French In Motion

### Context Profile for French In Motion

1. **Organization Mission & Cause**:
   - **Mission**: French In Motion is dedicated to promoting French culture, particularly through cinema and the arts. They aim to create a vibrant community that appreciates and engages with French films and filmmakers.
   - **Cause**: The organization focuses on enhancing cultural understanding and appreciation of French cinema in the United States, fostering connections between filmmakers and audiences.

2. **Type of Activities**:
   - **Events**: French In Motion organizes various events, including film screenings, happy hours, and cultural festivals. Their recent campaign, "Horror Happy Hour," is an example of an event that combines social engagement with film appreciation.
   - **Fundraising Campaigns**: They run campaigns to support their events and initiatives, often tied to specific cultural events like Screamfest LA.
   - **Community Programs**: The organization likely engages in community outreach to promote French films and culture, although specific programs were not detailed on the website.

3. **Tone of Voice**:
   - The tone of voice used by French In Motion is **friendly, inviting, and slightly informal**. They aim to create a welcoming atmosphere for their audience, encouraging participation and engagement. The language is often enthusiastic, especially when promoting events, and they use exclamation points to convey excitement.

4. **Emoji Usage**:
   - French In Motion utilizes emojis in their communications to enhance engagement and convey a casual, friendly tone. Common emojis include:
     - 🕔 (clock) to denote time
     - 📍 (location pin) to indicate event locations
     - Emojis are used sparingly but effectively to add visual interest and emotional connection to their messages.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not found on the website.
   - **Scale**: The organization has conducted 21 total forms and 14 email campaigns, indicating an active engagement strategy.
   - **Impact Metrics**: While specific metrics were not detailed, the organization appears to focus on community engagement and participation in events as key indicators of success.
   - **Volunteer Info**: There was no specific information regarding volunteer opportunities on the website.

6. **Writing Guidelines**:
   - **Style**: Content should be engaging, friendly, and slightly informal. Use exclamation points to convey excitement and enthusiasm.
   - **Structure**: Use clear headings and bullet points for easy readability. Include calls to action that encourage participation in events and support for the organization.
   - **Language**: Maintain a conversational tone, using inclusive language that invites the audience to join in and celebrate French culture.

This context profile provides a comprehensive understanding of French In Motion, enabling AI assistants to create tailored and effective content that resonates with the organization's mission and audience.

LXCL:Enjoy the full program with access to all main activities.

General Admission

LXCL:NYU Students and FIM Members

FREE

As part of Democracy on Screen, the monthly documentary and conversation series by French in Motion organized in partnership with NYU&rsquo;s John Brademas Center, we are pleased to present a special screening of DEMOCRACY UNDER SIEGE. The screening will be followed by a Q&amp;A with director Laura Nix and protagonist Ann Telnaes, former editorial cartoonist for The Washington Post, and Claire Lupa Chandler, co-producer. The discussion will be moderated by Mark Maxey.&nbsp; Mark MAXEY: Mark Maxey is an Emmy Award-winning producer at Rolling Pictures whose recent films include Words of War with co-produced with Sean Penn, and Space Oddity starring Kevin Bacon.Beyond his production work, Mark is deeply engaged in industry and philanthropic leadership: he has served on the national board of the Producers Guild of America, co-chairs PGA Capital, and is a national member of the Television Academy. He is also co-founder and chairman emeritus of the Washington West Film Festival, and serves on the boards of Women in Film &amp; Video. His latest film, Words of War (2025), is a biographical political thriller that highlights the essential role of a free press in holding authoritarian regimes accountable, through the story of Russian journalist and human rights activist Anna Politkovskaya. Laura NIX:<br style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; box-sizing: inherit;" id="isPasted" fr-original-style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Laura Nix is a director, writer, and producer working in non-fiction and fiction. She is known for her films Inventing Tomorrow (2018 Sundance Premiere), The Yes Men Are Revolting (2014), The Light In Her Eyes (2011), Whether You Like It Or Not: The Story of Hedwig (2003), and The Politics Of Fur (2002).<br style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; box-sizing: inherit;" fr-original-style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"><br style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; box-sizing: inherit;" fr-original-style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Ann Telnaes:<br style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; box-sizing: inherit;" fr-original-style="color: rgb(13, 13, 13); font-family: &quot;Open Sans&quot;; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: pre-wrap; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Ann Telnaes creates editorial cartoons in various mediums &mdash; animation, visual essays, live sketches, and traditional print. She has won the Pulitzer Prize twice for her editorial cartoons in 2001 and 2025. Ann was awarded the National Cartoonists Society&rsquo;s Reuben for Outstanding Cartoonist of the Year in 2016 and the international EWK Award, named after the legendary Swedish cartoonist Ewert Karlsson, in 2021. &nbsp;Ann was also awarded theHerblock Prize for editorial cartooning in 2023. &nbsp;After working for The Washington Post for over sixteen years, Telnaes resigned after a cartoon she submitted was rejected because it criticized billionaire tech and media executives, including Jeff Bezos, for trying to curry favor with President Trump. Claire Lupa Chandler: Claire Lupa Chandler is a New York based documentary producer and editor. She collaborated with celebrated director Nancy Buirski on her latest films, including as a Co-Producer of DESPERATE SOULS, DARK CITY AND THE LEGEND OF MIDNIGHT COWBOY (Kino Lorber/Zeitgiest), which was shortlisted for the Best Documentary Academy Award. She produced Buirski&rsquo;s A CRIME ON THE BAYOU (Starz) and THE RAPE OF RECY TAYLOR (Starz), and was Co-Producer of BY SIDNEY LUMET (PBS American Masters.) She edited the feature docs FATHER&rsquo;S KINGDOM and THE YES MEN ARE REVOLTING, directed by Laura Nix. The filmAs 2025 unfolds, the American democratic ideal continues to face profound stress tests. In&nbsp;Democracy Under Siege, director&nbsp;Laura Nix&nbsp;takes a rigorous and timely look at the structural pressures, political dynamics, and institutional fragilities shaping the current moment.The film examines the assumptions underlying democratic stability and asks what happens when long-standing norms are challenged from within. Among those featured is&nbsp;Ann Telnaes, former editorial cartoonist for&nbsp;The Washington Post, whose recent resignation over the censorship of one of her submissions sparked national debate about press independence, ownership influence, and the boundaries of editorial freedom.With precision and urgency, Nix&rsquo;s film invites audiences to confront difficult questions about public trust, accountability, and the resilience of democratic institutions. --Open to all | Free for students and French in Motion membersPlease note: registration closes 24 hours before the event.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Laetitia Doylefim@frenchinmotion.org

