Hosted by

American Petroleum Institute- Houston Chapter

About this event

Sales closed

American Petroleum Institute- Houston Chapter's Silent Auction


Bob Callender: Workin Liberty
$100

Starting bid

SIZE AND MEDIUM: 24” x 36” ; Archival Canvas and Ink, Museum Wrapped DESCRIPTION OF PAINTING: This certifies that this print is an authentic, limited edition print made from an original photograph, captured and enhanced by Bob Callender. This print is hand signed and numbered, and dated by the artist. Only archival materials are used in the creation of this print, to ensure consistent quality for the life of the print. When all Limited Editions run out, the master will be preserved for licensing and other purposes. The artist reserves all copyrights in the work of fine art this certificate accompanies. No reproductions can be made without expressed written permission of the artist.
Bob Callender: Fierce Sky
$100

Starting bid

SIZE AND MEDIUM: 24” x 36” ; Archival Canvas and Ink, Museum Wrapped DESCRIPTION OF PAINTING: This certifies that this print is an authentic, limited edition print made from an original photograph, captured and enhanced by Bob Callender .This print is hand signed and numbered, and dated by the artist. Only archival materials are used in the creation of this print, to ensure consistent quality for the life of the print. When all Limited Editions run out, the master will be preserved for licensing and other purposes. The artist reserves all copyrights in the work of fine art this certificate accompanies. No reproductions can be made without expressed written permission of the artist.
Bob Callender: Yellow Jack
$100

Starting bid

SIZE AND MEDIUM: 55” x 30” ; Archival Canvas and Ink, Museum Wrapped DESCRIPTION OF PAINTING: This certifies that this print is an authentic, limited edition print made from an original photograph, captured and enhanced by Bob Callender. This print is hand signed and numbered, and dated by the artist. Only archival materials are used in the creation of this print, to ensure consistent quality for the life of the print. When all Limited Editions run out, the master will be preserved for licensing and other purposes. The artist reserves all copyrights in the work of fine art this certificate accompanies. No reproductions can be made without expressed written permission of the artist.
Bob Callender: Savannah Sky II
$100

Starting bid

SIZE AND MEDIUM: 17” x 40” ; Archival Canvas and Ink, Museum Wrapped DESCRIPTION OF PAINTING: This certifies that this print is an authentic, limited edition print made from an original photograph, captured and enhanced by Bob Callender. This print is hand signed and numbered, and dated by the artist. Only archival materials are used in the creation of this print, to ensure consistent quality for the life of the print. When all Limited Editions run out, the master will be preserved for licensing and other purposes. The artist reserves all copyrights in the work of fine art this certificate accompanies. No reproductions can be made without expressed written permission of the artist.
Caryn Landauer: MULTI- OIL RIG
$250

Starting bid

“A Fusion Between Original & Digital” Multi color oil rigs. Bright colors that pop out in any setting
Caryn Landauer: MULTI- OIL RIG (WARHOL TYPE) METALLIC SILVER
$525

Starting bid

“A Fusion Between Original & Digital” silver & multi color Premium Giclee’ Metallic Canvas with Archival Ink horizontal
Caryn Landauer: Silver Rig with crackled background further
$575

Starting bid

SIZE AND MEDIUM: 24” w X 32” h x 2” Premium Giclee’ Metallic Gallery Wrapped Canvas with Archival Ink DESCRIPTION OF PAINTING: “A Fusion Between Original & Digital” silver crackled background with blue & black rig and an orange flare
Caryn Landauer: Black, Blue, and Orange
$575

Starting bid

Gallery Wrapped Canvas with Archival Ink DESCRIPTION OF PAINTING: “A Fusion Between Original & Digital” silver background with blue & black rig up close with an orange flare
Caryn Landauer: “Rig Out to Sea”
$675

Starting bid

SIZE AND MEDIUM: 24 x 32 acrylic on wood DESCRIPTION OF PAINTING: Scene of stormy water; grey tones with rig out to sea original painting
Caryn Landauer: MULTI OIL RIG (WARHOL TYPE) METALLIC SILVER
$475

