Axial Theatre Inc

### Context Profile for Axial Theatre Inc

1. **Organization Mission & Cause**:
   - **Mission**: Axial Theatre Inc is dedicated to supporting the professional development of playwrights and actors. The organization focuses on presenting staged workshops, development readings, and full productions to foster artistic growth and innovation in the theater community.
   - **Cause**: Education through the arts, specifically in theater, emphasizing the importance of storytelling and performance as a means of expression and exploration of societal issues.

2. **Type of Activities**:
   - **Events**: The organization hosts staged workshops and development readings, allowing playwrights to refine their works and actors to develop their skills.
   - **Productions**: Full productions of new plays, such as "The Slide Is the Negative," which explores complex themes like art, consent, and ambition.
   - **Community Engagement**: Involvement in the local theater scene, collaborating with various artists and providing a platform for new voices in theater.

3. **Tone of Voice**:
   - The tone of the website and communications is **professional** yet **inspiring**. It conveys a sense of urgency and importance regarding the themes explored in their productions. The language is articulate and engaging, aiming to draw in audiences and participants alike.

4. **Emoji Usage**:
   - The organization does not appear to use emojis in their communications. The tone remains formal and professional, focusing on the content and message rather than casual or playful elements.

5. **Key Facts**:
   - **Founding Info**: Established in 1997, Axial Theatre is currently in its 25th season.
   - **Scale**: The organization has produced numerous full-length plays and staged readings, contributing significantly to the NYC theater landscape.
   - **Impact Metrics**: Specific metrics on audience engagement or community impact are not detailed on the website but can be inferred from the ongoing productions and workshops.
   - **Volunteer Info**: Information regarding volunteer opportunities is not explicitly mentioned on the website, but the ensemble-based model suggests a collaborative approach involving various artists.

6. **Writing Guidelines**:
   - **Style**: Maintain a formal yet engaging tone. Use clear, concise language that reflects the urgency and importance of the themes being addressed in the theater productions.
   - **Content Structure**: Start with a strong hook that captures the essence of the play or event. Use descriptive language to convey the emotional and thematic depth of the productions.
   - **Call to Action**: Encourage engagement through clear calls to action, inviting audiences to attend performances, participate in workshops, or support the organization through donations.

This context profile serves as a foundational guide for crafting personalized and impactful content for Axial Theatre Inc, ensuring alignment with their mission and audience engagement strategies.

LXCL:Suggested donation

GENERAL ADMISSION

THE STORY: On January 20, 2017, Donald J. Trump was sworn in as the 45th president of the United States. Over the next sixteen months, events would unravel that test every American&rsquo;s strength of character: executive actions, an immigration round-up of unprecedented scale, and a declaration of martial law. Rick finds himself caught up as the frontman of the new administration&rsquo;s edicts and loses his humanity. In a play that recalls George Orwell&rsquo;s 1984 and the Nazi regime, BUILDING THE WALL is a terrifying and gripping exploration of what happens if we let fear win. &ldquo;[A] terrifyingly plausible work of dystopian fiction&hellip;Step by step, Schenkkan gets us to see the way the collapse of institutions leads to the collapse of morality and the rule of law.&rdquo; &mdash;Los Angeles Times.<br style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;" id="isPasted" fr-original-style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;"><br style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;" fr-original-style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;">&ldquo;In his mesmerizing two-hander, Schenkkan illustrates the chilling speed at which fascistic tendencies can overtake ordinary Americans.&rdquo; &mdash;The Hollywood Reporter.<br style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;" fr-original-style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;"><br style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;" fr-original-style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;">&ldquo;At present, BUILDING THE WALL sounds far-fetched; one lesson of the first 100 days is that even presidents must operate within legal confines&hellip;but Schenkkan&rsquo;s project puts down a marker declaring that the American theater always can be&mdash;and had better be&mdash;a swift-moving imaginative and intellectual platform.&rdquo; &mdash;Washington Post.<br style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;" fr-original-style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;"><br style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;" fr-original-style="font-size: 16px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-line: none; text-decoration-thickness: auto; text-decoration-style: solid; margin-top: 0px; box-sizing: border-box; max-width: 100%; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: CircularXXWeb, Helvetica, Arial, sans-serif;">&ldquo;There&rsquo;s a hold-your-breath inevitability to what is finally disclosed in BUILDING THE WALL, [a] powerful dystopian drama about life in the Donald Trump era&hellip;what the writer imagines is not so much a fanciful futurist leap but a calculated cautionary tale&hellip;[a] scorcher of a play&hellip;&rdquo; &mdash;Variety. Directed by John HickokWith Dan Walworth and Lauren B. Martin (Axial Theatre Ensemble) Sunday, April 12th5-7pmMichael Howard Studios152 West 25th St10th floorNY, NY 10011 This is a ONE TIME staged reading.No one will be turned away who cannot pay. Your donations are appreciated.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for registering for &quot;Building The &nbsp;Wall&quot; by Robert Schenkkan. We look forward to seeing you on March 15th at 4pm at St John&#39;s Episcopal Church in Pleasantville, NY. Warmly,Cady Cady McClainArtistic Directorcadymcclain@axialtheatre.org

THE STORY: On January 20, 2017, Donald J. Trump was sworn in as the 45th president of the United States. Over the next sixteen months, events would unravel that test every American’s strength of character: executive actions, an immigration round-up of unprecedented scale, and a declaration of martial law. Rick finds himself caught up as the frontman of the new administration’s edicts and loses his humanity. In a play that recalls George Orwell’s 1984 and the Nazi regime, BUILDING THE WALL is a terrifying and gripping exploration of what happens if we let fear win. “[A] terrifyingly plausible work of dystopian fiction…Step by step, Schenkkan gets us to see the way the collapse of institutions leads to the collapse of morality and the rule of law.” —Los Angeles Times. “In his mesmerizing two-hander, Schenkkan illustrates the chilling speed at which fascistic tendencies can overtake ordinary Americans.” —The Hollywood Reporter. “At present, BUILDING THE WALL sounds far-fetched; one lesson of the first 100 days is that even presidents must operate within legal confines…but Schenkkan’s project puts down a marker declaring that the American theater always can be—and had better be—a swift-moving imaginative and intellectual platform.” —Washington Post. “There’s a hold-your-breath inevitability to what is finally disclosed in BUILDING THE WALL, [a] powerful dystopian drama about life in the Donald Trump era…what the writer imagines is not so much a fanciful futurist leap but a calculated cautionary tale…[a] scorcher of a play…” —Variety. Directed by John HickokWith Dan Walworth and Lauren B. Martin (Axial Theatre Ensemble) Sunday, April 12th5-7pmMichael Howard Studios152 West 25th St10th floorNY, NY 10011 This is a ONE TIME staged reading.No one will be turned away who cannot pay. Your donations are appreciated.

Axial Theatre Inc

AXIAL THEATRE Presents a Special Reading of "Building the Wall" by Robert Schenkkan

152 W 25th St

GENERAL ADMISSION

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