As part of Democracy on Screen, the monthly documentary and conversation series by French in Motion organized in partnership with NYU’s John Brademas Center, we are pleased to present a special screening of DEMOCRACY UNDER SIEGE. The screening will be followed by a Q&amp;A with director Laura Nix and protagonist Ann Telnaes, former editorial cartoonist for The Washington Post, and Claire Lupa Chandler, co-producer. The discussion will be moderated by Mark Maxey.  Mark MAXEY: Mark Maxey is an Emmy Award-winning producer at Rolling Pictures whose recent films include Words of War with co-produced with Sean Penn, and Space Oddity starring Kevin Bacon.Beyond his production work, Mark is deeply engaged in industry and philanthropic leadership: he has served on the national board of the Producers Guild of America, co-chairs PGA Capital, and is a national member of the Television Academy. He is also co-founder and chairman emeritus of the Washington West Film Festival, and serves on the boards of Women in Film &amp; Video. His latest film, Words of War (2025), is a biographical political thriller that highlights the essential role of a free press in holding authoritarian regimes accountable, through the story of Russian journalist and human rights activist Anna Politkovskaya. Laura NIX: Laura Nix is a director, writer, and producer working in non-fiction and fiction. She is known for her films Inventing Tomorrow (2018 Sundance Premiere), The Yes Men Are Revolting (2014), The Light In Her Eyes (2011), Whether You Like It Or Not: The Story of Hedwig (2003), and The Politics Of Fur (2002). Ann Telnaes: Ann Telnaes creates editorial cartoons in various mediums — animation, visual essays, live sketches, and traditional print. She has won the Pulitzer Prize twice for her editorial cartoons in 2001 and 2025. Ann was awarded the National Cartoonists Society’s Reuben for Outstanding Cartoonist of the Year in 2016 and the international EWK Award, named after the legendary Swedish cartoonist Ewert Karlsson, in 2021.  Ann was also awarded theHerblock Prize for editorial cartooning in 2023.  After working for The Washington Post for over sixteen years, Telnaes resigned after a cartoon she submitted was rejected because it criticized billionaire tech and media executives, including Jeff Bezos, for trying to curry favor with President Trump. Claire Lupa Chandler: Claire Lupa Chandler is a New York based documentary producer and editor. She collaborated with celebrated director Nancy Buirski on her latest films, including as a Co-Producer of DESPERATE SOULS, DARK CITY AND THE LEGEND OF MIDNIGHT COWBOY (Kino Lorber/Zeitgiest), which was shortlisted for the Best Documentary Academy Award. She produced Buirski’s A CRIME ON THE BAYOU (Starz) and THE RAPE OF RECY TAYLOR (Starz), and was Co-Producer of BY SIDNEY LUMET (PBS American Masters.) She edited the feature docs FATHER’S KINGDOM and THE YES MEN ARE REVOLTING, directed by Laura Nix. The filmAs 2025 unfolds, the American democratic ideal continues to face profound stress tests. In Democracy Under Siege, director Laura Nix takes a rigorous and timely look at the structural pressures, political dynamics, and institutional fragilities shaping the current moment.The film examines the assumptions underlying democratic stability and asks what happens when long-standing norms are challenged from within. Among those featured is Ann Telnaes, former editorial cartoonist for The Washington Post, whose recent resignation over the censorship of one of her submissions sparked national debate about press independence, ownership influence, and the boundaries of editorial freedom.With precision and urgency, Nix’s film invites audiences to confront difficult questions about public trust, accountability, and the resilience of democratic institutions. --Open to all | Free for students and French in Motion membersPlease note: registration closes 24 hours before the event.

French In Motion

Democracy on Screen - Democracy Under Siege

1307 L St NW

General Admission

$15

FREE

Free

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