Black Image Center

### Context Profile for Black Image Center

1. **Organization Mission & Cause**:
   - The Black Image Center (BIC) is dedicated to preserving and promoting Black and Brown histories through community engagement and cultural archiving. Their mission emphasizes the importance of storytelling, memory sharing, and the preservation of personal and family archives, particularly within marginalized communities. They aim to empower individuals to document their histories and foster intergenerational dialogue.

2. **Type of Activities**:
   - BIC organizes events such as community digitization days, where they provide accessible digitization services for personal archives. They also engage in partnerships with local organizations (e.g., Radical Hood Library) to host events that promote cultural preservation. Other activities may include workshops, educational programs, and community storytelling sessions.

3. **Tone of Voice**:
   - The tone of the Black Image Center is friendly, inclusive, and inspiring. Their communication style is approachable, aiming to create a sense of community and empowerment. They use clear and engaging language that encourages participation and emphasizes the importance of cultural heritage.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The tone remains professional and straightforward, focusing on clarity and the significance of their mission rather than casual or playful elements.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but the organization is actively involved in community engagement.
   - **Scale**: BIC has conducted 55 total forms and 43 email campaigns, indicating a robust outreach effort.
   - **Impact Metrics**: While specific metrics were not detailed, the organization focuses on community empowerment and cultural preservation, which can be inferred as significant impacts.
   - **Volunteer Info**: Information about volunteer opportunities was not explicitly mentioned on the website, but community involvement is a key aspect of their activities.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is accessible to a broad audience. Avoid jargon and ensure that the messaging is inclusive.
   - **Engagement**: Encourage community participation and highlight the importance of individual stories and histories.
   - **Structure**: Use short paragraphs and bullet points where appropriate to enhance readability. Maintain a friendly and inviting tone throughout communications.
   - **Call to Action**: Always include a clear call to action, whether it’s to participate in an event, share a story, or support the organization.

This context profile provides a comprehensive understanding of the Black Image Center, enabling AI assistants to generate personalized and relevant content that aligns with the organization's mission and values.

General admission

Next tier

The Black Image, Documented is a panel discussion with 3 working photojournalists about their work, journeys and the basics and responsibility of photojournalism. In a panel discussion, photographers will learn the technical differences between photojournalism, fine art photography and  documentary photography, how to maintain a creative voice while following journalistic guidelines, ethics and the obligation to truth. In a workshop following the conversation, photographers will come to understand the practical foundations of photojournalism by crafting their own photo stories with sample coverage. 🗓️ September 28, 2024⏰  12p to 2p📍 Black Image Center, 3209 La Cienega Blvd. Culver City, CA 90232 This is a panel and workshop for those interested in learning about photojournalism basics,  adding photojournalism to your repertoire of skills, and understanding hard and soft skills needed to work as a photojournalist. Materials needed: iPhone or digital camera and laptop Sliding scale ticket starting at $5 for the link in bio. No one will be turned away for lack of funds. Please follow email instructions on ticket link if you have any questions or concerns About the Panelists Gabriella Angotti-JonesGabriella Angotti-Jones is a documentary photographer based in Los Angeles, CA. One of Artsy’s <a href="https://www.artsy.net/article/artsy-editorial-20-women-new-faces-photojournalism" style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit">emerging photo journalists</a> to watch, Gabriella uses her editorial background to inform her imagery, focusing on found light, intimate, storytelling moments and graphic compositions. Her documentary work focuses on the intersection of race, identity, and environmental justice.She was previously a staff photographer at the L.A. Times, and has worked at papers across the country, including the San Francisco Chronicle, Tampa Bay Times, Las Vegas Review-Journal and New York Times. A book of her work “I Just Wanna Surf” was published and recognized as a selected title for Aperture's Paris Photobook Awards 2022 shortlist. Lexis-Olivier RayLexis-Olivier Ray is an award-winning staff investigative reporter for L.A. TACO known for holding powerful people in Los Angeles accountable and his reporting on Los Angeles culture. As well as an artist and filmmaker. In 2022, the Society of Professional Journalists’ Los Angeles chapter named Ray one of their “distinguished journalists.” This year, Ray won a second place Anthem Award in their Health Innovation category for a texting service geared towards the unhoused community and service providers that he launched in 2021 with L.A. TACO and Subtext. Ray was a 2020 USC Center For Health Journalism (CHJ) Data Fellow. As well as a 2022 CHJ Impact Fellow. As a freelancer, Ray has contributed to the L.A. Times, Men’s Health Magazine, KCET and SFGATE. Jason ArmondJason’s passion and desire is to create compelling visual content rooted in storytelling. Whether it be his work as a photographer, filmmaker or graphic designer, he strives to tell engaging and authentic stories. His work work has been recognized by the College Photographer of the Year Awards, Hearst Journalism Awards, The White House News Photographers Association, Society for News Design and The North Carolina College Media Association. He has freelanced for The New York Times, NPR and several regional publications. Currently, he is a staff photographer at The Los Angeles Times.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you so much for joining us for this panel. Please remember to bring your phone camera or digital camera and a laptop to participate in the workshop. If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Street parking is available on La Cienega Blvd., and there is metered parking on Washington Blvd. Please let us know if you have any questions!  Warmly, BIC Teaminfo@blackimagecenter.org

