Friends of the Frost Place

### Context Profile for Friends of the Frost Place

1. **Organization Mission & Cause**:
   - **Mission**: Friends of the Frost Place is dedicated to promoting the appreciation of poetry and the natural world through workshops, readings, and educational programs. They aim to inspire creativity and foster a deeper connection with nature through the art of poetry.
   - **Cause**: The organization emphasizes the importance of nature in poetry and seeks to create a community of writers who explore and express their experiences with the natural environment.

2. **Type of Activities**:
   - **Workshops**: They host various poetry workshops, such as "Writing Nature in Place," which encourages participants to draw inspiration from their surroundings.
   - **Readings**: The organization organizes poetry readings that allow poets to share their work and connect with audiences.
   - **Educational Programs**: They provide educational resources and programs aimed at enhancing the understanding and appreciation of poetry, particularly in relation to nature.

3. **Tone of Voice**:
   - The tone of the website is **friendly, inspiring, and welcoming**. The language is accessible and encourages participation, making it appealing to both novice and experienced poets. The content often evokes a sense of connection to nature and creativity.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. The tone remains professional and focused on the literary aspect of their mission without relying on informal emoji expressions.

5. **Key Facts**:
   - **Founding Info**: The specific founding date is not mentioned on the website.
   - **Scale**: Engages with a community of poets and nature enthusiasts, offering multiple workshops and events throughout the year.
   - **Impact Metrics**: While specific metrics are not provided, the organization highlights participant engagement and community involvement through their events.
   - **Volunteer Info**: The website does not specify volunteer opportunities, but it encourages community involvement and support for their programs.

6. **Writing Guidelines**:
   - **Style**: Use a conversational and inviting tone that reflects a passion for poetry and nature. 
   - **Structure**: Content should be well-organized, with clear headings and engaging descriptions of events and workshops.
   - **Audience Engagement**: Encourage readers to participate in workshops and events, emphasizing the community aspect and the joy of creative expression.
   - **Imagery**: Use vivid and descriptive language that evokes the beauty of nature, aligning with the organization’s mission to connect poetry with the natural world.

This context profile provides a comprehensive understanding of Friends of the Frost Place, enabling AI assistants to generate personalized and relevant content that aligns with the organization’s mission and values.

Tuition

In this course, we will consider the disruptive possibilities of poetry films, hybrid writing, text and image projects, visual poetry, and other cross-genre projects as determined by student interests. &nbsp;Why focus on texts that question and subvert the established categories of writing? &nbsp;For many creative practitioners, the question of genre is inherently a question of power. These beliefs about what texts are legible, what texts are considered legitimate, reflect larger structures of authority in the literary community and in the academy. Poet and critic Sarah Vap writes, &ldquo;I am extremely interested in what is often called hybrid or conceptual within the outstandingly elastic abilities of poetry &ndash; these efforts that pose a challenge to the categories of writing (scholarship, journalism, coding, etc.), asking them to also expand their abilities and considerations and concerns and ways. To democratize.&rdquo; What Vap is suggesting here is that dismantling the categories of writing is a larger ontological and metaphysical challenge to the social order &ndash; it calls into question the values and hierarchies that we impose upon language. Hybridity then could be conceived of as a way of challenging rules but also the people and institutions in power who make those rules. With that in mind, readings will include texts by Kate Greenstreet, Rachel Eliza Griffiths, Naoko Fujimoto, Lisa Huffaker, Iliana Rocha, and many other bold, innovative writers. &nbsp; <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1763094210/wysiwyg/xzmsyywhzizbig2mry6k.jpg" style="width: 173px; display: block; vertical-align: top; margin: 5px auto; text-align: center; position: relative; max-width: 100%; cursor: pointer; padding: 0px 1px; user-select: none; box-sizing: inherit;" fr-original-style="width: 173px; display: block; vertical-align: top; margin: 5px auto; text-align: center;" fr-original-class="fr-draggable"> Kristina Marie Darling is the author of over thirty books, which include recent releases from Bloomsbury, Dzanc, Persea, and Penguin Canada. A twice-awarded Fulbright Scholar, Dr. Darling&rsquo;s work has also been recognized with multiple endowed residences at Yaddo, a Villa Lena Foundation Fellowship, fourteen juried residencies at the American Academy in Rome, where she previously served as an ambassador for recruitment, and a nomination for the Distinguished Visitor Fellowship at the American Academy in Berlin. A prolific educator and public speaker with the Ovation Agency, she has held academic appointments at the University of Zadar in Croatia, the Universidade do Porto, the Universidad Complutense de Madrid, the European Law and Governance School, the Amsterdam School for Cultural Analysis, the University of Cambridge, the American Research Center in Sofia, the Leysin American School in Switzerland, and the Ionion Center for the Arts and Culture in Greece, where she serves as permanent faculty. Dr. Darling teaches in the Maslow Family Graduate Writing Program at Wilkes University, as well as the low-residency creative writing programs at Maharishi International University and Pocket MFA. She spends her summers teaching in Greece, on the islands of Kefalonia and Andros respectively, and her winters in San Michele on the Amalfi Coast.

