Collage - a Place for Art & Culture

### Context Profile for Collage - A Place for Art & Culture

#### 1. Organization Mission & Cause
Collage - A Place for Art & Culture is dedicated to fostering a vibrant community through the arts. Their mission is to provide a welcoming space for artistic expression, cultural events, and community engagement. They aim to enrich the local culture by hosting diverse events that celebrate various art forms, including music, visual arts, and performance.

#### 2. Type of Activities
- **Concerts and Performances**: Regular events like the "Sea Shanty Sing" and "SunDaze Concert" featuring various music genres.
- **Art Exhibitions**: Showcasing local artists and their works.
- **Community Engagement**: Programs designed to involve the local community in artistic activities and cultural discussions.
- **Workshops**: Opportunities for the community to learn and engage in different art forms.

#### 3. Tone of Voice
The tone of voice used by Collage is **friendly, inviting, and community-oriented**. The language is accessible and warm, aiming to create a sense of belonging and enthusiasm for participation in the arts. The communications are often informal yet respectful, encouraging engagement without being overly formal.

#### 4. Emoji Usage
The organization does not appear to use emojis in their communications. Their content maintains a professional appearance, focusing on clear and engaging text without the casual touch that emojis provide.

#### 5. Key Facts
- **Founding Info**: Specific founding details are not explicitly mentioned on the website.
- **Scale**: The organization operates a 49-seat gallery and concert space, indicating a focus on intimate, community-centered events.
- **Impact Metrics**: While specific metrics are not detailed, the organization emphasizes community engagement and participation in the arts.
- **Volunteer Info**: There is no specific mention of volunteer opportunities on the website, but community involvement is a core aspect of their mission.

#### 6. Writing Guidelines
- **Style**: Use a friendly and inviting tone. Avoid overly formal language; instead, opt for conversational phrases that encourage participation.
- **Clarity**: Ensure that all communications are clear and straightforward. Use simple language to make information accessible to all community members.
- **Engagement**: Incorporate calls to action that invite the community to participate in events and activities.
- **Personalization**: Utilize personalization in emails (e.g., addressing recipients by their first names) to foster a connection with the audience.

This context profile provides a comprehensive understanding of Collage - A Place for Art & Culture, enabling AI assistants to generate tailored and effective content that resonates with the organization's mission and audience.

LXCL:Enjoy the full program with access to all main activities.

General Admission

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event in advance - it helps keep down lines on the night of the concert. Doors open half an hour before showtime unless otherwise noted, and refreshments are available before the show and during intermission. If you arrive after the concert starts, please check in quietly and do not walk between the audience and performers.&nbsp;&nbsp;If you are arriving by public transportation, there is a bus stop a block away at the corner of 7th&nbsp;and Pacific. If by car, there are parking lots on 7th&nbsp;or behind the building across the street from our showroom. We do not serve food, but here are Mexican, Italian, Japanese, and other restaurants within blocks of our showroom, so consider dining in the neighborhood.&nbsp;We look forward to seeing you at Collage!

Four visionary performers whose musical explorations span jazz, punk rock, psychedelia, and Americana music come together to present their take on works by musical pioneer Ornette Coleman. Mike Baggetta, Joe Baiza, Matt Crane, and Steuart Liebig present boundless and unique interpretations of music by the saxophonist, composer, and arranger who rocked the jazz world in the 1960’s and continued shaping it into the new century. <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">Experience boundless and unique interpretations of the long-held-dearly music of improviser, composer and saxophonist Ornette Coleman from this new band of genre-defying artists.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">_____<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">Guitarist Joe Baiza is a prolific musician whose work melds punk rock and jazz sensibilities. He is a founding member of the Los Angeles-area bands Saccharine Trust, Universal Congress Of and the Mecolodiacs. He also performed guest guitar spots on several Minutemen tracks and played alongside Black Flag's Greg Ginn and Chuck Dukowski. Baiza substituted for Nels Cline during Mike Watt’s European and American tours behind his second solo album, Contemplating the Engine Room, in 1997 and 1998. Currently, Baiza plays with Saccharine Trust as well as the improvisational unit Unknown Instructors with former Minutemen Mike Watt and George Hurley. Also an accomplished visual artist, Baiza’s work has been exhibited at galleries such as Cornelius Projects in San Pedro, and has graced album covers for the Minutemen and others.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">_____<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">“Mike Baggetta is a player of immense subtlety across all dimensions, working with an impressive palette of tones … distilling Fripp’s loopscapes with hints of John Fahey.”<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">-The Wire, UK<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">“…A terrific player, capable of weirdly elegant fretwork, shivery Verlaine-esque tones, freeform freakouts and crunchy fuzz, shifting from one zone to another with a naturalness and ease.”<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">-Aquarium Drunkard<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">“…vintage twang in service of Americana-meets exploratory Jazz-Psych…”<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">-Rolling Stone<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">“Mike Baggetta makes stealthy, mysterious music …trying to do something personal with collective improvisation without ever getting in the way of beauty.”<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">-New York Times<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">In addition to leading the band mssv, with drummer Stephen Hodges &amp; bassist Mike Watt, through several full length releases, national tours, a few international shows, and some limited releases with special guests Nels Cline, Petra Haden and J Mascis, guitarist Mike Baggetta has also worked with Jim Keltner, David Torn, Psychic Temple, Joseph C. Philips’ Numinous, Imani Uzuri, Jeff Coffin, Henry Kaiser, Rev. Fred Lane, Viktor Krauss and Ruth Brown among many others.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">_____<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">After working with Les McCann for three years, Steuart Liebig went back to school to study Double Bass, Music Theory and Composition, as well as playing in various rock bands, forming BLOC which went on to a critically acclaimed existence in the L.A. club scene recording one album on A&amp;M Records. A parallel interest in free improvisation has led to an involvement with Julius Hemphill, Nels Cline, Wayne Peet, Vinny Golia, G.E. Stinson, Jeff Gauthier, Gregg Bendian and many more. An interest in composition has led to much self-study and approximately twenty pieces ranging from small chamber pieces to full-scale orchestra works with his own ensembles.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">_____<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:14px;width:100%;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;width:100%;box-sizing:inherit;max-width:100%">Born and raised in Los Angeles, drummer and visual artist Matt Crane has been playing percussion since before he was in school. From playing in a fourth grade band on a drum set fabricated out of ice cream bins, to playing punk rock in the early eighties, to discovering jazz and playing along with Ornette Coleman, to performing and attending a voodoo ceremony in Haiti, his musical development has been continual and exponential. Focusing on pure improvisation since the early nineties, he currently continues to collaborate, perform, and record widely with many of the world’s greatest musicians.

Collage - a Place for Art & Culture

Baggetta, Baiza, Crane, & Liebig play Ornette Coleman

731 S Pacific Ave

General Admission

$20

Add a donation for Collage - a Place for Art & Culture