Automata Arts

### Context Profile for Automata Arts

1. **Organization Mission & Cause**:
   - **Mission**: Automata Arts is dedicated to fostering innovative and experimental performance art. Their mission revolves around creating a space for artists to explore and present new work, particularly in the realm of installation and performance art. They aim to challenge traditional narratives and engage audiences in unique, immersive experiences.
   - **Cause**: The organization emphasizes the importance of artistic exploration and community engagement, providing a platform for artists to push boundaries and provoke thought through their work.

2. **Type of Activities**:
   - **Events**: Automata Arts hosts various performances, including installation performances like "Eutrophia II," which combines elements of visual art and live performance.
   - **Fundraising Campaigns**: They engage in fundraising efforts to support their residency programs and events, offering free or discounted tickets to encourage community participation.
   - **Community Programs**: The organization facilitates audience engagement through participatory events, allowing audiences to interact with the performances and provide feedback.

3. **Tone of Voice**:
   - The tone of Automata Arts is **professional yet approachable**, with an emphasis on **artistic expression**. Their language is often **inspiring and thought-provoking**, aiming to engage audiences intellectually and emotionally. The use of artistic terminology and detailed descriptions reflects a deep appreciation for the nuances of performance art.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their content is more formal and focused on conveying artistic concepts and event details without the casualness that emojis might imply.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but Automata Arts is involved in contemporary performance art and has established itself as a significant venue for experimental work.
   - **Scale**: The organization has a total of 57 forms and email campaigns, indicating active engagement with their audience.
   - **Impact Metrics**: While specific metrics were not detailed, the organization’s focus on community engagement and artist support suggests a commitment to fostering a vibrant arts community.
   - **Volunteer Info**: Information on volunteer opportunities was not explicitly mentioned, but the participatory nature of their events implies potential for audience involvement.

6. **Writing Guidelines**:
   - **Style**: Content should maintain a balance between professional and accessible language. Use artistic terminology where appropriate to reflect the organization's focus on performance art.
   - **Structure**: Clear, concise paragraphs with a focus on engaging the reader. Use headings and bullet points for easy navigation, especially in event descriptions.
   - **Engagement**: Encourage audience interaction by posing questions or inviting feedback where relevant. Highlight the unique aspects of each event to draw in attendees.
   - **Call to Action**: Always include a clear call to action, whether it’s to purchase tickets, attend an event, or support the organization through donations.

This context profile provides a comprehensive overview of Automata Arts, enabling AI assistants to generate tailored content that aligns with the organization’s mission, activities, and communication style.

LXCL:General Admission

General Admission

LXCL:Members, Students, Artists, Seniors

Members, Students, Artists, Seniors

<a fr-original-style="" href="http://www.automatala.org" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Automata&nbsp;</a>welcomes multimedia artist <a fr-original-style="" href="http://www.amychiao.com" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Amy Chiao</a> + collaborators for the World Premiere of&nbsp;Eutrophia II, a durational installation-performance in Automata&rsquo;s main gallery. &nbsp;Eutrophia II is a &ldquo;performance maintenance study of alternative no foam hygienic landscapes formed by our three historically Homo Consumericus trusted stage shapes: the arena, the proscenium, and let&rsquo;s not forget the trigone, the third cousin once removed from the thrust&rdquo; (--Amy Chiao).&nbsp;&nbsp;Drawing from pick-and-place logistics, extinct professions, and resting furniture materials, Eutrophia II&nbsp;envisions the transition of manual labor into leisure tasking; a survival exhibition of transcending displacement at automation&rsquo;s door. These spatial assignments, responding to the arena, proscenium, and trigone, are activated by performers and voluntary audience surveys. They render an insufficient narrative, mapping the birth of occupational identity through ritual material production. Orchestrated motions unfold atop an elliptical sodium bicarbonate firm pillow, framed in institutional green Hammermill 8.5 x 11&rdquo; compositions, triangulated by liquid saving plastics stationed at the apron(s). As a triage, this performance-installation explores maintenance art in our traditionally limited floorplans of performativity and spectatorship, surveying which stage forms, hard or soft, we should continue to inhabit, produce, or choose to abandon.&nbsp; &nbsp;Audiences will enter the installation-performance in groups of 20 at designated times and have the opportunity to move around the space individually and to experience Eutrophia ll&nbsp;, as it unfolds,&nbsp;from numerous perspectives. &nbsp;This is a no foam zone. Eutrophia II&nbsp; is the second iteration of &lsquo;ur already in eutrophia.&rsquo;&nbsp;The first development phase of this collaborative project was made possible through the CalArts Reef Residency 2024-2025. This phase is supported through the Automata Residency Project.&nbsp;Conceived and Directed by <a fr-original-style="" href="http://www.amychiao.com" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Amy Chiao</a>Performed by <a fr-original-style="" href="https://www.imdb.com/name/nm7704671/" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Avalon Greenberg Call</a>, Dylan Marx, and <a fr-original-style="" href="https://youngtseng.work/" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">YoungTseng&nbsp;</a>Set Design by <a fr-original-style="" href="https://dannybaxter.com/" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Danny Baxter</a> and <a fr-original-style="" href="https://www.nataliejferguson.com/" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Natalie Ferguson</a>Lighting Design by Natalie Ferguson&nbsp;Movement Direction by <a fr-original-style="" href="https://alexsadurrans.com/" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Alexsa Durrans</a>&nbsp;Sound Design &amp; Music Composition by <a fr-original-style="" href="https://dylanmarx.com/" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Dylan Marx</a>Lighting Tech by <a fr-original-style="" href="http://miles-moon.com" rel="noopener noreferrer" style="text-decoration-color: initial; -webkit-user-select: auto; box-sizing: inherit;" target="_blank">Miles Moon Karraa</a> Photo Credit: Danny Baxter

