Indianapolis Early Music

### Context Profile for Indianapolis Early Music

1. **Organization Mission & Cause**:
   - **Mission**: Indianapolis Early Music (IEM) is dedicated to the performance and promotion of early music, which encompasses a wide range of historical musical styles from the medieval to the baroque periods. Their mission is to foster appreciation for this genre and connect it with contemporary audiences.
   - **Cause**: IEM aims to educate the public about early music through performances, outreach, and educational programs, highlighting the historical significance and beauty of this music.

2. **Type of Activities**:
   - **Events**: IEM hosts a variety of concerts and performances, including livestream events and in-person gatherings. Recent events have featured ensembles such as Ensemble Phoenix Munich and thematic concerts that connect historical music with contemporary themes (e.g., Leonard Cohen).
   - **Fundraising Campaigns**: They engage in fundraising through ticket sales for performances and donations, often allowing patrons to choose their donation amounts.
   - **Community Programs**: IEM likely conducts outreach and educational initiatives to promote early music within the community, although specific programs were not detailed on the website.

3. **Tone of Voice**:
   - The tone of voice on the IEM website is **friendly, inviting, and informative**. The language is accessible, aiming to engage both seasoned classical music lovers and newcomers. The use of exclamation points and direct appeals to the audience creates an enthusiastic atmosphere.

4. **Emoji Usage**:
   - IEM uses emojis sparingly in their communications, primarily in email campaigns to enhance engagement. For instance, they use calendar (📅) and location (📍) emojis to highlight event details, which adds a casual and friendly touch to their messages.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not found on the website.
   - **Scale**: IEM has conducted 25 total forms and 28 email campaigns, indicating a consistent engagement strategy with their audience.
   - **Impact Metrics**: While specific metrics were not provided, the organization appears to have a dedicated following and actively promotes events to engage the community.
   - **Volunteer Info**: There was no specific mention of volunteer opportunities on the website, but such roles may exist in the context of events and outreach.

6. **Writing Guidelines**:
   - **Style**: Maintain a friendly and approachable tone, using clear and concise language. Incorporate elements of storytelling to connect historical music with contemporary themes.
   - **Engagement**: Use direct address (e.g., "Join us," "Don't miss this") to create a sense of community and urgency.
   - **Formatting**: Utilize bullet points or short paragraphs for clarity, especially when detailing events or important information.
   - **Emojis**: Integrate emojis in a limited capacity to enhance engagement without overwhelming the text.

This context profile provides a comprehensive overview of Indianapolis Early Music, focusing on their mission, activities, tone, and communication style to support the creation of personalized and effective content.

Single Ticket for "The Bach & Beethoven Experience - The Story of Pa I Sha",
Friday, June 28th @ 7:30 PM
Indiana History Center
450 West Ohio St., Indianapolis, IN 46202

