Music at St. James Cathedral

### Context Profile for Music at St. James Cathedral

1. **Organization Mission & Cause:**
   - **Mission:** Music at St. James Cathedral is dedicated to enriching the spiritual and cultural life of the community through music. They aim to provide high-quality musical experiences that inspire and uplift individuals, fostering a deeper connection to the arts and spirituality.
   - **Cause:** The organization focuses on music education and performance, particularly in a sacred context, emphasizing the importance of music in worship and community gatherings.

2. **Type of Activities:**
   - **Concerts and Performances:** Regular concerts featuring local and visiting artists, including sacred music performances.
   - **Educational Programs:** Workshops and educational initiatives aimed at enhancing musical skills and appreciation among community members.
   - **Special Events:** Celebrations such as the 25th anniversary of the Rosales organ, which includes a series of concerts showcasing its capabilities.
   - **Fundraising Campaigns:** Events like ticket sales for concerts, which also include options for donations.

3. **Tone of Voice:**
   - The tone is **friendly**, **inspiring**, and **professional**. Communications are welcoming and aim to engage the community, often using inclusive language that invites participation and appreciation for the arts.
   - The website content is clear and informative, with a focus on the joy and significance of music in both sacred and communal contexts.

4. **Emoji Usage:**
   - The organization does not appear to use emojis in their communications. Their style remains traditional and formal, focusing on clear and respectful language.

5. **Key Facts:**
   - **Founding Info:** Specific founding details were not found on the website, but the organization has been active in promoting music at St. James Cathedral for many years.
   - **Scale:** The organization has hosted 44 total forms and conducted 24 email campaigns, indicating a robust engagement strategy.
   - **Impact Metrics:** While specific metrics were not detailed, the emphasis on community involvement and attendance at events suggests a significant local impact.
   - **Volunteer Info:** Details about volunteer opportunities were not explicitly mentioned, but the community-oriented nature of the organization implies potential for volunteer involvement.

6. **Writing Guidelines:**
   - **Style:** Maintain a friendly yet professional tone, using clear and inclusive language. Avoid jargon and ensure accessibility for all community members.
   - **Structure:** Use concise paragraphs and bullet points where appropriate to enhance readability. Include calls to action that encourage participation in events and support for the organization.
   - **Content Focus:** Highlight the significance of music in spiritual and community life, and emphasize upcoming events and educational opportunities to engage the audience effectively.

This context profile provides a comprehensive overview of Music at St. James Cathedral, enabling AI assistants to generate personalized and relevant content that aligns with the organization's mission and values.

General Admission suggested donation

Student/Senior suggested donation

Please choose the number of pay-what-you-can tickets and then offer the amount you are able to pay in the "Add a donation for St. James Cathedral" box below.

Pay What You Can

<strong style="box-sizing:inherit;font-weight:700;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);font-family:Verdana, Arial;font-size:12px;letter-spacing:normal;text-align:-webkit-left;background-color:rgb(255, 255, 255)">Joseph Adam, Cathedral Organist César Franck Bicentennial Celebration Concert IV<span style="box-sizing:inherit;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.5px;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;font-family:Helvetica;font-size:14px;color:rgb(0, 0, 0)"> Organ works from St. Clotilde, Paris <span style="box-sizing:inherit;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);font-family:Helvetica;font-size:14px;letter-spacing:normal;text-align:-webkit-left;background-color:rgb(255, 255, 255);float:none;display:inline !important">St. James Cathedral Organist and Director of Music Joseph Adam continues on a year-long celebration of the 200th anniversary of the birth of César Franck and his magnificent contributions to the French organ repertoire. In this series of four recitals, Franck's major works are surveyed along with major works by his most important successors at the Basilica of St. Clotilde in Paris. This fourth and final program includes Franck's Choral II in B Minor<span style="box-sizing:inherit;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);font-family:Helvetica;font-size:14px;letter-spacing:normal;text-align:-webkit-left;background-color:rgb(255, 255, 255);float:none;display:inline !important">, Prière in C-sharp Minor<span style="box-sizing:inherit;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);font-family:Helvetica;font-size:14px;letter-spacing:normal;text-align:-webkit-left;background-color:rgb(255, 255, 255);float:none;display:inline !important">, and Pièce héroïque (1878)<span style="box-sizing:inherit;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);font-family:Helvetica;font-size:14px;letter-spacing:normal;text-align:-webkit-left;background-color:rgb(255, 255, 255);float:none;display:inline !important"> as well as a selection from L’orgue Mystique<span style="box-sizing:inherit;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;color:rgb(0, 0, 0);font-family:Helvetica;font-size:14px;letter-spacing:normal;text-align:-webkit-left;background-color:rgb(255, 255, 255);float:none;display:inline !important"> by Charles Tournemire and Trois Pièces by Gabriel Pierné (1863-1937).

