French In Motion

### Context Profile for French In Motion

1. **Organization Mission & Cause**:
   - **Mission**: French In Motion is dedicated to promoting French culture, particularly through cinema and the arts. They aim to create a vibrant community that appreciates and engages with French films and filmmakers.
   - **Cause**: The organization focuses on enhancing cultural understanding and appreciation of French cinema in the United States, fostering connections between filmmakers and audiences.

2. **Type of Activities**:
   - **Events**: French In Motion organizes various events, including film screenings, happy hours, and cultural festivals. Their recent campaign, "Horror Happy Hour," is an example of an event that combines social engagement with film appreciation.
   - **Fundraising Campaigns**: They run campaigns to support their events and initiatives, often tied to specific cultural events like Screamfest LA.
   - **Community Programs**: The organization likely engages in community outreach to promote French films and culture, although specific programs were not detailed on the website.

3. **Tone of Voice**:
   - The tone of voice used by French In Motion is **friendly, inviting, and slightly informal**. They aim to create a welcoming atmosphere for their audience, encouraging participation and engagement. The language is often enthusiastic, especially when promoting events, and they use exclamation points to convey excitement.

4. **Emoji Usage**:
   - French In Motion utilizes emojis in their communications to enhance engagement and convey a casual, friendly tone. Common emojis include:
     - 🕔 (clock) to denote time
     - 📍 (location pin) to indicate event locations
     - Emojis are used sparingly but effectively to add visual interest and emotional connection to their messages.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not found on the website.
   - **Scale**: The organization has conducted 21 total forms and 14 email campaigns, indicating an active engagement strategy.
   - **Impact Metrics**: While specific metrics were not detailed, the organization appears to focus on community engagement and participation in events as key indicators of success.
   - **Volunteer Info**: There was no specific information regarding volunteer opportunities on the website.

6. **Writing Guidelines**:
   - **Style**: Content should be engaging, friendly, and slightly informal. Use exclamation points to convey excitement and enthusiasm.
   - **Structure**: Use clear headings and bullet points for easy readability. Include calls to action that encourage participation in events and support for the organization.
   - **Language**: Maintain a conversational tone, using inclusive language that invites the audience to join in and celebrate French culture.

This context profile provides a comprehensive understanding of French In Motion, enabling AI assistants to create tailored and effective content that resonates with the organization's mission and audience.

LXCL:Enjoy the full program with access to all main activities.

General Admission

LXCL:NYU Students and FIM Members / Please bring student ID and proof of membership