General admission advance - Single

<div style="position:relative;height:auto;padding:17px;clear:none;color:rgba(23, 23, 23, 0.7);font-family:adobe-garamond-pro;font-size:18px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:inherit"><div style="outline:none;box-sizing:inherit"><div style="outline:none;overflow-wrap:break-word;margin-top:0px;margin-bottom:0px;box-sizing:inherit">Presented by <a href="https://www.indyearlymusic.org/bach-beethoven-experience">The Bach & Beethoven Experience</a>, The Story of Pa I Sha is a through-composed work of Brandi Berry Benson’s original settings and arrangements of hymns, social dances, and traditional songs from the Chickasaw and Choctaw Nations interwoven with English and Choctaw narration.</div></div></div><div style="position:relative;height:auto;padding:17px;clear:both;color:rgba(23, 23, 23, 0.7);font-family:adobe-garamond-pro;font-size:18px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:inherit"><hr /></div><div style="position:relative;height:auto;padding:17px;clear:none;color:rgba(23, 23, 23, 0.7);font-family:adobe-garamond-pro;font-size:18px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:inherit"><div style="outline:none;box-sizing:inherit"><div style="outline:none;overflow-wrap:break-word;margin-top:0px;margin-bottom:0px;box-sizing:inherit"><a href="https://www.indyearlymusic.org/rachael-youngman">Rachael Youngman</a>, narrator & vocalist (tribal affiliation: Choctaw) <a href="https://www.indyearlymusic.org/leihann-daihl-ragusa">Leighann Daihl Ragusa</a>, Native American flute, and traverso <a href="https://www.indyearlymusic.org/brandi-berry-benson">Brandi Berry Benson</a>, BBE Artistic Director and period violin (tribal affiliation: Chickasaw) <a href="https://www.indyearlymusic.org/kiyoe-matsuura">Kiyoe Matsuura</a>, period viola <a href="https://www.indyearlymusic.org/erica-rubis">Erica Rubis</a>, period cello <a href="https://www.indyearlymusic.org/michaela-marchi">Michaela Marchi</a>, Chickasaw/Choctaw indigenous percussion (tribal affiliation: Isleta Pueblo <h3>about the story of pa i sha…</h3><p style="overflow-wrap:break-word;color:rgb(0, 0, 0);font-family:Roboto;font-size:12px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial">As a citizen of the Chickasaw Nation, Artistic Director Brandi Berry Benson grew up looking at her great-great-great-great grandmother Pa I Sha’s portrait, which hung in her living room. Every time she gazed at her, she saw a woman of immense strength who carried the Chickasaw reputation of “unconquered and unconquerable." This musical work is inspired by Pa I Sha and will highlight three major stories in Brandi’s Chickasaw heritage.<p style="overflow-wrap:break-word;color:rgb(0, 0, 0);font-family:Roboto;font-size:12px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial">The first story is about Pa I Sha herself, who was full-blood Chickasaw and walked the Trail of Tears (or, more correctly, called The Removal by the Chickasaw tribe) in 1837 from her home in Mississippi to her new nation in Oklahoma as part of the Indian Removal Act. In Oklahoma, she married her husband, another full-blood Chickasaw, who also walked this trail. The second story is about Pa I Sha’s daughter, Mary Sheco, who was also full-blood Chickasaw, but married an Englishman. Because interracial marriages with the tribe were taboo at the time, they were forced to live in a railroad tent outside of town with their nine children. Their children and grandchildren were discriminated against to the point that some did not declare their full degree of Indian blood, or in some cases, dropped their indigenous identity altogether when required to register. Pa I Sha’s great grandson, Earnest Thaxton, is the last of Brandi’s relatives on the Dawes Rolls from Indian Territory. He was born in Indian territory before Oklahoma became a state in 1906. The third story is about how Brandi’s great grandfather Earnest Thaxton met her great grandmother, Sarah Elvera Tannehill. She had come to Texas from Illinois on a train when she was 12 years old around Christmastime. Her parents had told her that there would be no presents that year, but that they would still celebrate Jesus' birth. When they arrived, her family was invited to dinner by the people of the town and were given presents after all. The girls were given corn husk dolls and the boys were given whittled animals that were made for them. After Earnest moved to the Texas panhandle, he met and married Sarah, who gave birth to Brandi’s maternal grandfather.<p style="overflow-wrap:break-word;margin-bottom:0px;color:rgb(0, 0, 0);font-family:Roboto;font-size:12px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial">In partnership with the <a href="https://mitchellmuseum.org/" target="_blank">Mitchell Museum of the American Indian</a>, the <a href="https://bbexperience.org/#socialmedia" target="_blank">Bach & Beethoven Experience (BBE)</a> will premiere this work with two performances in November 2023 as part of Native American Heritage month. Using melodies from the Chickasaw Nation, the instrumentation of this work will include a narrator/vocalist, flute, Native American flute, violin, viola, cello, and percussion. The narration will be mostly in English, but will include some Chickasaw language in telling these stories. Note: You can change the amount of donation to Zeffy by selecting the box to the right, then "other", then enter your amount from $0-$$$ when checking out.</div></div></div>

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Thank you for your purchase for the 58th Indianapolis Early Music Festival Concert Series. We look forward to seeing you on Friday, June 28, 2024 @ 7:30 PM. Please be sure to print and bring your E-ticket OR have it ready to scan off your phone for admission to the concert. 📭   at 450 West Ohio St, Indianapolis, IN 46202, USA⌚   On <span contenteditable="false" data-custom-variable="{{date-variable-d0adf416-ddff-4d04-92b1-b65738459e21}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date Best wishes,<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1711980493/rzznqiyukrfmajdcaeli.png" style="width:135px;display:block;vertical-align:top;margin:5px auto 5px 0px;text-align:left;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" />Darin Sorleymanager@IndyEarlyMusic.org317-842-4272