Starting bid

SIZE AND MEDIUM: 21 x 24 Premium Giclee’ Metallic Canvas with Archival Ink mounted & framed DESCRIPTION OF PAINTING: “A Fusion Between Original & Digital” silver & multi color Premium Giclee’ Metallic Canvas with Archival Ink horizontal. Framed in a metal profile.
Caryn Landauer: Vertical Silver Grey Rig with Teal Flare
$475

Starting bid

SIZE AND MEDIUM: 21 w X 24 h Premium Giclee’ Metallic Canvas with Archival Ink mounted & framed DESCRIPTION OF PAINTING: Vertical “A Fusion Between Original & Digital” silver Premium Giclee’ Metallic Canvas with Archival Ink horizontal. Framed in a metal profile.
Caryn Landauer: MULTI- OIL RIG
$400

Starting bid

SIZE AND MEDIUM: mounted 23”h X 29” w Premium Giclee’ canvas with Archival Ink DESCRIPTION OF PAINTING: “A Fusion Between Original & Digital” Multi color oil rigs. Bright colors that pop out in any setting
Francisco C: Drilling rig No. 4 - Prospecting the New Day
$5,700

Starting bid

SIZE AND MEDIUM: 40” x 27” Watercolor on Paper DESCRIPTION OF PAINTING: In "Drilling Rig No. 4 - Prospecting the New Day", this painting is a striking exploration of the interplay between nature and industry, a visual narrative that captures the dawn of a new day in the oilfield. The sky, a canvas of the morning, is the star of the show. It is painted with a mesmerizing blend of warm hues - soft pinks, oranges, and vibrant yellows that stretch across the horizon, signaling the break of a new day. The artist's masterful use of color and light creates a sense of depth and movement in the sky, making it appear as if it's in a constant state of change, much like the industry it overlooks. In the distance, a drilling rig stands tall, its silhouette stark against the colorful backdrop. The rig, depicted in cadmium colors, contrasts beautifully with the earthy tones of the land, creating a visual balance that is both striking and harmonious. Despite its industrial nature, the rig exudes a certain elegance under the artist's skillful hand, its structure a testament to human ingenuity and perseverance. The painting is not just a depiction of a physical location, but a snapshot of a moment - the prospecting of a new day in the oilfield. It invites viewers to contemplate the delicate balance between nature and human intervention, to appreciate the beauty that can be found in both, and to recognize the vital role that the oilfield plays in our lives.
Francisco Carrion: Wellhead Shut-Off Valve Against Blue Sky
$7,500

Starting bid

NAME OF PIECE: Wellhead Shut-Off Valve Against Blue Sky SIZE AND MEDIUM:40” x 27” Watercolor on Paper DESCRIPTION OF PAINTING: "Wellhead Shut-off Valve Against Blue Sky" is an exquisite industrial art painting that masterfully blends the realms of machinery and nature. The focal point of the artwork is a vivid blue shut-off valve, a significant emblem of the oil and gas industry, depicted with remarkable precision. The valve, with its complex design and vibrant hue, is set against the backdrop of a clear, azure sky, creating a striking contrast that is both visually engaging and thought-provoking. The painting is crafted in watercolor, a medium that imparts a certain softness to the otherwise rigid, metallic subject. The artist has adeptly utilized the fluidity of watercolors to blur the boundaries between the industrial and the natural, the man-made and the organic. The blue of the valve seamlessly blends with the blue of the sky, suggesting a symbiosis between industry and nature. Despite its industrial theme, the painting radiates a sense of tranquility. The sky, devoid of any clouds, is serene and peaceful, while the valve, though a symbol of industry, is static and silent. It's as if the painting is beckoning the viewer to find beauty in the mundane, to appreciate the artistry in everyday objects. "Wellhead Shut-off Valve Against Blue Sky" is more than just a painting; it's a commentary on the relationship between industry and nature. It challenges the viewer to see the beauty in the industrial, to recognize the art in the mechanical, and to appreciate the harmony that can exist between the two. It's a testament to the artist's ability to transform the ordinary into the extraordinary, to see the world in a different light, and to express that vision through his art.
Francisco Carrion: The Seven Iron/Steel
$5,500

