AS220

### Context Profile for AS220

1. **Organization Mission & Cause:**
   AS220 is a nonprofit organization dedicated to fostering a creative community in Providence, Rhode Island. Their mission is to provide a platform for artists and the community to express themselves freely and to support the development of new art forms. They aim to create an inclusive environment where creativity thrives, and they emphasize the importance of art as a tool for social change and community engagement.

2. **Type of Activities:**
   - **Events:** AS220 hosts a variety of events including live performances, art exhibitions, and workshops. They often feature local artists and provide a space for creative expression.
   - **Fundraising Campaigns:** Regular fundraising initiatives are conducted to support their programming and facilities.
   - **Community Programs:** They offer programs that engage the community in the arts, including educational workshops and collaborative projects that aim to empower participants through creativity.

3. **Tone of Voice:**
   The tone of AS220's communications is friendly, informal, and inviting. They use inclusive language that encourages participation and fosters a sense of community. The content often conveys enthusiasm and passion for the arts, making it accessible and relatable to a broad audience.

4. **Emoji Usage:**
   AS220 does not prominently use emojis in their communications. Their content tends to maintain a professional yet approachable tone without relying on emojis to convey emotion or engagement.

5. **Key Facts:**
   - **Founding Info:** AS220 was founded in 1985 and has since become a cornerstone of the Providence arts community.
   - **Scale:** They have a significant presence with 353 total forms and 557 total email campaigns, indicating active engagement with their audience.
   - **Impact Metrics:** While specific metrics were not detailed on the website, AS220 emphasizes their role in supporting local artists and fostering community engagement through the arts.
   - **Volunteer Info:** The organization likely has volunteer opportunities, although specific details were not extracted from the website.

6. **Writing Guidelines:**
   - Use a friendly and conversational tone that reflects the community-oriented mission of AS220.
   - Focus on inclusivity and encouragement, inviting readers to participate in events and programs.
   - Keep language simple and accessible, avoiding jargon to ensure clarity for all audiences.
   - Highlight the impact of participation and the importance of community in all communications.
   - Use engaging subject lines and content that reflect the excitement and vibrancy of the events and programs offered.

This context profile provides a comprehensive overview of AS220, enabling AI assistants to generate tailored content that resonates with the organization's mission and audience.

General admission (early bird)

