonging among jazz enthusiasts and newcomers.
   - There is a strong emphasis on the cultural and historical significance of jazz, conveyed in a passionate and engaging manner.

4. **Emoji Usage:**
   - The organization uses emojis sparingly, primarily to add a touch of warmth and friendliness to their communications. Commonly used emojis include musical notes (🎶) and jazz-related symbols like saxophones (🎷).

5. **Key Facts:**
   - **Founding Info:** Imagine Jazz is a newly established organization, founded with the goal of revitalizing interest in jazz music.
   - **Scale:** As a small-scale organization, they are in the early stages of building their presence and community.
   - **Impact Metrics:** While specific impact metrics are not yet available, their focus is on increasing participation in jazz events and educational outreach.

6. **Writing Guidelines:**
   - **Style:** Content should be written in an engaging and accessible style, with a focus on storytelling to convey the rich history and emotional depth of jazz music.
   - **Language:** Use clear and concise language that is easy to understand, avoiding overly technical jargon unless explaining it in a way that educates the audience.
   - **Engagement:** Encourage audience interaction through calls to action, such as attending events, participating in workshops, or supporting fundraising efforts.
   - **Visuals:** Incorporate vibrant images and videos of jazz performances and educational activities to complement written content and enhance engagement.

This context profile provides a comprehensive understanding of Imagine Jazz, enabling AI assistants to generate content that aligns with the organization's mission, tone, and activities.

LXCL:For VIP Blackbird and Nightingale members, RSVP to reserve your seat.

VIP Members, reserved seat

LXCL:Limited to 30 seats, this is a truly intimate listening experience

General Admission, suggested donation $25

Join Imagine Jazz for &ldquo;An Evening with John Stowell,&rdquo; at the Spokane Public Radio performance studio!&nbsp; An close-up concert with one of jazz guitar&rsquo;s most thoughtful voices 🎶. Experience the conversation between player and instrument as John explores standards, originals, and spontaneous moments. The evening will open with a solo guitar set, followed by a collaboration with the Imagine Jazz Quartet featuring Rachel Bade-McMurphy, Brendan McMurphy and Josh Skinner.&nbsp; About the artist:&nbsp;In 1983, John joined flutist Paul Horn, bassist David Friesen and Paul&#39;s son Robin Horn for a historic tour of the Soviet Union. This was the first time in forty years that an American jazz group had been invited to play public performances in Russia. In 1993, 1995, 1998 and 2012 John returned to Russia, playing in numerous cities. Two sold-out performances in Kursk may have been the first appearances there by an American jazz musician. With bassist David Friesen, John was featured of the soundtracks of two Academy Award Nominated short films (Will Vinton Studios, Portland, OR, and Bosustow Studios, Los Angeles, CA). &quot;Through the Listening Glass&quot; with David Friesen was chosen of the &quot;Ten Best Jazz Albums of the Decade&quot; by the Los Angeles Examiner.&nbsp; John was featured in Japan&#39;s &quot;Swing Journal&quot;, &quot;The Jazz Guitar&quot; (Ashely Mark Publishing, England), and the Biographical Encyclopedia of Jazz (Leonard Feather and Ira Gitler).&nbsp; John had several appearances on BET Jazz Discovery and Guitar Series television shows.&nbsp; Recording/Performance Credits: Milt Jackson, Lionel Hampton, Art Farmer, Conte Condoli, Herb Ellis, Bill Watrous, Mundell Lowe, George Cables, Billy Higgins, Billy Hart, Richie Cole, Paul Horn, Tom Harrell, Don Thompson, Dave Liebman, Golden Delicious (Inner City, 1977), Through the Listening Glass with David Friesen (Inner City, 1978), Other Mansions with David Friesen (Inner City, 1980), Somewhere (Seraphon, 1995), Picture in Black and White with Uwe Kropinski (Acoustic Music, 1997), Elle (Jardis, 2000), Scenes (Origin, 2001), The Banff Sessions (Origin, 2002), Listen to This with Frank Haunschild (Acoustic Music, 2004), Resonance (Origin, 2005), Solitary Tales (Origin, 2009), Shot Through with Beauty with Michael Zilber (Origin, 2011), New York Conversations with Kendra Shank (TCB, 2013), Italian Conversation with Michele Campobasso and Viz Maurogiovanni (Terramiamusic, 2014), Anytime with Tomas Sauter (Catwalk, 2016), Cosmology with Rolf Jardemark (Guitarlandrecords, 2016), Night Visitor with Ulf Bandgren (Origin, 2017), Petite Fleur with Dave Liebman (Origin, 2018),&nbsp;Rain Painting (Origin, 2021).&nbsp; John maintains a robust live performance schedule touring in the Pacific Northwest, the United States, Europe, and Asia.About the Organization: Your registration helps celebrate&nbsp;jazz heritage and nurture creative progress through Imagine Jazz performances, workshops, and outreach in schools and community spaces 🎷. Reserve your seat, bring a friend, and be part of a growing jazz community.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="color: rgb(42, 42, 196); overflow-wrap: anywhere; user-select: none; background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; margin: 0px; padding: 1px 8px; font-size: 11px; display: inline-block; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! RACHEL BADE-MCMURPHYrachel@imaginejazz.org

