Manship Artists Residency

### Context Profile for Manship Artists Residency

1. **Organization Mission & Cause:**
   - **Mission:** The Manship Artists Residency aims to foster creativity and collaboration among artists by providing them with a supportive environment to develop their work. The organization emphasizes the importance of art in community engagement and cultural enrichment.
   - **Cause:** Focused on the intersection of sports and culture, the organization seeks to enhance community connection through artistic expression and events that celebrate both disciplines.

2. **Type of Activities:**
   - **Events:** The organization hosts various events, including stargazing parties, art exhibitions, and community workshops. For example, the "Stargazing Party at Starfield" features guided tours of constellations and telescope views.
   - **Fundraising Campaigns:** Regular fundraising efforts are conducted to support the residency programs and community outreach initiatives.
   - **Community Programs:** Engages local artists and the community through collaborative projects and educational programs that promote cultural awareness and appreciation.

3. **Tone of Voice:**
   - The tone of the website and communications is **friendly**, **inviting**, and **informative**. The language is accessible, aiming to engage a broad audience while maintaining a sense of professionalism. The use of exclamation points and direct addresses (e.g., "Be sure to dress warmer than would seem necessary!") adds a casual and approachable feel.

4. **Emoji Usage:**
   - The organization does not appear to use emojis in their website content or email communications. The tone remains professional and straightforward, focusing on clear information delivery without the use of visual embellishments like emojis.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not explicitly mentioned on the website.
   - **Scale:** The organization has a robust engagement with the community, as indicated by the 136 total forms and 241 email campaigns.
   - **Impact Metrics:** While specific metrics are not detailed, the organization emphasizes community involvement and artist development, suggesting a focus on qualitative impact.
   - **Volunteer Info:** Information on volunteer opportunities is not readily available on the website, but community involvement is likely encouraged through events and programs.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inviting tone, ensuring accessibility in language. Aim for clarity and conciseness in communication.
   - **Structure:** Present information in a straightforward manner, using headings and bullet points where appropriate to enhance readability.
   - **Engagement:** Encourage community participation and interaction, using direct calls to action (e.g., "Join us for...") to foster a sense of belonging and involvement.

This context profile provides a comprehensive overview of the Manship Artists Residency, focusing on their mission, activities, tone, and communication style, which will aid in generating personalized and relevant content for the organization.

Intimate Concert

Manship Artists Residency invites you to an intimate musical affair, the world premiere of Arpeggione Ensemble. The concert will be followed by a reception and an opportunity to meet the musicians and to enjoy the company of fellow chamber music lovers. Arpeggione Ensemble will open its debut season with a concert centered on themes of Relocation and Belonging. Celebrate a new beginning with Arpeggione as we present works by Joseph Bologne, Mozart, Crusell, Reicha, and Meyerbeer in our inaugural live performance.  <span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Andrea LeBlanc, flute<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Thomas Carroll, clarinet<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Susanna Ogata, violin<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Emily Hale, violin<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Lauren Nelson, viola<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Jacques Lee Wood, cello <span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Mozart: Flute Quartet in D<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Mozart (arr. Carroll): Eine Kleine Gigue K. 574<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Crusell: Quartet in Eb major for clarinet and string trio, op. 2<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Chevalier de Saint-George: String Quartet op. 1 no. 2 in Eb<span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Reicha: Quartet for flute and string trio no. 4 in g minor, op. 98 <span style="font-size:11pt;font-family:Calibri, sans-serif;color:rgb(34, 34, 34);font-weight:700;font-variant-ligatures:normal;font-variant-east-asian:normal;font-variant-position:normal;vertical-align:baseline;white-space:pre-wrap">Meyerbeer: Cavatine from “Robert-le-Diable”  From Joseph Bologne’s remarkable life and career in Paris to Meyerbeer’s eventual success as one of the most prominent operatic composers in Europe, we trace the paths of five composers as they establish themselves in new locations and new musical environments over a 70-year period.  W.A. Mozart’s sparkling Flute Quartet in D, composed during the composer’s years of itinerancy, shows Mozart’s ability to adapt his musical style to as wide a variety of performers and audiences as possible. By comparison, the “Kleine Gigue,” here arranged for clarinet and string trio, presents a mature and cerebral Mozart near the end of his life.  To round out the first half of the program, Bernard Henrik Crusell’s first Clarinet Quartet, composed in Paris at the beginning of the 19th century, shows an undeniable combination of Nordic, Prussian, and Parisian influences, and like the Mozart Flute Quartet, shows a composer unafraid to toy with the expectations of the public. Afro-Caribbean-born polymath, expert swordsman, and musical impresario Joseph Bologne, Chevalier de Saint-George was widely credited with raising the standard of the orchestral music in Paris. His String Quartet in Eb shows not only his inventiveness but also his keen ear for orchestration and texture in this fledgling new genre.  Nearly fifty years later, Paris Conservatoire professor Anton Reicha used his Flute Quartet in g minor as a vehicle to fuse not only Bohemian and Parisian musical tastes, but also to show off the full capabilities of the fully mechanized early Romantic flute.  Closing out the program, a period arrangement of the cavatine “Toi, que j’aime” from Giacomo Meyerbeer’s Robert le Diable shows the German-born Jewish composer finding a home and critical and financial success in the Parisian operatic landscape. Arpeggione Ensemble will be in residence at the Manship Artists Residency in preparation for their concerts. PARKING onsite is LIMITED TO HANDICAPPED. Directions for nearby parking to follow once you register. This joint program is a new collaborative offering. Manship and Arpeggione are most grateful for your support! <h4> </h4>