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for attending &nbsp;Eutrophia ll&nbsp;by Amy Chiao. Eutrophia ll is a walk-through durational performance-installation.&nbsp; Please let us know if you need to know more about the space or if you would like to request any accommodations. We are located on Chung King Court, a pedestrian plaza just off Hill Street, two doors down from Foo-Chow Restaurant. &nbsp;Street parking is available on Hill Street, College Street, Yale Street, and other streets nearby. &nbsp;There are also several parking lots within several blocks of Automata. Several bus lines and the Metro A train have stops nearby. We look forward to seeing you soon. Automata&nbsp;automataarts@gmail.com

<a href="http://www.automatala.org" target="_blank">Automata </a>welcomes multimedia artist <a href="http://www.amychiao.com" target="_blank">Amy Chiao</a> + collaborators for the World Premiere of Eutrophia II, a durational installation-performance in Automata’s main gallery.  Eutrophia II is a “performance maintenance study of alternative no foam hygienic landscapes formed by our three historically Homo Consumericus trusted stage shapes: the arena, the proscenium, and let’s not forget the trigone, the third cousin once removed from the thrust” (--Amy Chiao).  Drawing from pick-and-place logistics, extinct professions, and resting furniture materials, Eutrophia II envisions the transition of manual labor into leisure tasking; a survival exhibition of transcending displacement at automation’s door. These spatial assignments, responding to the arena, proscenium, and trigone, are activated by performers and voluntary audience surveys. They render an insufficient narrative, mapping the birth of occupational identity through ritual material production. Orchestrated motions unfold atop an elliptical sodium bicarbonate firm pillow, framed in institutional green Hammermill 8.5 x 11” compositions, triangulated by liquid saving plastics stationed at the apron(s). As a triage, this performance-installation explores maintenance art in our traditionally limited floorplans of performativity and spectatorship, surveying which stage forms, hard or soft, we should continue to inhabit, produce, or choose to abandon.   Audiences will enter the installation-performance in groups of 20 at designated times and have the opportunity to move around the space individually and to experience Eutrophia ll , as it unfolds, from numerous perspectives.  This is a no foam zone. Eutrophia II  is the second iteration of ‘ur already in eutrophia.’ The first development phase of this collaborative project was made possible through the CalArts Reef Residency 2024-2025. This phase is supported through the Automata Residency Project. Conceived and Directed by <a href="http://www.amychiao.com" target="_blank">Amy Chiao</a>Performed by <a href="https://www.imdb.com/name/nm7704671/" target="_blank">Avalon Greenberg Call</a>, Dylan Marx, and <a href="https://youngtseng.work/" target="_blank">YoungTseng </a>Set Design by <a href="https://dannybaxter.com/" target="_blank">Danny Baxter</a> and <a href="https://www.nataliejferguson.com/" target="_blank">Natalie Ferguson</a>Lighting Design by Natalie Ferguson Movement Direction by <a href="https://alexsadurrans.com/" target="_blank">Alexsa Durrans</a> Sound Design &amp; Music Composition by <a href="https://dylanmarx.com/" target="_blank">Dylan Marx</a>Lighting Tech by <a href="http://miles-moon.com" target="_blank">Miles Moon Karraa</a> Photo Credit: Danny Baxter

Automata Arts

Eutrophia ll: A Performance-Installation by Amy Chiao

Automata

General Admission

$18

Members, Students, Artists, Seniors

$15

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