Automata Arts

### Context Profile for Automata Arts

1. **Organization Mission & Cause**:
   - **Mission**: Automata Arts is dedicated to fostering innovative and experimental performance art. Their mission revolves around creating a space for artists to explore and present new work, particularly in the realm of installation and performance art. They aim to challenge traditional narratives and engage audiences in unique, immersive experiences.
   - **Cause**: The organization emphasizes the importance of artistic exploration and community engagement, providing a platform for artists to push boundaries and provoke thought through their work.

2. **Type of Activities**:
   - **Events**: Automata Arts hosts various performances, including installation performances like "Eutrophia II," which combines elements of visual art and live performance.
   - **Fundraising Campaigns**: They engage in fundraising efforts to support their residency programs and events, offering free or discounted tickets to encourage community participation.
   - **Community Programs**: The organization facilitates audience engagement through participatory events, allowing audiences to interact with the performances and provide feedback.

3. **Tone of Voice**:
   - The tone of Automata Arts is **professional yet approachable**, with an emphasis on **artistic expression**. Their language is often **inspiring and thought-provoking**, aiming to engage audiences intellectually and emotionally. The use of artistic terminology and detailed descriptions reflects a deep appreciation for the nuances of performance art.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their content is more formal and focused on conveying artistic concepts and event details without the casualness that emojis might imply.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but Automata Arts is involved in contemporary performance art and has established itself as a significant venue for experimental work.
   - **Scale**: The organization has a total of 57 forms and email campaigns, indicating active engagement with their audience.
   - **Impact Metrics**: While specific metrics were not detailed, the organization’s focus on community engagement and artist support suggests a commitment to fostering a vibrant arts community.
   - **Volunteer Info**: Information on volunteer opportunities was not explicitly mentioned, but the participatory nature of their events implies potential for audience involvement.

6. **Writing Guidelines**:
   - **Style**: Content should maintain a balance between professional and accessible language. Use artistic terminology where appropriate to reflect the organization's focus on performance art.
   - **Structure**: Clear, concise paragraphs with a focus on engaging the reader. Use headings and bullet points for easy navigation, especially in event descriptions.
   - **Engagement**: Encourage audience interaction by posing questions or inviting feedback where relevant. Highlight the unique aspects of each event to draw in attendees.
   - **Call to Action**: Always include a clear call to action, whether it’s to purchase tickets, attend an event, or support the organization through donations.

This context profile provides a comprehensive overview of Automata Arts, enabling AI assistants to generate tailored content that aligns with the organization’s mission, activities, and communication style.

LXCL:general admission

General Admission

MuMeMahMon March 26, 2026 at 7:30 PM at AutomataDoors open at 7 PM Automata welcomes Los Angeles musical and performance artists <a fr-original-style="" href="https://maharms.bandcamp.com/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">M A Harms</a> and <a fr-original-style="" href="mailto:nellejanderson@gmail.com" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;">Nelle Anderson</a> for MuMeMahMon, a rough and raw work of body puppetry. &nbsp; &quot;After years of group improvisations ending with US wrestling on the floor, she/it/we/they are attempting true FusionDisememberment in this Very Serious and Also Playfully Desperate Adventure into that which is the Holy Trinity: SELF, OTHER, and INSTRUMENT. &quot; (---M A Harms and Nelle Anderson) M A and Nelle met in grad school at CalArts and developed a mutual admiration for each other&#39;s unruly body outbursts in musical performances. As instrument guides this de-gloving and re-immersion, Anderson and Harms explore the spectrum of difference, sameness, and inversion between their instruments: M A&#39;s drums sing, amplifying voice recordings, and Nelle&#39;s voice drums as her body responds to percussive treatment. They will search for answers in every corner of the Automata space&mdash;windows, bathroom, basement&mdash;while tethered together with scrap cloth marionette strings tied throughout the venue. About the Artists: <a href="https://maharms.bandcamp.com/" target="_blank" rel="noopener noreferrer" fr-original-style="" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;"></a><a fr-original-style="" href="mailto:margoharms29@gmail.com" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">M A Harms</a> is a Los Angeles-based composer, performer, and instrument builder who explores the intersections between grief, gender, and sex through a combination of text and sound. Their practice centers performance art and interdisciplinarity, imagining and creating sound using sculptural installations, found objects, electronics, mannequins, and placing equal significance on the visual experience of their work. M navigates literal stories and personal life events via sound practice, obscuring them to the point that they begin to bridge the gap between individual and &ldquo;universal&rdquo; experiences. <a fr-original-style="" href="http://www.nellejanderson.com" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Nelle June Anderson</a> (nellee, we) are an artist working with voice and social space in opera, punk, improvisation, and metaphysics. We made our operatic debut with the American Symphony Orchestra and have since appeared as a soloist with Juno Award-winning baroque orchestra Ensemble Caprice (Ramiro, Motezuma, North American tour) and Grammy Award-winning PARTCH Ensemble as Marilyn Monroe/S in LSD&mdash;Huxley&rsquo;s Last Trip (LeBaron), for which we &ldquo;stunned with her buttery tone&rdquo; (San Francisco Classical Voice). Avant-garde pop productions as SOUBRETTE were praised for their &ldquo;production trickery&rdquo; and &ldquo;graceful experimentation&rdquo; (Recording Artist Guild). We made our directorial and design debut as an Oracle Egg BROILER Resident Artist in 2024 (BEDROCK, Ivan Cunningham). Improvisational configurations include dance/voice (Neoma Butoh, Electric Lodge Daredevil Festival, Philosophical Research Society); alto saxophone/voice (soundpedro Season Opening 2025); durational performance art (Torrance Art Museum, NOMAD IV/TRYST 2025); looper/voice (Reisig and Taylor Contemporary, Matthew McGaughey, Staged.). Nelle have a BA in Classical Voice Performance (Bard College); an MFA in Performer-Composer (California Institute of the Arts); and a Usui-Holy Fire Reiki Master certification. From Minneapolis, based in Detroit. Up next: LA Opera Fest with Overtone Industries (April 2026).