FREE

The monthly documentary and conversation series created by French in Motion in partnership with NYU&rsquo;s John Brademas Center returns with a special screening of&nbsp;Words of War. Screening followed by a discussion with producer Mark Maxey and Paul Beckett, Senior Editor at @TheAtlantic. The filmWords of War&nbsp;(2025) is a biographical drama directed by James Strong, starring Maxine Peake as Anna Politkovskaya, the fearless Russian journalist who exposed atrocities during the Chechen Wars. Released in May 2025, the film dramatizes her fight for an independent press against the Russian government, highlighting her life and death.<br style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" id="isPasted" fr-original-style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"><br style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">In recognition of World Press Freedom Day, this special screening of Words of War reflects on the vital role of journalists in safeguarding truth, accountability, and democratic values. Observed globally each year on May 3, the day underscores the importance of a free and independent press&mdash;and the risks faced by those who report in the public interest. This program invites audiences to engage with these themes through film and conversation at a moment when press freedom remains under threat worldwide.<p fr-original-style="margin: 0px; line-height: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-feature-settings: normal; min-height: 29px;" style="margin: 0px; line-height: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-feature-settings: normal; min-height: 29px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"> The speakers<p fr-original-style="margin: 0px; line-height: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-feature-settings: normal; min-height: 29px;" style="margin: 0px; line-height: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-feature-settings: normal; min-height: 29px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);">Paul Beckett is a senior editor at The Atlantic and a veteran journalist with more than 25 years at The Wall Street Journal. He played a leading role in the international campaign to secure the release of WSJ reporter Evan Gershkovich, who was wrongfully detained in Russia, an effort that drew international attention to press freedom.Prior to his role as assistant editor at The Wall Street Journal, Paul was the Washington bureau chief, responsible for news across politics and government, economics, national security, the Supreme Court, financial regulation and the intersection of business and Washington.Before taking the helm of the Washington bureau in 2017, Paul was Asia editor, in charge of the Journal&rsquo;s print and digital editorial operations across the region.He moved to Hong Kong in 2013 after six years as South Asia editor, based in New Delhi, where he started WSJ&rsquo;s India Real Time blog and its India news website, india.wsj.com.In 2008, Paul and the bureau won an Overseas Press Club award for their India coverage. In July 2013, he was co-author of the HarperCollins book &ldquo;Crimes Against Women: Three Tragedies and the Call for Reform in India,&rdquo; a compilation of WSJ&rsquo;s reporting on women&rsquo;s issues in 2012 and 2013.Born and bred in Scotland and a graduate of Edinburgh University, Paul joined Dow Jones in 1990 at the Daily News of Newburyport, Mass., then part of Dow Jones&rsquo;s community newspaper chain. He joined Dow Jones Newswires in 1993 and reported from New York, London, Mexico City and Washington, D.C. He joined the Journal in 1998 in New York, where he covered banking. In 2003, he moved to London as bureau chief and European finance and markets editor. Mark Maxey is an Emmy award-winning producer and executive at Rolling Pictures - a motion picture company in Burbank delivering development, packaging, production and editorial services for film and television.<br style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" id="isPasted" fr-original-style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Recent productions include the political thriller Words of War with Sean Penn and starring Jason Isaacs, Ciar&aacute;n Hinds, Ben Miles, Maxine Peake, directed by James Strong; Space Oddity directed by Kyra Sedgwick and starring Kevin Bacon, Alexandra Shipp, Kyle Allen and Carrie Preston; Mayim Bialik&#39;s directorial debut As They Made Us starring Dustin Hoffman, Candice Bergen, Dianna Agron, and Simon Helberg; Rare Objects directed by and starring Katie Holmes with Alan Cumming, Julia Mayorga and Derek Luke; and the documentary film Up to Snuff which Maxey wrote, directed and produced, featuring Aaron Sorkin, Martin Sheen, Tom Arnold, Timothy Busfield, Ed Asner, Lawrence O&#39;Donnell, and W.G. Snuffy Walden. Executive producer credits include The Kill Room starring Samuel L. Jackson, Uma Thurman and Maya Hawke, directed by Nicol Paone.<br style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Maxey&#39;s work in television includes producing critically acclaimed programs such as American Valor, The Honors: A Salute to American Heroes, National Memorial Day Parade, and On Stage at the Kennedy Center with the late Marvin Hamlisch. His work has been seen on ABC, CBS, CNN, Discovery, FOX, MSNBC, MTV, NBC, and PBS.<br style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" fr-original-style="box-sizing: border-box; border: 0px solid; margin: 0px; padding: 0px; color: rgb(11, 11, 11); font-family: &quot;NYU Perstare&quot;, NYUPerstare, &quot;helvetica neue&quot;, helvetica, Cantarell, Ubuntu, roboto, noto, arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Maxey has served on the national board of directors of the Producers Guild of America, co-chairs PGA Capital, and is a national member of the Television Academy. Maxey is co-founder and chairman emeritus of the Washington West Film Festival, the only film festival to donate 100% of box office proceeds to help at-risk youth and families in need. Maxey serves on the boards of Women in Film &amp; Video, Artistic Fuel Foundation, and the Rock &amp; Roll for Children Foundation benefiting families fighting pediatric cancer at the Children&#39;s Inn at the National Institutes of Health.---Open to all | Free for students and French in Motion membersPlease note: registration closes 24 hours before the event.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Laetitia Doylefim@frenchinmotion.org

