Stare at the Sun

**Context Profile for Stare at the Sun**

1. **Organization Mission & Cause:**
   Stare at the Sun is dedicated to promoting contemporary classical music by commissioning, premiering, and developing new works, particularly those that explore complex social themes and narratives. The organization aims to support and highlight composers from the Midwest, fostering a deeper appreciation for innovative musical expressions that address socio-economic issues, cultural phenomena, and personal experiences.

2. **Type of Activities:**
   - **Concerts and Performances:** Regularly hosts events showcasing new music, often in collaboration with festivals like the Festival Ear Taxi.
   - **Commissions and Premieres:** Focuses on commissioning new works from composers, particularly those from the Midwest.
   - **Workshops and Development Programs:** Engages in developing new compositions through workshops.
   - **Collaborations:** Partners with other cultural organizations to enhance the reach and impact of contemporary classical music.

3. **Tone of Voice:**
   - **Inspiring and Reflective:** The language used is thoughtful and evocative, aiming to inspire and provoke reflection on complex themes.
   - **Professional and Artistic:** Maintains a professional tone that reflects the artistic and cultural focus of the organization.
   - **Engaging and Inclusive:** Strives to engage a wide audience by highlighting diverse musical narratives and experiences.

4. **Emoji Usage:**
   - The organization does not prominently use emojis in its communications. The focus is on maintaining a professional and artistic tone that aligns with the classical music genre.

5. **Key Facts:**
   - **Founding Information:** Specific founding details are not provided on the website.
   - **Scale and Impact:** The organization operates on a regional scale, primarily focusing on the Midwest, with a strong emphasis on supporting local composers and artists.
   - **Volunteer Information:** No specific volunteer information is detailed, suggesting a focus on professional collaborations and commissions.

6. **Writing Guidelines:**
   - **Language Style:** Use evocative and descriptive language that captures the essence of the music and its themes. Avoid casual or overly simplistic language.
   - **Content Structure:** Highlight the thematic and narrative aspects of the music, providing context and background to engage the audience.
   - **Audience Engagement:** Focus on creating content that is both informative and inspiring, encouraging deeper appreciation and understanding of contemporary classical music.
   - **Cultural Sensitivity:** Be mindful of the diverse cultural and socio-economic themes explored in the music, ensuring respectful and thoughtful representation.

This context profile should guide AI assistants in creating content that aligns with Stare at the Sun's mission, tone, and activities, ensuring a cohesive and authentic representation of the organization.

Suggested Donation

Donación Sugerida

Suggested Student Donation

Donación Sugerida para Estudiantes

LXCL:Contribute any amount that feels right for you in the box below.

Pay-What-You-Will

LXCL:Contribuye con cualquier cantidad que te parezca adecuada en el cuadro siguiente.

Paga lo que Quieras

Nuestro programa de invierno presenta los estrenos mundiales de una nueva obra coral de gran formato de Nicholas Cline, basada en The Sea Came Up and Drowned de Rachel Jamison Webster, una colecci&oacute;n de poemas de borrado inspirados en el libro Annals of the Former World de John McPhee, en la que Webster explora los temas de la propiedad de la tierra y la extracci&oacute;n de recursos mediante un lenguaje abstracto y obras visuales de collage. Complementan esta obra comisionada las obras de Anuj Bhutani, Brandon Chase Di Noto, Edward Lu y Adrian Wong, ganadores de nuestra Call for Scores 2025&ndash;26. Concierto a las 7:00 p. m. Apertura de puertas a las 6:30 p. m. Duraci&oacute;n: 1 hora.

Hola <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Gracias por su reservaci&oacute;n de boleto. Su apoyo nos ayuda a mantener nuestra m&uacute;sica viva y vibrante. Adjunto a este correo encontrar&aacute; su recibo y sus boletos electr&oacute;nicos. Aseg&uacute;rese de llevar su boleto electr&oacute;nico al evento para poder ingresar. &iexcl;Estamos ansiosos por compartir nuestra m&uacute;sica con usted! &iexcl;Nos vemos all&iacute;! Con gratitud,Stare at the Sunstareatthesun.music@gmail.com

Nuestro programa de invierno presenta los estrenos mundiales de una nueva obra coral de gran formato de Nicholas Cline, basada en The Sea Came Up and Drowned de Rachel Jamison Webster, una colección de poemas de borrado inspirados en el libro Annals of the Former World de John McPhee, en la que Webster explora los temas de la propiedad de la tierra y la extracción de recursos mediante un lenguaje abstracto y obras visuales de collage. Complementan esta obra comisionada las obras de Anuj Bhutani, Brandon Chase Di Noto, Edward Lu y Adrian Wong, ganadores de nuestra Call for Scores 2025–26. Concierto a las 7:00 p. m. Apertura de puertas a las 6:30 p. m. Duración: 1 hora.

Extractions, Marzo 14, 7pm (Evanston)

Our winter program features the world premiere performances of a new extended choral work by Nicholas Cline, based on Rachel Jamison Webster&rsquo;s The Sea Came Up and Drowned, a collection of erasure poems based on John McPhee&rsquo;s book Annals of the Former World in which Webster explores the issues of land ownership and resource extraction using abstract language and visual collage artwork. Complementing the commission are works by Anuj Bhutani, Brandon Chase Di Noto, Edward Lu, and Adrian Wong, the winners of our 2025-26 Call for Scores.&nbsp; 7pm concert. Doors open at 6:30pm. Run time is 1 hour.

Dear <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for your ticket reservation. Your support helps us keep our music alive and vibrant. Please find your receipt and e-tickets attached to this email. Be sure to bring your e-ticket with you to the event for entry. We can&#39;t wait to share our music with you. See you there! With gratitude,Stare at the Sunstareatthesun.music@gmail.com

Our winter program features the world premiere performances of a new extended choral work by Nicholas Cline, based on Rachel Jamison Webster’s The Sea Came Up and Drowned, a collection of erasure poems based on John McPhee’s book Annals of the Former World in which Webster explores the issues of land ownership and resource extraction using abstract language and visual collage artwork. Complementing the commission are works by Anuj Bhutani, Brandon Chase Di Noto, Edward Lu, and Adrian Wong, the winners of our 2025-26 Call for Scores.  7pm concert. Doors open at 6:30pm. Run time is 1 hour.

ES

Stare at the Sun

Extractions, March 14, 7pm (Evanston)

516 Church St

Suggested Donation

$30

Suggested Student Donation

$10

Pay-What-You-Will

Free

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