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Automata Artsautomataarts@gmail.com

MuMeMahMon March 26, 2026 at 7:30 PM at AutomataDoors open at 7 PM Automata welcomes Los Angeles musical and performance artists <a href="https://maharms.bandcamp.com/" target="_blank">M A Harms</a> and <a href="mailto:nellejanderson@gmail.com">Nelle Anderson</a> for MuMeMahMon, a rough and raw work of body puppetry.   "After years of group improvisations ending with US wrestling on the floor, she/it/we/they are attempting true FusionDisememberment in this Very Serious and Also Playfully Desperate Adventure into that which is the Holy Trinity: SELF, OTHER, and INSTRUMENT. " (---M A Harms and Nelle Anderson) M A and Nelle met in grad school at CalArts and developed a mutual admiration for each other's unruly body outbursts in musical performances. As instrument guides this de-gloving and re-immersion, Anderson and Harms explore the spectrum of difference, sameness, and inversion between their instruments: M A's drums sing, amplifying voice recordings, and Nelle's voice drums as her body responds to percussive treatment. They will search for answers in every corner of the Automata space—windows, bathroom, basement—while tethered together with scrap cloth marionette strings tied throughout the venue. About the Artists: <a href="https://maharms.bandcamp.com/" target="_blank"></a><a href="mailto:margoharms29@gmail.com" target="_blank">M A Harms</a> is a Los Angeles-based composer, performer, and instrument builder who explores the intersections between grief, gender, and sex through a combination of text and sound. Their practice centers performance art and interdisciplinarity, imagining and creating sound using sculptural installations, found objects, electronics, mannequins, and placing equal significance on the visual experience of their work. M navigates literal stories and personal life events via sound practice, obscuring them to the point that they begin to bridge the gap between individual and “universal” experiences. <a href="http://www.nellejanderson.com" target="_blank">Nelle June Anderson</a> (nellee, we) are an artist working with voice and social space in opera, punk, improvisation, and metaphysics. We made our operatic debut with the American Symphony Orchestra and have since appeared as a soloist with Juno Award-winning baroque orchestra Ensemble Caprice (Ramiro, Motezuma, North American tour) and Grammy Award-winning PARTCH Ensemble as Marilyn Monroe/S in LSD—Huxley’s Last Trip (LeBaron), for which we “stunned with her buttery tone” (San Francisco Classical Voice). Avant-garde pop productions as SOUBRETTE were praised for their “production trickery” and “graceful experimentation” (Recording Artist Guild). We made our directorial and design debut as an Oracle Egg BROILER Resident Artist in 2024 (BEDROCK, Ivan Cunningham). Improvisational configurations include dance/voice (Neoma Butoh, Electric Lodge Daredevil Festival, Philosophical Research Society); alto saxophone/voice (soundpedro Season Opening 2025); durational performance art (Torrance Art Museum, NOMAD IV/TRYST 2025); looper/voice (Reisig and Taylor Contemporary, Matthew McGaughey, Staged.). Nelle have a BA in Classical Voice Performance (Bard College); an MFA in Performer-Composer (California Institute of the Arts); and a Usui-Holy Fire Reiki Master certification. From Minneapolis, based in Detroit. Up next: LA Opera Fest with Overtone Industries (April 2026).

Automata Arts

Nelle Anderson and M A Harms: MuMeMahMon

Automata

General Admission

$15

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