Cleveland Uncommon Sound Project

### Context Profile for Cleveland Uncommon Sound Project (CUSP)

1. **Organization Mission & Cause**:
   - **Mission**: The Cleveland Uncommon Sound Project (CUSP) is dedicated to promoting and supporting experimental music and sound art in Cleveland. Their mission focuses on creating a vibrant community around new and innovative sound practices, fostering collaboration among artists, and providing platforms for diverse voices in the music scene.
   - **Cause**: CUSP aims to enrich the cultural landscape of Cleveland by showcasing experimental music, providing educational opportunities, and encouraging artistic exploration.

2. **Type of Activities**:
   - **Events**: CUSP organizes concerts, festivals, and workshops that feature local and national artists. A notable upcoming event is the "Re:Sound New & Experimental Music Festival 2025," co-presented with the Cleveland Museum of Art.
   - **Fundraising Campaigns**: They conduct fundraising initiatives to support their programming and outreach efforts.
   - **Community Programs**: CUSP engages the community through educational workshops and collaborative projects that invite participation from various demographics.

3. **Tone of Voice**:
   - The tone of CUSP's communications is **friendly, inspiring, and professional**. They aim to create an inclusive atmosphere that welcomes all individuals interested in experimental music. The language used is accessible yet maintains a level of sophistication appropriate for their artistic endeavors.

4. **Emoji Usage**:
   - CUSP does not prominently use emojis in their website content or email communications. Their focus appears to be on clear and professional language to convey their messages effectively.

5. **Key Facts**:
   - **Founding Info**: The specific founding date is not mentioned on the website, but CUSP is positioned as a key player in the Cleveland arts scene.
   - **Scale**: They have organized multiple events and campaigns, including at least 5 forms and 4 email campaigns.
   - **Impact Metrics**: While specific metrics are not detailed, their involvement in significant events like the Re:Sound Festival indicates a strong community presence and engagement.
   - **Volunteer Info**: The website does not explicitly mention volunteer opportunities, but involvement in community programs suggests potential for volunteer engagement.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that reflects the organization's mission to promote experimental music. Avoid jargon unless it is commonly understood within the music community.
   - **Engagement**: Write in an inviting tone that encourages participation and collaboration. Highlight community involvement and the importance of diverse voices in the arts.
   - **Call to Action**: Include strong calls to action that motivate readers to attend events, support fundraising efforts, or participate in community programs.

This context profile provides a comprehensive overview of the Cleveland Uncommon Sound Project, focusing on their mission, activities, tone, and communication style. It serves as a guide for generating tailored content that aligns with their values and engages their audience effectively.

General Admission

Matteo Liberatore is an artist and composer working in experimental music and intermedia art. Now based in Brooklyn, Liberatore spent much of his life in the medieval region of Abruzzo, Italy, amidst dramatic landscapes that are reflected through a performance and composition style of &ldquo;unsettling beauty&rdquo; and &ldquo;striking physicality&rdquo; (The New York City Jazz Record). Since 2018, he has released several records that dance between free improvisation, contemporary classical music, noise and electronic music, including Solos (2018, Innova Recordings), Neutral Love (Duo with Amirtha Kidambi, 2021, Astral Editions), Death In The Gilded Age (Quartet with Ava Mendoza, gabby fluke-mogul, and Joanna Mattrey, 2021, Tripticks Tapes), Lacquer (2022, Tripticks Tapes) and FEED (New Focus Recordings). Since 2015, he has collaborated with a wide variety of artists and musicians such as Mark Kelley, Brian Chase, Elliott Sharp, Taja Cheek, Gold Dime, and many more. Over the years, he has played hundreds of shows, from DIY venues, museums and colleges to festivals and landmark stages such as The Stone and King&rsquo;s Theatre. His work has been reviewed and featured in Entertainment Weekly, All About Jazz, Paste Magazine, WNYC, The Quietus, Free Jazz Blog, and many more. His first solo guitar album Solos was included in Ted Gioia&rsquo;s 100 best albums of 2018. Matteo Liberatore&rsquo;s project, Molto Ohm, is a sonic and visual exploration of the fragmentation and alienation of modern life.Through a juxtaposition of dance beats, seductive voices, synthetic melodies, and environmental sounds, the music captures the tension between the magnetic pull of consumerism, commodification, anxiety, and affect regulation; and our profound yearning for calm, joy, and human connection. Equally at home in smoky late-night venues as well as museums and galleries, Molto Ohm&rsquo;s live performance consists of improvised sound collages made using 4 DJ decks played simultaneously. The music is fragmented, layered, and recombined, blurring the lines between club music and sound art. Molto Ohm integrates a screen projection that expands on the ideas expressed in the music, immersing audiences in a world of screen recordings, 360-degree footage, iPhone footage, and stock imagery that recontextualize the detachment and digitization of the online experience. Since its debut in 2023, Molto Ohm has released its first album FEED, performed live, received grants and commissions from organizations such as Foundation For Contemporary Arts, Composers Now and Metropolis Ensemble, and collaborated with artists including Ka Baird, Taja Cheek (L&rsquo;Rain), Lester St. Louis (HxH), more eaze, Alyse Lamb (Parlor Walls), Brian Wenner, and more. // &Oacute;tal is the work of Icelandic artist &Oacute;skar &THORN;&oacute;r Arngr&iacute;msson, based in Akron. He creates hypnotic soundscapes from layers of texture and tone, with traces of Icelandic mysticism. Influenced by minimalist composers, &Oacute;tal&rsquo;s music moves between the tangible and the abstract. Using synthesizers and field recordings, each piece unfolds slowly, creating intimate atmospheres meant for deep listening.&nbsp; Ella Medicus, an Akron-based artist is providing an immersive visual projection, using abstracted footage to pair with the performance.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for joining us for the Molto Ohm // &Oacute;tal event on March 27. We look forward to seeing you there! Best, CUSPuncommonsoundcle@gmail.com