Starting bid

SIZE AND MEDIUM: 24” x 36” Watercolor on Paper DESCRIPTION OF PAINTING: "The Seven Iron/Steel Sentinels”, is a striking monochrome watercolor masterpiece. It depicts a scene of seven pumpjacks, standing tall and resolute against a backdrop of a beautiful silver-like sky. The pumpjacks, painted with a skill that makes them resemble metallic structures, are the focal point of the scene. They are portrayed as towering, almost sentinel-like figures, their silhouettes stark against the ethereal sky. The artist's use of watercolor lends a unique fluidity to the painting, making the metallic pumpjacks seem almost alive. The silver sky, with its subtle variations in tone, adds a sense of depth and tranquility to the scene. Despite the industrial subject matter, the painting exudes a sense of peace and serenity, a testament to the artist's ability to find beauty in the most unexpected places. An integral part of the painting's allure is its ode to the oil and gas industry and its equipment. The seven pumpjacks, standing as proud sentinels, symbolize the relentless pursuit of energy that powers our world. They are not just machines, but monuments to human ingenuity and our ceaseless quest for progress. The artist's choice to depict these industrial figures in such a poetic light invites viewers to appreciate not just the aesthetic value of the painting, but also the significance of the subject matter. It's a tribute to the unsung heroes of the energy sector, the steel and iron giants that tirelessly extract the resources we often take for granted. The painting serves as a reminder of the beauty that can be found in the most functional of forms, and the harmony that can exist between industry and art."
Francisco Carrion: Rig Overhaul in the North Sea
$6,300

Starting bid

SIZE AND MEDIUM: 22” x 28” Watercolor on Paper DESCRIPTION OF PAINTING: In this captivating watercolor painting, winner of the prestigious “Albers Memorial Award by the Watercolor Art Society – Houston”, the viewer is drawn into the heart of an offshore platform in the North Sea, where the relentless rhythm of industry reverberates through the air. Amidst a backdrop of towering industrial equipment, two oil workers take center stage. The dominant hues of reds, blacks, and browns infuse the scene with a sense of ruggedness and vitality, echoing the robust nature of the oil and gas sector. Amidst this palette of industrial tones, one of the workers stands out in pristine white and orange coveralls, a stark contrast against the backdrop of machinery. The intimidating industrial equipment fills the paper, each intricate detail meticulously rendered. Vertical pipes and machinery hums with purposeful energy. The scene pulsates with urgency as the workers, depicted with painstaking realism, focus intently on their tasks. Their movements are precise yet purposeful, a testament to their expertise and dedication to their craft. Beyond the technical precision of the machinery and the industriousness of the workers, there's an underlying narrative of humanity's symbiotic relationship with industry. The vastness of the sea, though unseen, serves as a reminder of the delicate balance between exploitation and stewardship, inviting contemplation on the role of responsible practices within the oil and gas sector. Through the masterful strokes of watercolor, the artist captures not just a moment in time but also the essence of an entire industry. It's a tribute to the resilience, ingenuity, and interconnectedness that define our modern world, inviting viewers to immerse themselves in the awe-inspiring beauty of industrial magnificence while reflecting on the complexities of our relationship with the energy that fuels our civilization.
Francisco Carrion: Tempest Titan - Gulf's Offshore Guardian
$6,500

