Visual Studies Workshop Inc

### Context Profile for Visual Studies Workshop Inc

**1. Organization Mission & Cause:**
Visual Studies Workshop Inc (VSW) is dedicated to fostering a deeper understanding of visual culture through education, exhibitions, and community engagement. Their mission emphasizes the importance of visual literacy and the transformative power of art as a means of social change. VSW aims to create a space where diverse voices can be heard and where art can challenge societal norms and promote inclusivity.

**2. Type of Activities:**
- **Educational Programs:** VSW offers workshops, classes, and seminars focused on visual literacy and art-making.
- **Exhibitions:** The organization hosts exhibitions that showcase both local and international artists, often highlighting underrepresented voices.
- **Community Conversations:** Events like "Holding Space: Creating Belonging in Rochester" facilitate discussions on social issues such as racism, ableism, and sexism, encouraging community reflection and dialogue.
- **Fundraising Campaigns:** VSW conducts campaigns to support their programs and initiatives, engaging the community in their mission.

**3. Tone of Voice:**
The tone of VSW's communications is **friendly**, **inspiring**, and **inclusive**. The language used is approachable yet thoughtful, reflecting their commitment to community engagement and social justice. They often employ a conversational style that invites participation and reflection.

**4. Emoji Usage:**
The website and communications do not prominently feature emojis. The tone remains professional and straightforward, focusing on clarity and the seriousness of the topics discussed rather than casual or playful elements.

**5. Key Facts:**
- **Founding Info:** VSW was established in 1969, making it a long-standing institution in the realm of visual arts and education.
- **Scale:** The organization engages with a diverse community through various programs and events, though specific metrics on reach and impact are not detailed on the website.
- **Volunteer Info:** While specific volunteer information is not highlighted, community involvement is a core aspect of their activities, suggesting opportunities for engagement.

**6. Writing Guidelines:**
- **Clarity and Accessibility:** Use straightforward language that is easy to understand, avoiding jargon unless it is clearly defined.
- **Engagement:** Write in a way that invites the reader to participate, whether through attending events, joining discussions, or supporting campaigns.
- **Inclusivity:** Ensure that language is inclusive and respectful, reflecting the diverse community VSW serves.
- **Inspirational Messaging:** Incorporate a tone that inspires action and reflection, particularly around social justice themes.

This context profile provides a comprehensive overview of Visual Studies Workshop Inc, allowing AI assistants to generate tailored content that aligns with the organization's mission, activities, and communication style.

General Admission

Member Admission

Electronic Echoes: Video Art from the 1970s and 80sThursday, February 26, 7-9 pm$10, in-person&nbsp;When video became a commercially available medium in the 1970s, artists quickly began to explore it as a form for creative expression. For the first time, an artist could simultaneously record both image and sound on a single substrate, independently operate the recording mechanism, and build their own tools to experiment with the possibilities of the electronic signal. Many of the earliest video experiments took place at art centers around Upstate and Western New York. To celebrate the launch of VSW&rsquo;s current exhibition, Signal into Memory, this program highlights a range of approaches from abstract imagery to street documentary, made by artists over a two decade period when moving image tools, aesthetics and audiences expanded rapidly into the electronic realm. The screening will feature rarely seen video works by some of the most innovative video artists of the 1970&rsquo;s and 80&rsquo;s, including Sherry Miller Hocking, Ralph Hocking, Matthew Schlanger, Bridgid Polk, Peer Bode, Steina and Woody Vasulka, and others. Program selected by Peer Bode, Nilson Carroll and Tara Merenda Nelson

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our screening!&nbsp; Your registration directly supports us in our mission to nurture experimental and expansive approaches to photography and media arts. We will see you there! VSW staffinfo@vsw.orgvsw.org

Electronic Echoes: Video Art from the 1970s and 80sThursday, February 26, 7-9 pm$10, in-person When video became a commercially available medium in the 1970s, artists quickly began to explore it as a form for creative expression. For the first time, an artist could simultaneously record both image and sound on a single substrate, independently operate the recording mechanism, and build their own tools to experiment with the possibilities of the electronic signal. Many of the earliest video experiments took place at art centers around Upstate and Western New York. To celebrate the launch of VSW’s current exhibition, Signal into Memory, this program highlights a range of approaches from abstract imagery to street documentary, made by artists over a two decade period when moving image tools, aesthetics and audiences expanded rapidly into the electronic realm. The screening will feature rarely seen video works by some of the most innovative video artists of the 1970’s and 80’s, including Sherry Miller Hocking, Ralph Hocking, Matthew Schlanger, Bridgid Polk, Peer Bode, Steina and Woody Vasulka, and others. Program selected by Peer Bode, Nilson Carroll and Tara Merenda Nelson

Visual Studies Workshop Inc

Electronic Echoes: Video Art from the 1970s and 80s

36 King St

General Admission

$10

Member Admission

Free