General admission

<p style="box-sizing:border-box;margin:0px 0px 1rem;color:rgb(0, 0, 0);font-family:Poppins, Helvetica, Roboto, &quot;Helvetica Neue&quot;, &quot;Noto Sans&quot;, &quot;Liberation Sans&quot;, Arial, sans-serif;font-size:19.2px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.5">Considered the ninth member of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">the Wu-Tang Clan</a>, Masta Killa (b. Elgin Turner; aliases: High Chief, Noodles) recorded his first rhymes at the end of “Da Mystery of Chessboxin'” from <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">the Clan</a>‘s 1993 seminal debut, Enter the Wu-Tang (36 Chambers). He had never seriously written rhymes, let alone rap before then. However, under the tutelage of <a href="https://open.spotify.com/artist/6ns6XAOsw4B0nDUIovAOUO" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">the GZA</a>, he developed a steadily paced flow that accentuated his intellectual lyrics — although equally distinctive were his smooth voice and understated demeanor. Because Killa was incarcerated at the time, his closing verse on “Da Mystery of Chessboxin'” was his sole contribution to the album, but he always remained in the fold on the set of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu-Tang</a> solo records that ensued in the mid-’90s, including <a href="https://open.spotify.com/artist/6ns6XAOsw4B0nDUIovAOUO" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">GZA</a>‘s Liquid Swords, <a href="https://open.spotify.com/artist/2yQf6b8hxahZaT5dHlWaB1" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Raekwon</a>‘s Only Built 4 Cuban Linx, and <a href="https://open.spotify.com/artist/6FD0unjzGQhX3b6eMccMJe" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Ghostface Killah</a>‘s Ironman. There was no questioning his status in <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">the Clan</a> after the release of their 1997 album, Wu-Tang Forever, where Killa contributed to numerous tracks, particularly his standout lines on the lead single, “Triumph.”<p style="box-sizing:border-box;margin:0px 0px 1rem;color:rgb(0, 0, 0);font-family:Poppins, Helvetica, Roboto, &quot;Helvetica Neue&quot;, &quot;Noto Sans&quot;, &quot;Liberation Sans&quot;, Arial, sans-serif;font-size:19.2px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.5">Nonetheless, similar to the plight of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu-Tang</a> member <a href="https://open.spotify.com/artist/4OBbOrkD4geIjOLrICN3wO" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Inspectah Deck</a>, Killa worked on his solo material for many years before it would actually come out. After two more <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu-Tang</a> full-lengths and a second string of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu</a> splinter projects, his solo career finally began with No Said Date, released via underground rap label Nature Sounds in 2004. Staying in-house with producers <a href="https://open.spotify.com/artist/4iCwCMnqsNZ6atvRiADgtn" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">the RZA</a>, <a href="https://open.spotify.com/artist/6T7ap0aCwj4aJVj3bJ0EWh" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Mathematics</a>, and <a href="https://open.spotify.com/artist/41gTa5cSf7Zg5eErVb0aOS" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">True Master</a>, the album was one of the few <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu</a>-related releases post-Wu-Tang Forever that received critical praise, particularly by <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu-Tang</a>‘s loyal fan base. Killa returned in 2006 with Made in Brooklyn, working with a more diverse array of underground producers, including <a href="https://open.spotify.com/artist/2pAWfrd7WFF3XhVt9GooDL" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">MF Doom</a>, <a href="https://open.spotify.com/artist/4VhYUWpDsLraUG6Sd8g9TF" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Bronze Nazareth</a>, and the legendary <a href="https://open.spotify.com/artist/3BeQqzKdlARoOd6y30kCO2" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Pete Rock</a>. His third album arrived in 2012. Selling My Soul featured guest spots from <a href="https://open.spotify.com/artist/6NyJIFHAePjHR1pFxwisqz" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Kurupt</a> and <a href="https://open.spotify.com/artist/50NoVNy9GU1lCrDV8iGpyu" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Ol’ Dirty Bastard</a>, as well as production by <a href="https://open.spotify.com/artist/4s8ZGMVf3OiPktSP4ulpqU" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">9th Wonder</a>, <a href="https://open.spotify.com/artist/6T7ap0aCwj4aJVj3bJ0EWh" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Mathematics</a>, and PF Cuttin. Another long gap followed before Killa released his fourth studio LP, Loyalty Is Royalty, in 2017. <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Wu-Tang</a> members <a href="https://open.spotify.com/artist/0dS5xeDefwoUNasLUHnCjR" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Cappadonna</a>, <a href="https://open.spotify.com/artist/4VmEWwd8y9MCLwexFMdpwt" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Method Man</a>, <a href="https://open.spotify.com/artist/4iCwCMnqsNZ6atvRiADgtn" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">RZA</a>, <a href="https://open.spotify.com/artist/6ns6XAOsw4B0nDUIovAOUO" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">GZA</a>, and <a href="https://open.spotify.com/artist/4OBbOrkD4geIjOLrICN3wO" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Inspectah Deck</a> joined other guests like <a href="https://open.spotify.com/artist/7xTKLpo7UCzXSnlH7fOIoM" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Redman</a>, <a href="https://open.spotify.com/artist/2x6jz70u3sZq75tW10akUW" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Sean Price</a>, <a href="https://open.spotify.com/artist/1GwxXgEc6oxCKQ5wykWXFs" style="box-sizing:border-box;color:var(--bs-link-color);text-decoration:underline;user-select:auto">Prodigy</a>, and KXNG CROOKED on the album. ~ Cyril Cordor, Rovi

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for purchasing a ticket to Masta Killa at AS220! We look forward to seeing you there! Jacob WolfLive Arts Manager

