Friends of the Frost Place

### Context Profile for Friends of the Frost Place

1. **Organization Mission & Cause**:
   - **Mission**: Friends of the Frost Place is dedicated to promoting the appreciation of poetry and the natural world through workshops, readings, and educational programs. They aim to inspire creativity and foster a deeper connection with nature through the art of poetry.
   - **Cause**: The organization emphasizes the importance of nature in poetry and seeks to create a community of writers who explore and express their experiences with the natural environment.

2. **Type of Activities**:
   - **Workshops**: They host various poetry workshops, such as "Writing Nature in Place," which encourages participants to draw inspiration from their surroundings.
   - **Readings**: The organization organizes poetry readings that allow poets to share their work and connect with audiences.
   - **Educational Programs**: They provide educational resources and programs aimed at enhancing the understanding and appreciation of poetry, particularly in relation to nature.

3. **Tone of Voice**:
   - The tone of the website is **friendly, inspiring, and welcoming**. The language is accessible and encourages participation, making it appealing to both novice and experienced poets. The content often evokes a sense of connection to nature and creativity.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. The tone remains professional and focused on the literary aspect of their mission without relying on informal emoji expressions.

5. **Key Facts**:
   - **Founding Info**: The specific founding date is not mentioned on the website.
   - **Scale**: Engages with a community of poets and nature enthusiasts, offering multiple workshops and events throughout the year.
   - **Impact Metrics**: While specific metrics are not provided, the organization highlights participant engagement and community involvement through their events.
   - **Volunteer Info**: The website does not specify volunteer opportunities, but it encourages community involvement and support for their programs.

6. **Writing Guidelines**:
   - **Style**: Use a conversational and inviting tone that reflects a passion for poetry and nature. 
   - **Structure**: Content should be well-organized, with clear headings and engaging descriptions of events and workshops.
   - **Audience Engagement**: Encourage readers to participate in workshops and events, emphasizing the community aspect and the joy of creative expression.
   - **Imagery**: Use vivid and descriptive language that evokes the beauty of nature, aligning with the organization’s mission to connect poetry with the natural world.

This context profile provides a comprehensive understanding of Friends of the Frost Place, enabling AI assistants to generate personalized and relevant content that aligns with the organization’s mission and values.

Workshop fee

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1734378768/kfgfhvfjqjcplgrlz4gy.png" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" /> What do we mean by the “poetic turn”? I think of it as a change of gears, a ship tacking on the water, any shift in the poem, rhetorical or formal, from description to reflection, from question to answer, from one Point of View to another, from statement to contradiction—it’s a swing of the camera’s lens, a new voice or tone, a new language, a break in rhyme or meter. There are countless ways that a poem can turn, and the turn of a poem can be quiet and subtle or dramatic and unsettling. Kim Addonizio says: “A turn is … a measure of energy…  The leap from one synapse to another…one level of understanding…to being in the presence of the mystery.” In his essay “Bivalves,” Carl Phillips considers … “the hinge…as a way to get the reader from one place to another…part of the poem’s musculature, … [giving] an athleticism to the poem, even as it also promotes momentum.” In an interview, Hayan Charara says, “The “poetic turn” is another way to talk about misdirection. Some part of the poem…builds expectation, then it turns against that expectation.” Gregory Pardlo says, “If a poem doesn’t have a turn, I want my money back.” Looking at a variety of poems, we'll discuss the kinds of turns we make and the ones we have yet to risk. We will consider how the turn displays the poet’s particular imagination, that impulse towards mystery—boundless, infinite. We will consider how participants can apply the ideas from the workshop to their own poems. This Zoom workshop is open to writers at all levels, and limited to ten students. Please review the <a href="https://frostplace.org/refundpolicy" rel="noreferrer noopener" style="box-sizing:inherit;background:transparent;transition:color 0.18s, background-color 0.18s, border-color 0.18s;outline:none;color:rgb(229, 107, 75);text-decoration:none;font-weight:500;user-select:auto" target="_blank">course policies page</a> before registering for any class. The course fee is $150.00.Please email Patrick Donnelly at <a href="mailto:pdonnelly@frostplace.org" style="box-sizing:inherit;background:transparent;transition:color 0.18s, background-color 0.18s, border-color 0.18s;outline:none;color:rgb(229, 107, 75);text-decoration:none;font-weight:500;user-select:auto">pdonnelly@frostplace.org</a> with any questions.<hr /><h2>About the Instructor</h2><h2><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1734384570/cb3wcypn9bqtkhjzohn0.jpg" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center" /> <p style="font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:border-box;margin:0px 0px 1rem;color:rgb(52, 52, 52);background-color:rgb(250, 250, 250);width:100%;line-height:1.5">Blas Falconer is the author of four poetry collections, including Rara Avis (Four Way Books, 2024) and Forgive the Body This Failure (Four Way Books, 2018). He is also the co-editor of two anthologies: The Other Latin@: Writing Against a Singular Identity (The University of Arizona Press, 2011), with Lorraine M. López, and Mentor and Muse: Essays from Poets to Poets (Southern Illinois University Press, 2010), with Beth Martinelli and Helena Mesa. <p style="font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:border-box;margin:0px 0px 1rem;color:rgb(52, 52, 52);background-color:rgb(250, 250, 250);width:100%;line-height:1.5">Falconer is the recipient of a poetry fellowship from the National Endowment for the Arts and a Maureen Egen Writers Exchange Award from Poets & Writers. He teaches in the San Diego State University MFA program and is the editor-in-chief at Poetry International Online.<p style="font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;box-sizing:border-box;margin:0px 0px 1rem;color:rgb(52, 52, 52);background-color:rgb(250, 250, 250);width:100%;line-height:1.5">Read more: <a href="https://blasfalconer.com/" style="text-decoration-color:currentcolor;user-select:auto;box-sizing:inherit">https://blasfalconer.com/</a> </h2> <div style="box-sizing:border-box;direction:ltr;display:grid;grid-template-columns:50% 1fr;grid-template-rows:auto;margin-bottom:30px;width:100%;line-height:1.5"><div style="box-sizing:inherit;align-self:center;direction:ltr;grid-area:1 / 2;padding:0px 23.8594px;word-break:break-word;line-height:1.5"><p style="box-sizing:inherit;margin:0px 0px 15px;color:rgb(112, 112, 112);font-family:&quot;Work Sans&quot;, sans-serif;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.5;font-size:var(--wp--preset--font-size--medium) !important"> </div></div>