<span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you so much for registering for Decolonizing the Imagination: Social Justice &amp; Experimental Forms with Kristina Marie Darling.&nbsp; We&#39;ll be in touch with the Zoom link as the date nears.&nbsp; Yours in poetry, Your friends at the Frost Plcae

In this course, we will consider the disruptive possibilities of poetry films, hybrid writing, text and image projects, visual poetry, and other cross-genre projects as determined by student interests.  Why focus on texts that question and subvert the established categories of writing?  For many creative practitioners, the question of genre is inherently a question of power. These beliefs about what texts are legible, what texts are considered legitimate, reflect larger structures of authority in the literary community and in the academy. Poet and critic Sarah Vap writes, “I am extremely interested in what is often called hybrid or conceptual within the outstandingly elastic abilities of poetry – these efforts that pose a challenge to the categories of writing (scholarship, journalism, coding, etc.), asking them to also expand their abilities and considerations and concerns and ways. To democratize.” What Vap is suggesting here is that dismantling the categories of writing is a larger ontological and metaphysical challenge to the social order – it calls into question the values and hierarchies that we impose upon language. Hybridity then could be conceived of as a way of challenging rules but also the people and institutions in power who make those rules. With that in mind, readings will include texts by Kate Greenstreet, Rachel Eliza Griffiths, Naoko Fujimoto, Lisa Huffaker, Iliana Rocha, and many other bold, innovative writers.   <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1763094210/wysiwyg/xzmsyywhzizbig2mry6k.jpg" style="width:173px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit;max-width:100%" /> Kristina Marie Darling is the author of over thirty books, which include recent releases from Bloomsbury, Dzanc, Persea, and Penguin Canada. A twice-awarded Fulbright Scholar, Dr. Darling’s work has also been recognized with multiple endowed residences at Yaddo, a Villa Lena Foundation Fellowship, fourteen juried residencies at the American Academy in Rome, where she previously served as an ambassador for recruitment, and a nomination for the Distinguished Visitor Fellowship at the American Academy in Berlin. A prolific educator and public speaker with the Ovation Agency, she has held academic appointments at the University of Zadar in Croatia, the Universidade do Porto, the Universidad Complutense de Madrid, the European Law and Governance School, the Amsterdam School for Cultural Analysis, the University of Cambridge, the American Research Center in Sofia, the Leysin American School in Switzerland, and the Ionion Center for the Arts and Culture in Greece, where she serves as permanent faculty. Dr. Darling teaches in the Maslow Family Graduate Writing Program at Wilkes University, as well as the low-residency creative writing programs at Maharishi International University and Pocket MFA. She spends her summers teaching in Greece, on the islands of Kefalonia and Andros respectively, and her winters in San Michele on the Amalfi Coast.

Friends of the Frost Place

Decolonizing the Imagination: Social Justice & Experimental Forms with Kristina Marie Darling

Tuition

$150

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