Matteo Liberatore is an artist and composer working in experimental music and intermedia art. Now based in Brooklyn, Liberatore spent much of his life in the medieval region of Abruzzo, Italy, amidst dramatic landscapes that are reflected through a performance and composition style of “unsettling beauty” and “striking physicality” (The New York City Jazz Record). Since 2018, he has released several records that dance between free improvisation, contemporary classical music, noise and electronic music, including Solos (2018, Innova Recordings), Neutral Love (Duo with Amirtha Kidambi, 2021, Astral Editions), Death In The Gilded Age (Quartet with Ava Mendoza, gabby fluke-mogul, and Joanna Mattrey, 2021, Tripticks Tapes), Lacquer (2022, Tripticks Tapes) and FEED (New Focus Recordings). Since 2015, he has collaborated with a wide variety of artists and musicians such as Mark Kelley, Brian Chase, Elliott Sharp, Taja Cheek, Gold Dime, and many more. Over the years, he has played hundreds of shows, from DIY venues, museums and colleges to festivals and landmark stages such as The Stone and King’s Theatre. His work has been reviewed and featured in Entertainment Weekly, All About Jazz, Paste Magazine, WNYC, The Quietus, Free Jazz Blog, and many more. His first solo guitar album Solos was included in Ted Gioia’s 100 best albums of 2018. Matteo Liberatore’s project, Molto Ohm, is a sonic and visual exploration of the fragmentation and alienation of modern life.Through a juxtaposition of dance beats, seductive voices, synthetic melodies, and environmental sounds, the music captures the tension between the magnetic pull of consumerism, commodification, anxiety, and affect regulation; and our profound yearning for calm, joy, and human connection. Equally at home in smoky late-night venues as well as museums and galleries, Molto Ohm’s live performance consists of improvised sound collages made using 4 DJ decks played simultaneously. The music is fragmented, layered, and recombined, blurring the lines between club music and sound art. Molto Ohm integrates a screen projection that expands on the ideas expressed in the music, immersing audiences in a world of screen recordings, 360-degree footage, iPhone footage, and stock imagery that recontextualize the detachment and digitization of the online experience. Since its debut in 2023, Molto Ohm has released its first album FEED, performed live, received grants and commissions from organizations such as Foundation For Contemporary Arts, Composers Now and Metropolis Ensemble, and collaborated with artists including Ka Baird, Taja Cheek (L’Rain), Lester St. Louis (HxH), more eaze, Alyse Lamb (Parlor Walls), Brian Wenner, and more. // Ótal is the work of Icelandic artist Óskar Þór Arngrímsson, based in Akron. He creates hypnotic soundscapes from layers of texture and tone, with traces of Icelandic mysticism. Influenced by minimalist composers, Ótal’s music moves between the tangible and the abstract. Using synthesizers and field recordings, each piece unfolds slowly, creating intimate atmospheres meant for deep listening.  Ella Medicus, an Akron-based artist is providing an immersive visual projection, using abstracted footage to pair with the performance.

Cleveland Uncommon Sound Project

Molto Ohm // Ótal

1433 E 33rd St

General Admission

$15

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