Hi <span data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for registering for this event and supporting our cause. Your registration greatly helps our mission. 🚀If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Stacy Holmes<a href="mailto:stacy@frostplace.org" style="text-decoration-color:currentcolor;user-select:auto;box-sizing:inherit">stacy@frostplace.org</a>

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1734378768/kfgfhvfjqjcplgrlz4gy.png" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit;max-width:100%" /> What do we mean by the “poetic turn”? I think of it as a change of gears, a ship tacking on the water, any shift in the poem, rhetorical or formal, from description to reflection, from question to answer, from one Point of View to another, from statement to contradiction—it’s a swing of the camera’s lens, a new voice or tone, a new language, a break in rhyme or meter. There are countless ways that a poem can turn, and the turn of a poem can be quiet and subtle or dramatic and unsettling. Kim Addonizio says: “A turn is … a measure of energy…  The leap from one synapse to another…one level of understanding…to being in the presence of the mystery.” In his essay “Bivalves,” Carl Phillips considers … “the hinge…as a way to get the reader from one place to another…part of the poem’s musculature, … [giving] an athleticism to the poem, even as it also promotes momentum.” In an interview, Hayan Charara says, “The “poetic turn” is another way to talk about misdirection. Some part of the poem…builds expectation, then it turns against that expectation.” Gregory Pardlo says, “If a poem doesn’t have a turn, I want my money back.” Looking at a variety of poems, we'll discuss the kinds of turns we make and the ones we have yet to risk. We will consider how the turn displays the poet’s particular imagination, that impulse towards mystery—boundless, infinite. We will consider how participants can apply the ideas from the workshop to their own poems. This Zoom workshop is open to writers at all levels, and limited to ten students. Please review the <a href="https://frostplace.org/refundpolicy" target="_blank">course policies page</a> before registering for any class. The course fee is $150.00.Please email Patrick Donnelly at <a href="mailto:pdonnelly@frostplace.org">pdonnelly@frostplace.org</a> with any questions.<hr />About the Instructor<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1734384570/cb3wcypn9bqtkhjzohn0.jpg" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center;max-width:100%" /> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;box-sizing:border-box;margin:0px 0px 1rem;width:100%;line-height:1.5;max-width:100%">Blas Falconer is the author of four poetry collections, including Rara Avis (Four Way Books, 2024) and Forgive the Body This Failure (Four Way Books, 2018). He is also the co-editor of two anthologies: The Other Latin@: Writing Against a Singular Identity (The University of Arizona Press, 2011), with Lorraine M. López, and Mentor and Muse: Essays from Poets to Poets (Southern Illinois University Press, 2010), with Beth Martinelli and Helena Mesa. <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;box-sizing:border-box;margin:0px 0px 1rem;width:100%;line-height:1.5;max-width:100%">Falconer is the recipient of a poetry fellowship from the National Endowment for the Arts and a Maureen Egen Writers Exchange Award from Poets &amp; Writers. He teaches in the San Diego State University MFA program and is the editor-in-chief at Poetry International Online.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;box-sizing:border-box;margin:0px 0px 1rem;width:100%;line-height:1.5;max-width:100%">Read more: <a href="https://blasfalconer.com/">https://blasfalconer.com/</a> <div><div><p style="box-sizing:inherit;margin:0px 0px 15px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.5;max-width:100%"> </div></div>

Friends of the Frost Place

Add a donation for Friends of the Frost Place

Turning Toward A Mystery: Poetic Turns

Workshop fee

$150