The Nicholson Project

### Context Profile for The Nicholson Project

1. **Organization Mission & Cause:**
   - **Mission:** The Nicholson Project is dedicated to supporting artists, amplifying creative voices, and strengthening community through the arts. They aim to create opportunities for artists to thrive and foster a vibrant cultural landscape.
   - **Cause:** The organization focuses on the intersection of art and community, emphasizing the importance of creative expression in enhancing social connections and community well-being.

2. **Type of Activities:**
   - **Programs:** The Nicholson Project runs various community programs that provide resources and platforms for artists. This includes workshops, exhibitions, and collaborative projects that engage local communities.
   - **Events:** They organize events that showcase artistic talent and promote community involvement, such as art fairs and performances.
   - **Fundraising Campaigns:** The organization actively seeks donations to support its initiatives, as highlighted in their recent campaign titled "Donate to The Nicholson Project."

3. **Tone of Voice:**
   - The tone of the website is **friendly, inspiring, and community-oriented**. The language is accessible and encourages engagement, reflecting a welcoming atmosphere that invites participation and support.
   - The use of phrases like "supporting artists" and "amplifying creative voices" conveys a sense of purpose and urgency, while also being uplifting.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its communications. The tone remains professional and engaging without relying on emoji usage, focusing instead on clear and impactful language.

5. **Key Facts:**
   - **Founding Info:** The Nicholson Project is a registered 501(c)(3) nonprofit organization, indicating its commitment to public service and community benefit.
   - **Scale:** The organization has a modest scale, with three total forms indicating a focused approach to outreach and engagement.
   - **Impact Metrics:** While specific metrics are not detailed on the website, the emphasis on supporting artists and community engagement suggests a commitment to measurable outcomes in the arts sector.
   - **Volunteer Info:** There is no specific information about volunteer opportunities on the website, but community involvement is implied through their programs and events.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inviting tone that emphasizes community and support for the arts. Avoid overly formal language; instead, focus on relatable and inspiring messaging.
   - **Content Structure:** Start with a clear statement of purpose, followed by details about programs and opportunities for involvement. Use engaging calls to action that encourage donations and participation.
   - **Personalization:** Incorporate personalized elements in communications, such as addressing supporters by name, to foster a sense of connection and appreciation.

This context profile serves as a foundational guide for crafting personalized and effective communications for The Nicholson Project, ensuring alignment with their mission and values.

General Admission

Join The Nicholson Project for an in-person conversation with inaugural Local Artist Studio Resident George Kevin Jordan (GKJcreates) and curator Jarvis DuBois. Together, they will explore Jordan&rsquo;s time in residence, the development of his culminating exhibition, and influences that inform his creative practice.&nbsp; About the ArtistGeorge Kevin Jordan is a multidisciplinary artist based in Washington, DC. He works mostly in water-based mediums like gouache, watercolor, and ink. His work pulls from his pop culture saturated days of the 80s and 90s, when anime, comics, cartoons, and music had more of an influence on kids than their own parents. Think bright colors, big ideas, and lots of fun! He examines Black and Black/Queer life in a variety of situations from mundane domestic settings, to exotic locales, mythologies and folklore. The work may end up on watercolor paper, napkins, cardboard, or a multitude of materials. His bright palettes and easy paint strokes recall the whimsical, playful ways in which children create art. About the ModeratorJarvis DuBois has been a Museum Specialist at the Smithsonian Institution&rsquo;s National Museum of American History since 2002. Jarvis has curated several exhibitions including: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); In The Mix: DC Area Abstract Artists at the Children&rsquo;s National Medical Center (2012); (in)Visible and (dis)Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014); co-curated Looking Back/Looking Forward: 15 Years of Millennium Arts Salon with Sharon Burton and Janelle Blackmon Pryor at the Brentwood Arts Exchange in Maryland (2015); co-curated Lest We Forget with Deirdre Darden at the Galerie Myrtis in Baltimore, MD (2017); as well as co-curated with Gia Harewood Face Forward (2018) and Senait and Nahom: The Peacemaker and the Comforter by Tsedaye Makonnen (2019) both at Carroll Square Gallery in DC. He has also curated the exhibition section for performance artist Sheldon Scott at the (e)merge art fair held in Washington, DC in October 2013 and 2014. Since the pandemic, Jarvis has presented a rotating group art installation at the new events space The Yard DC in the Anacostia neighborhood. Jarvis has previously been a member of the DC Commission on the Arts and Humanities Art Bank selection committee, Hillyer Art Space Artist Advisory Committee, and is currently a Millennium Arts Salon board member and has written articles for the International Review of African American Art.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting! We look forward in seeing you.&nbsp; Best,The Nicholson Project

Join The Nicholson Project for an in-person conversation with inaugural Local Artist Studio Resident George Kevin Jordan (GKJcreates) and curator Jarvis DuBois. Together, they will explore Jordan’s time in residence, the development of his culminating exhibition, and influences that inform his creative practice.  About the ArtistGeorge Kevin Jordan is a multidisciplinary artist based in Washington, DC. He works mostly in water-based mediums like gouache, watercolor, and ink. His work pulls from his pop culture saturated days of the 80s and 90s, when anime, comics, cartoons, and music had more of an influence on kids than their own parents. Think bright colors, big ideas, and lots of fun! He examines Black and Black/Queer life in a variety of situations from mundane domestic settings, to exotic locales, mythologies and folklore. The work may end up on watercolor paper, napkins, cardboard, or a multitude of materials. His bright palettes and easy paint strokes recall the whimsical, playful ways in which children create art. About the ModeratorJarvis DuBois has been a Museum Specialist at the Smithsonian Institution’s National Museum of American History since 2002. Jarvis has curated several exhibitions including: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); In The Mix: DC Area Abstract Artists at the Children’s National Medical Center (2012); (in)Visible and (dis)Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014); co-curated Looking Back/Looking Forward: 15 Years of Millennium Arts Salon with Sharon Burton and Janelle Blackmon Pryor at the Brentwood Arts Exchange in Maryland (2015); co-curated Lest We Forget with Deirdre Darden at the Galerie Myrtis in Baltimore, MD (2017); as well as co-curated with Gia Harewood Face Forward (2018) and Senait and Nahom: The Peacemaker and the Comforter by Tsedaye Makonnen (2019) both at Carroll Square Gallery in DC. He has also curated the exhibition section for performance artist Sheldon Scott at the (e)merge art fair held in Washington, DC in October 2013 and 2014. Since the pandemic, Jarvis has presented a rotating group art installation at the new events space The Yard DC in the Anacostia neighborhood. Jarvis has previously been a member of the DC Commission on the Arts and Humanities Art Bank selection committee, Hillyer Art Space Artist Advisory Committee, and is currently a Millennium Arts Salon board member and has written articles for the International Review of African American Art.

The Nicholson Project

Artist Talk with George Kevin Jordan in conversation with Javis DuBois

2310 Nicholson St SE

General Admission

Free

Add a donation for The Nicholson Project