Dear <span contenteditable="false" data-custom-variable="{{firstname}}" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Thank you for your ticket donation for the Friday, January 27 Joseph Adam concert at St. James Cathedral. Here is some useful information:   Doors open at 7:00pm. The concert begins at 7:30pm and runs approximately 65 minutes, with no intermission. Location & Where to Enter  The address of the Cathedral is 804 9th Avenue, Seattle, WA 98104.    There are three Cathedral entrances for concerts:   - The Marion Street/Terry Avenue entrance is at the northeast corner of the Cathedral (nearest to O'Dea parking). This entrance is accessible to those with disabilities. The restrooms are located at this entrance. The Box Office is also at this entrance, so there may be long lines.  - The Columbia Street/Courtyard entrance is on the south side of the Cathedral near the Chapel. Accessible via a ramp.   - The 9th Avenue entrance is on the west side of the Cathedral. This entrance is NOT accessible to those who use a wheelchair or have other mobility issues.   Tickets and Seating Please bring a printed or electronic copy (on smartphone or tablet) of your ticket to the concert to be scanned. You may check in at any entrance. If you’re unable to print your ticket and don’t have an electronic device, your name and the number of tickets will be on a printed list at the door (if your ticket was purchased before 5:00pm on the day of the concert).   Concert seating is first come, first served. Please note that some seats, indicated by signs, are reserved for Friends of Cathedral Music donors.   If you or a member of your party has a specific seating need (wheelchair, aisle seat for walker, etc.), please contact us in advance at musicoffice@stjames-cathedral.org or 206-382-4874, and we will make sure that you are accommodated.   Parking Information  - Limited free parking (~65 spaces) is available in the O'Dea High School parking lot, entrances on Marion and Columbia Streets between Terry and Boren Avenues.   - Paid street parking is enforced until 8:00pm.   - Accessible parking is available on the west side of Terry Avenue, between Marion and Columbia.   - There is a small pay lot across the street from the Cathedral on 9th Avenue and a larger pay lot at 711 Madison Street.  Public Transportation  St. James Cathedral is within a few blocks of a number of bus lines and the First Hill Streetcar. The #60 bus stops directly in front on 9th Ave. To plan your trip, visit tripplanner.kingcounty.gov (or 206-553-3000), or maps.google.com and search for Terry Ave and Marion St, Seattle.    Postal Mailing List With this purchase, we’ve added your name and postal address to our mailing list to receive our infrequent postcards and mailers about music events. We will only share your name and address with our resident ensembles for one-time use for concerts that are at St. James Cathedral only. We will not share your information with any other third parties. If you would prefer to opt out of our postal mailing list or do not wish to share your address with resident ensembles, please email us or call 206-382-4874. Email ListWould you like to receive information about future concerts and music events at St. James via email? Visit http://www.stjames-cathedral/music and click on the "Join the Music Mailing List" button at the bottom of the page. Questions  If you have any questions, please call the Music Office at 206-382-4874, or e-mail musicoffice@stjames-cathedral.org. Thank you for your support of Music at St. James Cathedral! --------------------------------------------- Marjorie Bunday Administrative Assistant for Music St. James Cathedral 804 Ninth Avenue Seattle, WA 98104 mbunday@stjames-cathedral.org 206-382-4874

Joseph Adam, Cathedral Organist César Franck Bicentennial Celebration Concert IV Organ works from St. Clotilde, Paris St. James Cathedral Organist and Director of Music Joseph Adam continues on a year-long celebration of the 200th anniversary of the birth of César Franck and his magnificent contributions to the French organ repertoire. In this series of four recitals, Franck's major works are surveyed along with major works by his most important successors at the Basilica of St. Clotilde in Paris. This fourth and final program includes Franck's Choral II in B Minor, Prière in C-sharp Minor, and Pièce héroïque (1878) as well as a selection from L’orgue Mystique by Charles Tournemire and Trois Pièces by Gabriel Pierné (1863-1937).