Join Imagine Jazz for “An Evening with John Stowell,” at the Spokane Public Radio performance studio!  An close-up concert with one of jazz guitar’s most thoughtful voices 🎶. Experience the conversation between player and instrument as John explores standards, originals, and spontaneous moments. The evening will open with a solo guitar set, followed by a collaboration with the Imagine Jazz Quartet featuring Rachel Bade-McMurphy, Brendan McMurphy and Josh Skinner.  About the artist: In 1983, John joined flutist Paul Horn, bassist David Friesen and Paul's son Robin Horn for a historic tour of the Soviet Union. This was the first time in forty years that an American jazz group had been invited to play public performances in Russia. In 1993, 1995, 1998 and 2012 John returned to Russia, playing in numerous cities. Two sold-out performances in Kursk may have been the first appearances there by an American jazz musician. With bassist David Friesen, John was featured of the soundtracks of two Academy Award Nominated short films (Will Vinton Studios, Portland, OR, and Bosustow Studios, Los Angeles, CA). "Through the Listening Glass" with David Friesen was chosen of the "Ten Best Jazz Albums of the Decade" by the Los Angeles Examiner.  John was featured in Japan's "Swing Journal", "The Jazz Guitar" (Ashely Mark Publishing, England), and the Biographical Encyclopedia of Jazz (Leonard Feather and Ira Gitler).  John had several appearances on BET Jazz Discovery and Guitar Series television shows.  Recording/Performance Credits: Milt Jackson, Lionel Hampton, Art Farmer, Conte Condoli, Herb Ellis, Bill Watrous, Mundell Lowe, George Cables, Billy Higgins, Billy Hart, Richie Cole, Paul Horn, Tom Harrell, Don Thompson, Dave Liebman, Golden Delicious (Inner City, 1977), Through the Listening Glass with David Friesen (Inner City, 1978), Other Mansions with David Friesen (Inner City, 1980), Somewhere (Seraphon, 1995), Picture in Black and White with Uwe Kropinski (Acoustic Music, 1997), Elle (Jardis, 2000), Scenes (Origin, 2001), The Banff Sessions (Origin, 2002), Listen to This with Frank Haunschild (Acoustic Music, 2004), Resonance (Origin, 2005), Solitary Tales (Origin, 2009), Shot Through with Beauty with Michael Zilber (Origin, 2011), New York Conversations with Kendra Shank (TCB, 2013), Italian Conversation with Michele Campobasso and Viz Maurogiovanni (Terramiamusic, 2014), Anytime with Tomas Sauter (Catwalk, 2016), Cosmology with Rolf Jardemark (Guitarlandrecords, 2016), Night Visitor with Ulf Bandgren (Origin, 2017), Petite Fleur with Dave Liebman (Origin, 2018), Rain Painting (Origin, 2021).  John maintains a robust live performance schedule touring in the Pacific Northwest, the United States, Europe, and Asia.About the Organization: Your registration helps celebrate jazz heritage and nurture creative progress through Imagine Jazz performances, workshops, and outreach in schools and community spaces 🎷. Reserve your seat, bring a friend, and be part of a growing jazz community.

Imagine Jazz

An Evening with John Stowell

1229 N Monroe St

VIP Members, reserved seat

Free

General Admission, suggested donation $25

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