We look forward to sharing this special occasion with you! PLANTING NEW ROOTSThe Arpeggione Ensemble in residence @ STARFIELDSaturday, September 10, 2022 from 3:00 - 5:30 PM Location: STARFIELD, The Manship Artists Residency, 10 Leverett Street, Lanesville, Gloucester, MAParking: You will be directed to park across the street. Handicapped parking available on site at Starfield. Please contact Rebecca Reynolds with your accessibility needs. info@ManshipArtists.org or 978-290-8438 Kind regards,Manship Artists Residency

Manship Artists Residency invites you to an intimate musical affair, the world premiere of Arpeggione Ensemble. The concert will be followed by a reception and an opportunity to meet the musicians and to enjoy the company of fellow chamber music lovers. Arpeggione Ensemble will open its debut season with a concert centered on themes of Relocation and Belonging. Celebrate a new beginning with Arpeggione as we present works by Joseph Bologne, Mozart, Crusell, Reicha, and Meyerbeer in our inaugural live performance.  Andrea LeBlanc, fluteThomas Carroll, clarinetSusanna Ogata, violinEmily Hale, violinLauren Nelson, violaJacques Lee Wood, cello Mozart: Flute Quartet in DMozart (arr. Carroll): Eine Kleine Gigue K. 574Crusell: Quartet in Eb major for clarinet and string trio, op. 2Chevalier de Saint-George: String Quartet op. 1 no. 2 in EbReicha: Quartet for flute and string trio no. 4 in g minor, op. 98 Meyerbeer: Cavatine from “Robert-le-Diable”  From Joseph Bologne’s remarkable life and career in Paris to Meyerbeer’s eventual success as one of the most prominent operatic composers in Europe, we trace the paths of five composers as they establish themselves in new locations and new musical environments over a 70-year period.  W.A. Mozart’s sparkling Flute Quartet in D, composed during the composer’s years of itinerancy, shows Mozart’s ability to adapt his musical style to as wide a variety of performers and audiences as possible. By comparison, the “Kleine Gigue,” here arranged for clarinet and string trio, presents a mature and cerebral Mozart near the end of his life.  To round out the first half of the program, Bernard Henrik Crusell’s first Clarinet Quartet, composed in Paris at the beginning of the 19th century, shows an undeniable combination of Nordic, Prussian, and Parisian influences, and like the Mozart Flute Quartet, shows a composer unafraid to toy with the expectations of the public. Afro-Caribbean-born polymath, expert swordsman, and musical impresario Joseph Bologne, Chevalier de Saint-George was widely credited with raising the standard of the orchestral music in Paris. His String Quartet in Eb shows not only his inventiveness but also his keen ear for orchestration and texture in this fledgling new genre.  Nearly fifty years later, Paris Conservatoire professor Anton Reicha used his Flute Quartet in g minor as a vehicle to fuse not only Bohemian and Parisian musical tastes, but also to show off the full capabilities of the fully mechanized early Romantic flute.  Closing out the program, a period arrangement of the cavatine “Toi, que j’aime” from Giacomo Meyerbeer’s Robert le Diable shows the German-born Jewish composer finding a home and critical and financial success in the Parisian operatic landscape. Arpeggione Ensemble will be in residence at the Manship Artists Residency in preparation for their concerts. PARKING onsite is LIMITED TO HANDICAPPED. Directions for nearby parking to follow once you register. This joint program is a new collaborative offering. Manship and Arpeggione are most grateful for your support!

Manship Artists Residency

Planting New Roots. Arpeggione Ensemble @ Manship's Starfield

Manship Artists Residency. Directions will be sent once you register.

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Intimate Concert

$75