French In Motion

### Context Profile for French In Motion

1. **Organization Mission & Cause**:
   - **Mission**: French In Motion is dedicated to promoting French culture, particularly through cinema and the arts. They aim to create a vibrant community that appreciates and engages with French films and filmmakers.
   - **Cause**: The organization focuses on enhancing cultural understanding and appreciation of French cinema in the United States, fostering connections between filmmakers and audiences.

2. **Type of Activities**:
   - **Events**: French In Motion organizes various events, including film screenings, happy hours, and cultural festivals. Their recent campaign, "Horror Happy Hour," is an example of an event that combines social engagement with film appreciation.
   - **Fundraising Campaigns**: They run campaigns to support their events and initiatives, often tied to specific cultural events like Screamfest LA.
   - **Community Programs**: The organization likely engages in community outreach to promote French films and culture, although specific programs were not detailed on the website.

3. **Tone of Voice**:
   - The tone of voice used by French In Motion is **friendly, inviting, and slightly informal**. They aim to create a welcoming atmosphere for their audience, encouraging participation and engagement. The language is often enthusiastic, especially when promoting events, and they use exclamation points to convey excitement.

4. **Emoji Usage**:
   - French In Motion utilizes emojis in their communications to enhance engagement and convey a casual, friendly tone. Common emojis include:
     - 🕔 (clock) to denote time
     - 📍 (location pin) to indicate event locations
     - Emojis are used sparingly but effectively to add visual interest and emotional connection to their messages.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not found on the website.
   - **Scale**: The organization has conducted 21 total forms and 14 email campaigns, indicating an active engagement strategy.
   - **Impact Metrics**: While specific metrics were not detailed, the organization appears to focus on community engagement and participation in events as key indicators of success.
   - **Volunteer Info**: There was no specific information regarding volunteer opportunities on the website.

6. **Writing Guidelines**:
   - **Style**: Content should be engaging, friendly, and slightly informal. Use exclamation points to convey excitement and enthusiasm.
   - **Structure**: Use clear headings and bullet points for easy readability. Include calls to action that encourage participation in events and support for the organization.
   - **Language**: Maintain a conversational tone, using inclusive language that invites the audience to join in and celebrate French culture.

This context profile provides a comprehensive understanding of French In Motion, enabling AI assistants to create tailored and effective content that resonates with the organization's mission and audience.

LXCL:Enjoy the full program with access to all main activities.

General Admission

LXCL:NYU Students and FIM Members

Free

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1767644462/wysiwyg/kdlobei4grfx1ms7pb0o.jpg" style="width: 307px; display: block; vertical-align: top; margin: 5px auto 5px 0px; text-align: left; cursor: pointer; padding: 0px 1px; user-select: none; position: relative; max-width: 100%; box-sizing: inherit;" fr-original-style="width: 307px; display: block; vertical-align: top; margin: 5px auto 5px 0px; text-align: left;" fr-original-class="fr-draggable"> KABUL CHAOS Intimately filmed over 3 years from the inside, French ambassador to Afghanistan, David Martinon, is the only foreign diplomat to anticipate the coming chaos of the withdrawal of American forces in 2021. He mobilizes every resource to evacuate his staff and hundreds of civilians who now face mortal danger with the return of the Taliban.&nbsp; The screening will be followed by a conversation with Nick Spicer, Europe Editor at NPR, and:<ul fr-original-style="color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; padding-left: 25px;" style="color: rgb(0, 0, 0); font-family: Arial, Helvetica, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; padding-left: 25px; box-sizing: inherit;"><li fr-original-style='margin-left: 15px; font-weight: normal; margin-top: 0px; margin-bottom: 0px; font-family: "DejaVu Sans Condensed", "Liberation Sans", "Nimbus Sans L", "Helvetica Neue", Helvetica, Arial, sans-serif;' style='margin-left: 15px; font-weight: normal; margin-top: 0px; margin-bottom: 0px; font-family: "DejaVu Sans Condensed", "Liberation Sans", "Nimbus Sans L", "Helvetica Neue", Helvetica, Arial, sans-serif; box-sizing: inherit;'>Susannah George,&nbsp;Gulf Bureau Chief at&nbsp;The Washington Post, formerly Afghanistan&ndash;Pakistan Bureau Chief, who covered the fall of the Afghan government and the Taliban&rsquo;s return to power.</li><li fr-original-style='margin-left: 15px; font-weight: normal; margin-top: 0px; margin-bottom: 0px; font-family: "DejaVu Sans Condensed", "Liberation Sans", "Nimbus Sans L", "Helvetica Neue", Helvetica, Arial, sans-serif;' style='margin-left: 15px; font-weight: normal; margin-top: 0px; margin-bottom: 0px; font-family: "DejaVu Sans Condensed", "Liberation Sans", "Nimbus Sans L", "Helvetica Neue", Helvetica, Arial, sans-serif; box-sizing: inherit;'>Ali Yawar Adili, Afghan policy researcher and analyst at NYU&rsquo;s Center on International Cooperation (CIC).</li></ul><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1767645413/wysiwyg/ckuri8fb4p0uzqt2wnpo.jpg" style="width: 298px; display: block; vertical-align: top; margin: 5px auto 5px 0px; text-align: left; cursor: pointer; padding: 0px 1px; user-select: none; position: relative; max-width: 100%; box-sizing: inherit;" fr-original-style="width: 298px; display: block; vertical-align: top; margin: 5px auto 5px 0px; text-align: left;" fr-original-class="fr-draggable"> Democracy on Screen is a monthly documentary and conversation series created by French in Motion in partnership with The John Brademas Center of NYU. Launching in January 2026, the series showcases recent international documentaries that examine democracy as a pillar of human rights, followed by moderated discussions with journalists, filmmakers, and scholars. Each program invites audiences to engage with urgent questions about democratic resilience, press freedom, populism, and global governance -- from Tunisia to Brazil, the United States to Ireland. Set in Washington, D.C., a global hub for international journalism and public debate, Democracy on Screen provides a thoughtful, accessible forum for students, cinephiles, and the wider community to reflect on how democratic systems are challenged, defended, and reimagined around the world. This series is in-person and requires registration. Post-film discussions may be made available online following the event.&nbsp;