Starting bid

SIZE AND MEDIUM: 24” x 36” Watercolor on Paper DESCRIPTION OF PAINTING: Tempest Titan: Gulf's Offshore Guardian. this watercolor painting is a powerful depiction of an offshore oil and gas platform in the Gulf of Mexico, standing resolute amidst a turbulent sea. The artist masterfully uses a palette of subtle orange hues and deep blues to capture the raw intensity of the scene. The orange hues, reminiscent of the setting sun, projects the platform in almost a silhouette, highlighting its intricate structure and emphasizing its imposing presence. This contrasts beautifully with the dark blues that represent the deep waters of the Gulf, their depth and mystery adding a sense of drama to the scene. The platform is depicted as a titan battling high waves, a testament to human ingenuity and resilience in the face of nature's fury. Each stroke of the brush brings to life the relentless motion of the sea and the steadfastness of the platform, creating a dynamic interplay between the elements. Despite the tumultuous environment, the watercolor medium, with its fluidity and softness, lends a dreamlike quality to the scene, softening the harsh realities of offshore life and highlighting the beauty that can be found even in the most challenging circumstances. This painting is not just a visual representation of an offshore platform; it's a narrative of the oil and gas industry's constant battle against the elements, a tribute to the unseen heroes who keep the wheels of progress turning, and a reflection on our complex relationship with the natural world.
Francisco C: An Oil Tanker's Dusk in Houston's Ship Channel
$4,500

Starting bid

SIZE AND MEDIUM: 18”x 24” Watercolor on Paper DESCRIPTION OF PAINTING: An Oil Tanker's Dusk in Houston's Ship Channel", this watercolor painting is a stunning portrayal of a tranquil evening in one of the world's busiest ports. The scene unfolds at dusk, the sky painted with hues of orange that reflect off the calm waters of the ship channel. The artist has masterfully captured the soft glow of the setting sun, the colors blending seamlessly on the paper, creating a sense of warmth and tranquility. Dominating the scene is an oil tanker, docked and seemingly at rest after a day's work. The tanker is rendered in meticulous detail, its massive structure contrasting with the delicate watercolor strokes. Despite its industrial nature, the tanker exudes a certain elegance under the artist's skillful hand, its silhouette standing out against the vibrant backdrop. In the distance, the iconic Houston downtown skyline is visible, its outline faint but unmistakable. The cityscape, though far, feels intimately connected to the foreground, tying together the industrial and urban elements of the painting. The watercolor medium lends a dreamlike quality to the scene, the colors flowing into each other just like the waters of the ship channel. The painting is not just a depiction of a physical location, but a snapshot of a moment, a quiet evening where industry and nature coexist in harmony.
Francisco Carrion: Work at Heights
$11,200

Starting bid

SIZE AND MEDIUM: 36” x 48” x “2 this oil painting is a testament to the extraordinary within the ordinary, a tribute to the unsung heroes of the oilfield. The scene is set against the backdrop of a tank vessel, a symbol of the industry's might and the lifeblood of our modern world. At the heart of the painting is a worker, suspended from a rope and equipped with safety gear. The worker is depicted in meticulous detail, from the protective helmet to the radio used for communication. The artist use of bold strokes, reminiscent of the classic masters, lends a sense of gravity and dignity to the worker, highlighting the courage and dedication required to perform such a task. The painting is not just a visual representation of a worker at height; it's a narrative of the oilfield industry. It's a story of resilience, of man's relentless pursuit of progress, and of the beauty that can be found in the most unexpected places. Through this artwork, the artist invites viewers to appreciate the intricacies and raw power of the oilfield, to recognize the vital role it plays in our lives, and to find beauty in the industrial landscape. It serves as a reminder of the tireless men and women who work in the oilfield, their efforts often overlooked but integral to our daily lives. Work at Heights - Task Accomplished; is a captivating and thought-provoking piece, a celebration of the artistry behind the oilfield and a tribute to those who make it possible.
Francisco Carrion: At Day at the Permian
$5,200