<p style="box-sizing:border-box;margin:0px 0px 1rem;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.5;max-width:100%">Considered the ninth member of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">the Wu-Tang Clan</a>, Masta Killa (b. Elgin Turner; aliases: High Chief, Noodles) recorded his first rhymes at the end of “Da Mystery of Chessboxin'” from <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">the Clan</a>‘s 1993 seminal debut, Enter the Wu-Tang (36 Chambers). He had never seriously written rhymes, let alone rap before then. However, under the tutelage of <a href="https://open.spotify.com/artist/6ns6XAOsw4B0nDUIovAOUO">the GZA</a>, he developed a steadily paced flow that accentuated his intellectual lyrics — although equally distinctive were his smooth voice and understated demeanor. Because Killa was incarcerated at the time, his closing verse on “Da Mystery of Chessboxin'” was his sole contribution to the album, but he always remained in the fold on the set of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu-Tang</a> solo records that ensued in the mid-’90s, including <a href="https://open.spotify.com/artist/6ns6XAOsw4B0nDUIovAOUO">GZA</a>‘s Liquid Swords, <a href="https://open.spotify.com/artist/2yQf6b8hxahZaT5dHlWaB1">Raekwon</a>‘s Only Built 4 Cuban Linx, and <a href="https://open.spotify.com/artist/6FD0unjzGQhX3b6eMccMJe">Ghostface Killah</a>‘s Ironman. There was no questioning his status in <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">the Clan</a> after the release of their 1997 album, Wu-Tang Forever, where Killa contributed to numerous tracks, particularly his standout lines on the lead single, “Triumph.”<p style="box-sizing:border-box;margin:0px 0px 1rem;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.5;max-width:100%">Nonetheless, similar to the plight of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu-Tang</a> member <a href="https://open.spotify.com/artist/4OBbOrkD4geIjOLrICN3wO">Inspectah Deck</a>, Killa worked on his solo material for many years before it would actually come out. After two more <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu-Tang</a> full-lengths and a second string of <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu</a> splinter projects, his solo career finally began with No Said Date, released via underground rap label Nature Sounds in 2004. Staying in-house with producers <a href="https://open.spotify.com/artist/4iCwCMnqsNZ6atvRiADgtn">the RZA</a>, <a href="https://open.spotify.com/artist/6T7ap0aCwj4aJVj3bJ0EWh">Mathematics</a>, and <a href="https://open.spotify.com/artist/41gTa5cSf7Zg5eErVb0aOS">True Master</a>, the album was one of the few <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu</a>-related releases post-Wu-Tang Forever that received critical praise, particularly by <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu-Tang</a>‘s loyal fan base. Killa returned in 2006 with Made in Brooklyn, working with a more diverse array of underground producers, including <a href="https://open.spotify.com/artist/2pAWfrd7WFF3XhVt9GooDL">MF Doom</a>, <a href="https://open.spotify.com/artist/4VhYUWpDsLraUG6Sd8g9TF">Bronze Nazareth</a>, and the legendary <a href="https://open.spotify.com/artist/3BeQqzKdlARoOd6y30kCO2">Pete Rock</a>. His third album arrived in 2012. Selling My Soul featured guest spots from <a href="https://open.spotify.com/artist/6NyJIFHAePjHR1pFxwisqz">Kurupt</a> and <a href="https://open.spotify.com/artist/50NoVNy9GU1lCrDV8iGpyu">Ol’ Dirty Bastard</a>, as well as production by <a href="https://open.spotify.com/artist/4s8ZGMVf3OiPktSP4ulpqU">9th Wonder</a>, <a href="https://open.spotify.com/artist/6T7ap0aCwj4aJVj3bJ0EWh">Mathematics</a>, and PF Cuttin. Another long gap followed before Killa released his fourth studio LP, Loyalty Is Royalty, in 2017. <a href="https://open.spotify.com/artist/34EP7KEpOjXcM2TCat1ISk">Wu-Tang</a> members <a href="https://open.spotify.com/artist/0dS5xeDefwoUNasLUHnCjR">Cappadonna</a>, <a href="https://open.spotify.com/artist/4VmEWwd8y9MCLwexFMdpwt">Method Man</a>, <a href="https://open.spotify.com/artist/4iCwCMnqsNZ6atvRiADgtn">RZA</a>, <a href="https://open.spotify.com/artist/6ns6XAOsw4B0nDUIovAOUO">GZA</a>, and <a href="https://open.spotify.com/artist/4OBbOrkD4geIjOLrICN3wO">Inspectah Deck</a> joined other guests like <a href="https://open.spotify.com/artist/7xTKLpo7UCzXSnlH7fOIoM">Redman</a>, <a href="https://open.spotify.com/artist/2x6jz70u3sZq75tW10akUW">Sean Price</a>, <a href="https://open.spotify.com/artist/1GwxXgEc6oxCKQ5wykWXFs">Prodigy</a>, and KXNG CROOKED on the album. ~ Cyril Cordor, Rovi

AS220

MASTA KILLA (of Wu-Tang Clan) - BALANCE Tour at AS220

115 Empire St

General admission

$40

Add a donation for AS220