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for the Democracy on Screen: KABUL CHAOS screening. We&rsquo;re delighted to have you join us and can&rsquo;t wait to share this film with you. We look forward to seeing you very soon. Warm regards, French In MotionWashington DC Chapter,Laetitia, Aur&eacute;lie et Danielle.washington@frenchinmotion.org

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1767644462/wysiwyg/kdlobei4grfx1ms7pb0o.jpg" style="width:307px;display:block;vertical-align:top;margin:5px auto 5px 0px;text-align:left;cursor:pointer;padding:0px 1px;user-select:none;position:relative;box-sizing:inherit;max-width:100%" /> KABUL CHAOS Intimately filmed over 3 years from the inside, French ambassador to Afghanistan, David Martinon, is the only foreign diplomat to anticipate the coming chaos of the withdrawal of American forces in 2021. He mobilizes every resource to evacuate his staff and hundreds of civilians who now face mortal danger with the return of the Taliban.  The screening will be followed by a conversation with Nick Spicer, Europe Editor at NPR, and:<ul><li>Susannah George, Gulf Bureau Chief at The Washington Post, formerly Afghanistan–Pakistan Bureau Chief, who covered the fall of the Afghan government and the Taliban’s return to power.</li><li>Ali Yawar Adili, Afghan policy researcher and analyst at NYU’s Center on International Cooperation (CIC).</li></ul><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1767645413/wysiwyg/ckuri8fb4p0uzqt2wnpo.jpg" style="width:298px;display:block;vertical-align:top;margin:5px auto 5px 0px;text-align:left;cursor:pointer;padding:0px 1px;user-select:none;position:relative;box-sizing:inherit;max-width:100%" /> Democracy on Screen is a monthly documentary and conversation series created by French in Motion in partnership with The John Brademas Center of NYU. Launching in January 2026, the series showcases recent international documentaries that examine democracy as a pillar of human rights, followed by moderated discussions with journalists, filmmakers, and scholars. Each program invites audiences to engage with urgent questions about democratic resilience, press freedom, populism, and global governance -- from Tunisia to Brazil, the United States to Ireland. Set in Washington, D.C., a global hub for international journalism and public debate, Democracy on Screen provides a thoughtful, accessible forum for students, cinephiles, and the wider community to reflect on how democratic systems are challenged, defended, and reimagined around the world. This series is in-person and requires registration. Post-film discussions may be made available online following the event.

French In Motion

Democracy on Screen - KABUL CHAOS

1307 L St NW

General Admission

$15

Free

Free