Starting bid

SIZE AND MEDIUM: 36” x 48” x “2 DESCRIPTION OF PAINTING: "A Day at the Permian" is a captivating painting that encapsulates the raw energy and relentless pursuit of the oil industry. The central focus of the artwork is a movable rig, a towering symbol of industrial might, painted in a traditional oilfield red. The rig, with its intricate network of pipes and beams, stands as a testament to human ingenuity and the relentless pursuit of progress. To the side, a white truck is parked, its stark color contrasting with the warm hues of the painting. The truck, though seemingly at rest, hints at the flurry of activity that is absent from the scene. It suggests a hive of activity just out of sight, a bustling energy that is felt rather than seen. The background of the painting stretches out into a vast, arid landscape. The rough, untamed terrain is rendered in warm tones, reflecting the harsh, unforgiving environment in which these oil wells operate. Despite its barrenness, there is a certain beauty in its starkness, a testament to the resilience of nature. The painting, with its warm colors and dynamic composition, creates a sense of action and movement, despite the absence of visible workers. It's as if the machinery itself has come to life, working tirelessly under the harsh sun. The unseen workers, though not physically present in the painting, are felt in every inch of the canvas, their spirit imbued in the machinery they operate.
Oil and Gas Will Win the War
$300

Starting bid

Oil & Gas will win the War Poster.
Story Sloane: Pipeline at Barber Hill
$1,400

Starting bid

SIZE AND MEDIUM: 40” x 63”; print/photography printed on canvas (by door) DESCRIPTION OF PAINTING: Barbers Hill pipeline crew – 40 x 63 inch on canvas – laying a pipeline just north of Houston on Barbers Hill. 1930’s
Story Sloane: Young Wild Catters
$800

Starting bid

SIZE AND MEDIUM: 30” x 40”; photography printed on canvas (side of open wall) DESCRIPTION OF PAINTING: Young Wildcatters – 30 x 40 inch on canvas, two young boys looking to strike it rich. 1928
Story Sloane: The Young Rough Necks
$800

Starting bid

SIZE AND MEDIUM: 30” x 40”; photography printed on black/white canvas (back wall, bottom) DESCRIPTION OF PAINTING: Customer Service – 30 x 40 inch on canvas, Gulf station customers getting the full treatment, 1930s
Story Slaone: Matagorda Board Road
$1,000

Starting bid

SIZE AND MEDIUM: 40” x 50”; photography printed on black/white canvas (back wall, top) DESCRIPTION OF PAINTING: Matagorda Board Road – 40 x 50 inch on canvas, coastal drilling off of Matagorda bay. 1930’s
Story Sloane: Pierce Junction Field
$1,000

Starting bid

SIZE AND MEDIUM: 40” x 50”; photography printed on black/white canvas (middle, top) DESCRIPTION OF PAINTING: Pierce Junction Field – 40 x 50 inch on canvas, the closest oil field to Houston now hosts the location for the Astrodome and Reliant Stadium
Story Sloane: Pierce Junction Crew
$1,000

Starting bid

SIZE AND MEDIUM: 40” x 50”; photography printed on black/white canvas (middle, bottom) DESCRIPTION OF PAINTING: Pierce Junction Crew – 40 x 50 inch on canvas, a group of very tough men working the derrick floor. 1928
Story Sloane: Drilling pipe – looking up
$1,000

Starting bid

SIZE AND MEDIUM: 40” x 50”; photography printed on black & white canvas (middle right wall, top) DESCRIPTION OF PAINTING: Drilling pipe – looking up – 40 x 50 inch on canvas 1930s
Story Sloane: Above the Monkey board
$1,000

Starting bid

SIZE AND MEDIUM: 40” x 50”; photography printed on black and white canvas. (middle right wall, bottom) DESCRIPTION: Above the monkey board – looking down – 40 x 50 inch on canvas 1930’s
Jonlouis Gonzales: Missed Connections
$11,800

Starting bid

This piece is part of Jonloiuis's "Denim: series, where salvaged fabric is sewned together and transformed into art. Made with Acrylic, This particular piece is unique in that it combines two of the artist's signature motifs- the astronaut and the ballerina (2016). Though Visually distinct, these figures share narratives of resilience, strength and innovation, creating a dynamic energy that comes to life on the canvas.

Did you know? We fundraise with Zeffy to ensure 100% of your purchase goes to our mission!