<div><div><div>Presented by <a href="https://www.indyearlymusic.org/bach-beethoven-experience">The Bach &amp; Beethoven Experience</a>, The Story of Pa I Sha is a through-composed work of Brandi Berry Benson’s original settings and arrangements of hymns, social dances, and traditional songs from the Chickasaw and Choctaw Nations interwoven with English and Choctaw narration.</div></div></div><div><hr /></div><div><div><div><a href="https://www.indyearlymusic.org/rachael-youngman">Rachael Youngman</a>, narrator &amp; vocalist (tribal affiliation: Choctaw) <a href="https://www.indyearlymusic.org/leihann-daihl-ragusa">Leighann Daihl Ragusa</a>, Native American flute, and traverso <a href="https://www.indyearlymusic.org/brandi-berry-benson">Brandi Berry Benson</a>, BBE Artistic Director and period violin (tribal affiliation: Chickasaw) <a href="https://www.indyearlymusic.org/kiyoe-matsuura">Kiyoe Matsuura</a>, period viola <a href="https://www.indyearlymusic.org/erica-rubis">Erica Rubis</a>, period cello <a href="https://www.indyearlymusic.org/michaela-marchi">Michaela Marchi</a>, Chickasaw/Choctaw indigenous percussion (tribal affiliation: Isleta Pueblo about the story of pa i sha…<p style="overflow-wrap:break-word;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">As a citizen of the Chickasaw Nation, Artistic Director Brandi Berry Benson grew up looking at her great-great-great-great grandmother Pa I Sha’s portrait, which hung in her living room. Every time she gazed at her, she saw a woman of immense strength who carried the Chickasaw reputation of “unconquered and unconquerable." This musical work is inspired by Pa I Sha and will highlight three major stories in Brandi’s Chickasaw heritage.<p style="overflow-wrap:break-word;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">The first story is about Pa I Sha herself, who was full-blood Chickasaw and walked the Trail of Tears (or, more correctly, called The Removal by the Chickasaw tribe) in 1837 from her home in Mississippi to her new nation in Oklahoma as part of the Indian Removal Act. In Oklahoma, she married her husband, another full-blood Chickasaw, who also walked this trail. The second story is about Pa I Sha’s daughter, Mary Sheco, who was also full-blood Chickasaw, but married an Englishman. Because interracial marriages with the tribe were taboo at the time, they were forced to live in a railroad tent outside of town with their nine children. Their children and grandchildren were discriminated against to the point that some did not declare their full degree of Indian blood, or in some cases, dropped their indigenous identity altogether when required to register. Pa I Sha’s great grandson, Earnest Thaxton, is the last of Brandi’s relatives on the Dawes Rolls from Indian Territory. He was born in Indian territory before Oklahoma became a state in 1906. The third story is about how Brandi’s great grandfather Earnest Thaxton met her great grandmother, Sarah Elvera Tannehill. She had come to Texas from Illinois on a train when she was 12 years old around Christmastime. Her parents had told her that there would be no presents that year, but that they would still celebrate Jesus' birth. When they arrived, her family was invited to dinner by the people of the town and were given presents after all. The girls were given corn husk dolls and the boys were given whittled animals that were made for them. After Earnest moved to the Texas panhandle, he met and married Sarah, who gave birth to Brandi’s maternal grandfather.<p style="overflow-wrap:break-word;margin-bottom:0px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">In partnership with the <a href="https://mitchellmuseum.org/" target="_blank">Mitchell Museum of the American Indian</a>, the <a href="https://bbexperience.org/#socialmedia" target="_blank">Bach &amp; Beethoven Experience (BBE)</a> will premiere this work with two performances in November 2023 as part of Native American Heritage month. Using melodies from the Chickasaw Nation, the instrumentation of this work will include a narrator/vocalist, flute, Native American flute, violin, viola, cello, and percussion. The narration will be mostly in English, but will include some Chickasaw language in telling these stories. Note: You can change the amount of donation to Zeffy by selecting the box to the right, then "other", then enter your amount from $0-$$$ when checking out.</div></div></div>

Indianapolis Early Music

Add a donation for Indianapolis Early Music

"The Story of Pa I Sha" presented by The Bach and Beethoven Experience

450 W Ohio St

General admission advance - Single

$25