Black Image Center

### Context Profile for Black Image Center

1. **Organization Mission & Cause**:
   - The Black Image Center (BIC) is dedicated to preserving and promoting Black and Brown histories through community engagement and cultural archiving. Their mission emphasizes the importance of storytelling, memory sharing, and the preservation of personal and family archives, particularly within marginalized communities. They aim to empower individuals to document their histories and foster intergenerational dialogue.

2. **Type of Activities**:
   - BIC organizes events such as community digitization days, where they provide accessible digitization services for personal archives. They also engage in partnerships with local organizations (e.g., Radical Hood Library) to host events that promote cultural preservation. Other activities may include workshops, educational programs, and community storytelling sessions.

3. **Tone of Voice**:
   - The tone of the Black Image Center is friendly, inclusive, and inspiring. Their communication style is approachable, aiming to create a sense of community and empowerment. They use clear and engaging language that encourages participation and emphasizes the importance of cultural heritage.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The tone remains professional and straightforward, focusing on clarity and the significance of their mission rather than casual or playful elements.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but the organization is actively involved in community engagement.
   - **Scale**: BIC has conducted 55 total forms and 43 email campaigns, indicating a robust outreach effort.
   - **Impact Metrics**: While specific metrics were not detailed, the organization focuses on community empowerment and cultural preservation, which can be inferred as significant impacts.
   - **Volunteer Info**: Information about volunteer opportunities was not explicitly mentioned on the website, but community involvement is a key aspect of their activities.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is accessible to a broad audience. Avoid jargon and ensure that the messaging is inclusive.
   - **Engagement**: Encourage community participation and highlight the importance of individual stories and histories.
   - **Structure**: Use short paragraphs and bullet points where appropriate to enhance readability. Maintain a friendly and inviting tone throughout communications.
   - **Call to Action**: Always include a clear call to action, whether it’s to participate in an event, share a story, or support the organization.

This context profile provides a comprehensive understanding of the Black Image Center, enabling AI assistants to generate personalized and relevant content that aligns with the organization's mission and values.

Your donation will help to maintain the infrastructure, education, and tools that we are creating to uplift and empower Black storytellers. From the offering of educational programming and workshops to free equipment rentals and access to film, BIC is a labor of love that is created for and supported by our community. By donating to Black Image Center, you will allow for us to continue supporting this generation of Black storytellers and the next. Like all Black Image Center offerings, we never want cost to be a boundary so please email us at info@blackimagecenter.org if cost is an issue.

General admission

Black Image Center and Black Revivalist are proud to present a night of black cinema made in the mid to late ‘60s. David Schickele’s 𝐵𝓊𝓈𝒽𝓂𝒶𝓃 (1971) and Melvin Van Peebles’s 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈 (1967). Set mostly in 1968, 𝐵𝓊𝓈𝒽𝓂𝒶𝓃 is a part documentary, part imagined tale of a young Nigerian immigrant who relocates to San Francisco and tries to adjust to living in America as a black man. “The result is a vibrant snapshot of the nation's racial politics, from interracial romance to cross-cultural misunderstandings and countercultural joy.” The film was recently rediscovered and restored by the University of California, Berkeley Art Museum and Pacific Film Archive and The Film Foundation. Milestone Films and Kino Lorber will be releasing the film on Blu-Ray and DVD next month. 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈 follows a black U.S. soldier stationed in France after receiving a promotion and three days leave from his base. He explores Paris and becomes enamored with a French white woman he meets at a nightclub. “Channeling the brash exuberance of the French New Wave, Van Peebles [in his feature film debut] creates an exploration of the psychology of an interracial relationship as well as a commentary on France’s contradictory attitudes about race”. The film is based on the director’s French-language novel, 𝐿𝒶 𝒫𝑒𝓇𝓂𝒾𝓈𝓈𝒾𝑜𝓃. Saturday, March 30th. Doors open at 6:30 pm, screening begins at 7:30 pm. 𝐵𝓊𝓈𝒽𝓂𝒶𝓃, 73 mins. 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈, 87 mins. There will be a 15 min intermission in between films.$15 admission. Ticket link in bio. Thanks to George Schmalz of Kino Lorber and Brian Belovarac of Janus Films for providing the restorations of 𝐵𝓊𝓈𝒽𝓂𝒶𝓃 and 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈 for this event.Program curated by Camm Harrison Flier by Mara Rubin.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for supporting our 1st screening with Black Revivalist atBlack Image Center on Saturday 3/30. Please bring your email confirmation to gain entry to the screening. All ticket sales are final with no refunds or exchanges unless an event is canceled or rescheduled. We look forward to seeing you! Warmly, Black Image Center

Black Image Center and Black Revivalist are proud to present a night of black cinema made in the mid to late ‘60s. David Schickele’s 𝐵𝓊𝓈𝒽𝓂𝒶𝓃 (1971) and Melvin Van Peebles’s 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈 (1967). Set mostly in 1968, 𝐵𝓊𝓈𝒽𝓂𝒶𝓃 is a part documentary, part imagined tale of a young Nigerian immigrant who relocates to San Francisco and tries to adjust to living in America as a black man. “The result is a vibrant snapshot of the nation's racial politics, from interracial romance to cross-cultural misunderstandings and countercultural joy.” The film was recently rediscovered and restored by the University of California, Berkeley Art Museum and Pacific Film Archive and The Film Foundation. Milestone Films and Kino Lorber will be releasing the film on Blu-Ray and DVD next month. 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈 follows a black U.S. soldier stationed in France after receiving a promotion and three days leave from his base. He explores Paris and becomes enamored with a French white woman he meets at a nightclub. “Channeling the brash exuberance of the French New Wave, Van Peebles [in his feature film debut] creates an exploration of the psychology of an interracial relationship as well as a commentary on France’s contradictory attitudes about race”. The film is based on the director’s French-language novel, 𝐿𝒶 𝒫𝑒𝓇𝓂𝒾𝓈𝓈𝒾𝑜𝓃. Saturday, March 30th. Doors open at 6:30 pm, screening begins at 7:30 pm. 𝐵𝓊𝓈𝒽𝓂𝒶𝓃, 73 mins. 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈, 87 mins. There will be a 15 min intermission in between films.$15 admission. Ticket link in bio. Thanks to George Schmalz of Kino Lorber and Brian Belovarac of Janus Films for providing the restorations of 𝐵𝓊𝓈𝒽𝓂𝒶𝓃 and 𝒯𝒽𝑒 𝒮𝓉𝑜𝓇𝓎 𝑜𝒻 𝒶 𝒯𝒽𝓇𝑒𝑒 𝒟𝒶𝓎 𝒫𝒶𝓈𝓈 for this event.Program curated by Camm Harrison Flier by Mara Rubin.

Black Image Center

Black Image Center and Black Revivalist presents...

3209 La Cienega Ave

General admission

$15