Museum of Stop Motion Animation

**Context Profile for Museum of Stop Motion Animation (MOSMA)**

1. **Organization Mission & Cause:**
   - The Museum of Stop Motion Animation (MOSMA) is dedicated to preserving, promoting, and educating the public about the art of stop-motion animation. Their mission is to celebrate this unique form of animation by showcasing its history, techniques, and cultural impact. They aim to inspire creativity and appreciation for stop-motion animation through exhibitions, workshops, and community engagement.

2. **Type of Activities:**
   - **Exhibitions:** MOSMA hosts various exhibitions that display the history and evolution of stop-motion animation, featuring works from both renowned and emerging artists.
   - **Workshops & Events:** They organize interactive workshops and events such as the "Animation Jam" where participants can learn from experienced animators like Sergio Valdivia Del La Torre. These events provide hands-on experiences and insights into the creative process.
   - **Community Programs:** The museum offers programs aimed at engaging the community, including educational sessions for schools and special interest groups.
   - **Fundraising Campaigns:** They run campaigns to support their mission, inviting donations and participation in events to keep the art form vibrant.

3. **Tone of Voice:**
   - The tone of MOSMA is friendly, inspiring, and educational. They aim to engage a wide audience by making the art of stop-motion accessible and exciting. Their communications are often enthusiastic and inviting, encouraging participation and support.

4. **Emoji Usage:**
   - The organization does not prominently use emojis in their formal communications such as their website and email campaigns. Their style remains professional and focused on clear, engaging content.

5. **Key Facts:**
   - **Founding Info:** While specific founding details are not provided, MOSMA is established as a dedicated space for stop-motion animation.
   - **Scale & Impact:** The museum manages a variety of forms and email campaigns, indicating a robust engagement strategy. They host events that attract both local and international participants.
   - **Volunteer Info:** While specific volunteer details are not mentioned, the museum likely relies on community support and participation for events and programs.

6. **Writing Guidelines:**
   - **Style:** Content should be clear, engaging, and informative, with a focus on the educational and inspirational aspects of stop-motion animation.
   - **Language:** Use accessible language that appeals to a broad audience, including enthusiasts, students, and professionals.
   - **Structure:** Organize content with clear headings and bullet points for easy readability, especially in event descriptions and newsletters.
   - **Engagement:** Encourage interaction and participation, highlighting the unique experiences offered by the museum.

By following these guidelines, AI assistants can generate content that aligns with MOSMA's mission and effectively engages their audience.

Animation Jam with guest animator SUZANNE TWINING

General admission

<p style="margin:0px 0px 1rem;line-height:var(--body-font-line-height);overflow-wrap:break-word;color:rgb(0, 0, 0);font-family:Poppins;font-size:17px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:300;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:inherit">Beginning on the last Saturday of each month in 2025, we will be inviting the public and individuals interested in stop-motion and the animation process to attend our Animation Jams. Each month a different professional animator will be on site at MOSMA HQ working on a short piece of animation and we want to invite you to meet the animators, other stop-motion industry professionals, ask questions, network, and potentially take a few frames of animation! <p style="margin:1rem 0px;line-height:var(--body-font-line-height);overflow-wrap:break-word;color:rgb(0, 0, 0);font-family:Poppins;font-size:17px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:300;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:inherit">THIS MONTHS GUEST ANIMATOR SUZANNE TWINING<p style="margin:1rem 0px 0px;line-height:var(--body-font-line-height);overflow-wrap:break-word;color:rgb(0, 0, 0);font-family:Poppins;font-size:17px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:300;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:inherit">Suzanne grew up on a farm in Baltimore, MD and studied animation at the University of the Arts in Philadelphia, PA. In 1997 her thesis film, Put On A Happy Face went on to win a Student Academy Award in the animation category. Over the last 25 years, Suzanne has made a living as a stop-motion animator working on commercials, short films, television shows and feature films. Some of her credits include Coraline, Paranorman, The Boxtrolls, Tumble Leaf, Robot Chicken, The Shivering Truth, The PJ’s and Celebrity Deathmatch. Her independent short film, Terminator Tomatoes appeared in over 60 festivals worldwide. Suzanne served as lead animator on Henry Selick’s film Wendell & Wild (2022) and as senior animator on Guillermo del Toro’s Pinocchio (2022). Most recently, Suzanne animated at Shadowmachine on In The Know (2023) and was the lead animator on season 2 of Tiny Chef (2024).

Hi! Thank you for helping us bring MOSMA's programming to the public. Your participation greatly helps our mission!  If you would like to contribute further, contact us to become a volunteer, or please just talk to your friends about our goal to bring a stop-motion animation museum to Portland! Thank you, Brian Capati MOSMAMuseum of Stop Motion AnimationFounder/President<a style="text-decoration-color:initial;box-sizing:inherit;-webkit-user-select:auto">mosmapdx.org</a><a href="mailto:mosmapdx@gmail.com" style="text-decoration-color:initial;box-sizing:inherit;-webkit-user-select:auto">mosmapdx@gmail.com</a>Insta: @mosmapdx

<p style="margin:0px 0px 1rem;line-height:var(--body-font-line-height);overflow-wrap:break-word;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:300;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;text-decoration-thickness:initial;text-decoration-style:initial;box-sizing:inherit;max-width:100%">Beginning on the last Saturday of each month in 2025, we will be inviting the public and individuals interested in stop-motion and the animation process to attend our Animation Jams. Each month a different professional animator will be on site at MOSMA HQ working on a short piece of animation and we want to invite you to meet the animators, other stop-motion industry professionals, ask questions, network, and potentially take a few frames of animation! <p style="margin:1rem 0px;line-height:var(--body-font-line-height);overflow-wrap:break-word;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:300;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;text-decoration-thickness:initial;text-decoration-style:initial;box-sizing:inherit;max-width:100%">THIS MONTHS GUEST ANIMATOR SUZANNE TWINING<p style="margin:1rem 0px 0px;line-height:var(--body-font-line-height);overflow-wrap:break-word;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:300;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:pre-wrap;text-decoration-thickness:initial;text-decoration-style:initial;box-sizing:inherit;max-width:100%">Suzanne grew up on a farm in Baltimore, MD and studied animation at the University of the Arts in Philadelphia, PA. In 1997 her thesis film, Put On A Happy Face went on to win a Student Academy Award in the animation category. Over the last 25 years, Suzanne has made a living as a stop-motion animator working on commercials, short films, television shows and feature films. Some of her credits include Coraline, Paranorman, The Boxtrolls, Tumble Leaf, Robot Chicken, The Shivering Truth, The PJ’s and Celebrity Deathmatch. Her independent short film, Terminator Tomatoes appeared in over 60 festivals worldwide. Suzanne served as lead animator on Henry Selick’s film Wendell &amp; Wild (2022) and as senior animator on Guillermo del Toro’s Pinocchio (2022). Most recently, Suzanne animated at Shadowmachine on In The Know (2023) and was the lead animator on season 2 of Tiny Chef (2024).

Museum of Stop Motion Animation

MOSMA Animation JAM February - SUZANNE TWINING

2821 NE Martin Luther King Jr Blvd

General admission

$15

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