The Black Image, Documented is a panel discussion with 3 working photojournalists about their work, journeys and the basics and responsibility of photojournalism. In a panel discussion, photographers will learn the technical differences between photojournalism, fine art photography and  documentary photography, how to maintain a creative voice while following journalistic guidelines, ethics and the obligation to truth. In a workshop following the conversation, photographers will come to understand the practical foundations of photojournalism by crafting their own photo stories with sample coverage. 🗓️ September 28, 2024⏰  12p to 2p📍 Black Image Center, 3209 La Cienega Blvd. Culver City, CA 90232 This is a panel and workshop for those interested in learning about photojournalism basics,  adding photojournalism to your repertoire of skills, and understanding hard and soft skills needed to work as a photojournalist. Materials needed: iPhone or digital camera and laptop Sliding scale ticket starting at $5 for the link in bio. No one will be turned away for lack of funds. Please follow email instructions on ticket link if you have any questions or concerns About the Panelists Gabriella Angotti-JonesGabriella Angotti-Jones is a documentary photographer based in Los Angeles, CA. One of Artsy’s <a href="https://www.artsy.net/article/artsy-editorial-20-women-new-faces-photojournalism">emerging photo journalists</a> to watch, Gabriella uses her editorial background to inform her imagery, focusing on found light, intimate, storytelling moments and graphic compositions. Her documentary work focuses on the intersection of race, identity, and environmental justice.She was previously a staff photographer at the L.A. Times, and has worked at papers across the country, including the San Francisco Chronicle, Tampa Bay Times, Las Vegas Review-Journal and New York Times. A book of her work “I Just Wanna Surf” was published and recognized as a selected title for Aperture's Paris Photobook Awards 2022 shortlist. Lexis-Olivier RayLexis-Olivier Ray is an award-winning staff investigative reporter for L.A. TACO known for holding powerful people in Los Angeles accountable and his reporting on Los Angeles culture. As well as an artist and filmmaker. In 2022, the Society of Professional Journalists’ Los Angeles chapter named Ray one of their “distinguished journalists.” This year, Ray won a second place Anthem Award in their Health Innovation category for a texting service geared towards the unhoused community and service providers that he launched in 2021 with L.A. TACO and Subtext. Ray was a 2020 USC Center For Health Journalism (CHJ) Data Fellow. As well as a 2022 CHJ Impact Fellow. As a freelancer, Ray has contributed to the L.A. Times, Men’s Health Magazine, KCET and SFGATE. Jason ArmondJason’s passion and desire is to create compelling visual content rooted in storytelling. Whether it be his work as a photographer, filmmaker or graphic designer, he strives to tell engaging and authentic stories. His work work has been recognized by the College Photographer of the Year Awards, Hearst Journalism Awards, The White House News Photographers Association, Society for News Design and The North Carolina College Media Association. He has freelanced for The New York Times, NPR and several regional publications. Currently, he is a staff photographer at The Los Angeles Times.

Black Image Center

The Black Image, Documented

3209 La Cienega Ave

Next tier

$10

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