The monthly documentary and conversation series created by French in Motion in partnership with NYU’s John Brademas Center returns with a special screening of Words of War. Screening followed by a discussion with producer Mark Maxey and Paul Beckett, Senior Editor at @TheAtlantic. The filmWords of War (2025) is a biographical drama directed by James Strong, starring Maxine Peake as Anna Politkovskaya, the fearless Russian journalist who exposed atrocities during the Chechen Wars. Released in May 2025, the film dramatizes her fight for an independent press against the Russian government, highlighting her life and death. In recognition of World Press Freedom Day, this special screening of Words of War reflects on the vital role of journalists in safeguarding truth, accountability, and democratic values. Observed globally each year on May 3, the day underscores the importance of a free and independent press—and the risks faced by those who report in the public interest. This program invites audiences to engage with these themes through film and conversation at a moment when press freedom remains under threat worldwide.<p style="margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:29px;width:100%;box-sizing:inherit;max-width:100%"> The speakers<p style="margin:0px;line-height:normal;font-kerning:auto;font-variant-alternates:normal;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;min-height:29px;width:100%;box-sizing:inherit;max-width:100%">Paul Beckett is a senior editor at The Atlantic and a veteran journalist with more than 25 years at The Wall Street Journal. He played a leading role in the international campaign to secure the release of WSJ reporter Evan Gershkovich, who was wrongfully detained in Russia, an effort that drew international attention to press freedom.Prior to his role as assistant editor at The Wall Street Journal, Paul was the Washington bureau chief, responsible for news across politics and government, economics, national security, the Supreme Court, financial regulation and the intersection of business and Washington.Before taking the helm of the Washington bureau in 2017, Paul was Asia editor, in charge of the Journal’s print and digital editorial operations across the region.He moved to Hong Kong in 2013 after six years as South Asia editor, based in New Delhi, where he started WSJ’s India Real Time blog and its India news website, india.wsj.com.In 2008, Paul and the bureau won an Overseas Press Club award for their India coverage. In July 2013, he was co-author of the HarperCollins book “Crimes Against Women: Three Tragedies and the Call for Reform in India,” a compilation of WSJ’s reporting on women’s issues in 2012 and 2013.Born and bred in Scotland and a graduate of Edinburgh University, Paul joined Dow Jones in 1990 at the Daily News of Newburyport, Mass., then part of Dow Jones’s community newspaper chain. He joined Dow Jones Newswires in 1993 and reported from New York, London, Mexico City and Washington, D.C. He joined the Journal in 1998 in New York, where he covered banking. In 2003, he moved to London as bureau chief and European finance and markets editor. Mark Maxey is an Emmy award-winning producer and executive at Rolling Pictures - a motion picture company in Burbank delivering development, packaging, production and editorial services for film and television. Recent productions include the political thriller Words of War with Sean Penn and starring Jason Isaacs, Ciarán Hinds, Ben Miles, Maxine Peake, directed by James Strong; Space Oddity directed by Kyra Sedgwick and starring Kevin Bacon, Alexandra Shipp, Kyle Allen and Carrie Preston; Mayim Bialik's directorial debut As They Made Us starring Dustin Hoffman, Candice Bergen, Dianna Agron, and Simon Helberg; Rare Objects directed by and starring Katie Holmes with Alan Cumming, Julia Mayorga and Derek Luke; and the documentary film Up to Snuff which Maxey wrote, directed and produced, featuring Aaron Sorkin, Martin Sheen, Tom Arnold, Timothy Busfield, Ed Asner, Lawrence O'Donnell, and W.G. Snuffy Walden. Executive producer credits include The Kill Room starring Samuel L. Jackson, Uma Thurman and Maya Hawke, directed by Nicol Paone. Maxey's work in television includes producing critically acclaimed programs such as American Valor, The Honors: A Salute to American Heroes, National Memorial Day Parade, and On Stage at the Kennedy Center with the late Marvin Hamlisch. His work has been seen on ABC, CBS, CNN, Discovery, FOX, MSNBC, MTV, NBC, and PBS. Maxey has served on the national board of directors of the Producers Guild of America, co-chairs PGA Capital, and is a national member of the Television Academy. Maxey is co-founder and chairman emeritus of the Washington West Film Festival, the only film festival to donate 100% of box office proceeds to help at-risk youth and families in need. Maxey serves on the boards of Women in Film &amp; Video, Artistic Fuel Foundation, and the Rock &amp; Roll for Children Foundation benefiting families fighting pediatric cancer at the Children's Inn at the National Institutes of Health.---Open to all | Free for students and French in Motion membersPlease note: registration closes 24 hours before the event.

French In Motion

WORDS OF WAR

1307 L St NW

General Admission

$15

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Free

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